Frog Music: A Novel (Anglais) Relié – 1 avril 2014
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Revue de presse
"FROG MUSIC...[brings] to steamy life the unresolved so-called San Miguel Mystery.... Donoghue front-loads the drama.... She captures San Francisco in all its melting-pot, fishy-smelling glory, and weaves in authentic details about smallpox outbreaks, race riots, and orphanages. Jenny Bonnet is an incendiary character pulled directly from the history books.... Her extraordinary life gives Donoghue's novel contemporary resonance."―Elyse Moody, Elle
"More fine work from one of popular fiction's most talented practitioners.... Donoghue's vivid rendering of Gilded Age San Francisco is notable for her atmospheric use of popular songs and slang in Blanche's native French, but the book's emotional punch comes from its portrait of a woman growing into self-respect as she takes responsibility for the infant life she's created."―Kirkus Reviews
"Emma Donoghue shows more than range with FROG MUSIC-she shows genius. Like and unlike her stunning ROOM, this novel lifts into view a strange crime, a remarkable woman, and is a Ringling Brothers-grade feat of narrative strength. As ever, Donoghue focuses on people on the skirts of the world, who make their way outside the common middle of things. Blanche and Jenny are characters you will never forget, filmed in vibrant, cinemascope prose, and they mark Emma Donoghue's greatest achievement yet."―Darin Strauss, author of Half a Life
"Donoghue's first literary crime novel is a departure from her bestselling Room, but it's just as dark and just as gripping as the latter.... Aside from the obvious whodunit factor, the book is filled with period song lyrics and other historic details, expertly researched and flushed out.... Donoghue's signature talent for setting tone and mood elevates the book from common cliffhanger to a true chef d'oeuvre."―Gabe Habash, Publishers Weekly (Starred Review)
"Donoghue flawlessly combines literary eloquence and vigorous plotting in her first full-fledged mystery, a work as original and multifaceted as its young murder victim.... An engrossing and suspenseful tale about moral growth, unlikely friendship, and breaking free from the past."―Sarah Johnson, Booklist (Starred Review)
"Donoghue's evocative language invades the senses.... Readers won't quickly forget this rollicking, fast-paced novel, which is based on a true story and displays fine bits of humor with underlying themes of female autonomy and the right to own one's sexual identity."―Library Journal (Starred Review)
"Donoghue proves herself endlessly inventive....[She] nails both the period details and the atmosphere-think sweltering heat waves, dumping grounds for unwanted babies, and smallpox epidemics. This is the kind of book that will keep you up at night and make you smarter."―Julie Buntin, Cosmopolitan
"[An] offbeat, high-minded whodunit from the award-winning author of Room."―Adam Rathe, DuJour
"A historical narrative set in San Francisco in 1876.... [that] provides further proof that Ms. Donoghue is an unusually versatile writer."―New York Observer
"The Room author's latest novel, about a woman solving her friend's murder in 1876 San Fran, sucks you in."―Megan Angelo, Glamour
"Research and invention together mark FROG MUSIC with the ring of truth and salvage a fascinating story from the ether of history."―Ellen Wernecke, A.V. Club
"Like Room...Donoghue here displays an uncanny knack for telling an off-putting story in such a way that you can't stop reading it, that you fall a little bit in love with the characters and the moment in time she's creating."―Moira Macdonald, Seattle Times
"Unmissable-a novel bound to be one of the most talked about of the year."―Daniel Lefferts, Bookish
"Donoghue...devises an ingeniously plotted revision to the official story of why Jenny died-true to her sustained, career-long effort to read history slant and thereby set the record straight."―Mike Fischer, Milwaukee Journal Sentinel
"It's in the tentative moments of love between Blanche and P'tit that FROG MUSIC is at its best-heartfelt, affecting, and real. Donoghue is so gifted at depicting the fraught blessings of motherhood."―Charles Finch, Chicago Tribune
"With rich, well-researched details, Donoghue evokes a multicultural, rough-and-tumble San Francisco."―USAToday
"A vivid narrative equipped with love, lust, and violence, questionable morals, period folk tunes, an eclectic band of characters, and a quest for justice."―Morgan Ribera, Bustle
"Donoghue's book captures the details of San Francisco through meticulous research. The city is a character itself."―Tony DuShane, San Francisco Chronicle
"Though Donoghue poses the book as a mystery - who killed Jenny Bonnet? - it's equally a celebration of love despite hardships galore, and the rising call of motherhood against near impossible odds."―Alan Cheuse, NPR
"Donoghue masterfully transports readers to an era of dung-covered cobbled roads, unspeakably cruel baby farms, deep suspicion of Chinese immigrants and unruly saloons."―Rasha Madkour, The Associated Press
"Donoghue's latest novel has many facets, all of them fascinating....Colorful French slang and period songs...flow through the novel lyrically, making the era as vital as the plot....[A] vibrant novel."―Connie Ogle, Miami Herald
"A dazzling historical crime drama."―San Francisco Chronicle
"A riveting literary thriller."―Karen Holt, Huffington Post
"Donoghue delivers her best to date.... [She] had us with her novel Room.... But in her latest, she outdoes herself. She leaves behind her familiar, her trusted ways and dishes up something bold, raw-ish and fabulously fun-whilst maintaining a very serious and noted literary merit."―Daniel Scheffler, Edge
"Vividly rendered.... A page-turner, full of suspense; fans of Room will recognize the dark, gripping tension Donoghue creates so masterfully. But the novel goes far beyond the usual thriller in its nuanced characterizations: Jenny and Blanche are sculpted into living, breathing, feeling individuals, and even minor characters pulse with life."―Patricia Hagen, Minneapolis Star Tribune
"A captivating exploration of female friendship, music, cultural clashes, San Francisco's history, childcare, and the sex trade in the United States."―Sara Rauch, Lambda Literary
"Completely engrossing, readable, and fascinating on several levels."―Bethanne Patrick, Washingtonian
"Donoghue's latest novel has many facets, all of them fascinating.... Like her hair-raising best-seller Room, it incorporates the elements of a thriller; in fact, there's enough puzzle here to qualify as a full-blooded mystery. Best of all, there's Donoghue's intricate examination of women in impossible circumstances, bound to repugnant men for survival but never broken by them.... Colorful French slang and period songs...flow through the novel lyrically, making the era as vital as the plot. Donoghue is acrobatic with her storytelling and language and paints the stinking city vividly.... [A] vibrant and remarkable novel."―San Jose Mercury News
"An engrossing read."―June Thomas, NY1's "The Book Reader"
"A page-turner of a mystery with rich historical texture.... Atop the mystery, Ms. Donoghue masterfully overlays another story about motherhood and obligation, and friendship-even desire-between women. [She] manifests her genius by weaving the two together."―Julie Hakim Azzam, Pittsburgh Post-Gazette
"Where Donoghue excels is in her descriptions of 19th century squalor.... Poignant."―Elizabeth Hand, Los Angeles Times
"Endlessly intriguing.... You'll find yourself enraptured by the intricate plot developments that will keep you revising your version of the action from one hour to the next."―Maude McDaniel, BookPage
"Rich hauls of historical research, deeply excavated but lightly borne.... [An] ingenious telling."―David Kipen, Wall Street Journal
"[An] ebullient mystery..... Donoghue cross-cuts between Blanche's desperate present-time search and scenes from her Technicolor past with showstopping aplomb.... It's all great fun, and so richly atmospheric.... Astonishing details are scattered like party nuts.... Donoghue also provides riotous musical accompaniment for her narrative.... Call it a mind-bendingly original crime novel, or a dazzling historical mystery, but in the end, this is really a book about love-a mother's love for a strange child, for an exotic friend and finally, for herself."―Caroline Leavitt, San Francisco Chronicle
"In Jenny the frog-catcher, Donoghue has resurrected a true original-witty, perceptive, iconoclastic and nearly indomitable."―Kathy Ewing, Cleveland Plain Dealer
"FROG MUSIC is miles away from the traditional who-done-it, and rather more colorful than your mama's historical fiction...[and] should appeal to those who don't mind their history with grit and unflinching details."―Brooke Wylie, Examiner
"Whether the crime is stranger than fiction or simply more colorful than anything a writer would dare to invent, the true story of Jeanne Bonnet is a scandalous delight."―Sara Breselor, 7x7SF
"The authenticity Donoghue brings to her work, something of a signature, lends richness and verisimilitude to the book. FROG MUSIC is a can't-miss work."―Terri Schlichenmeyer, Washington Blade
"As with Room, the book thrives on Donoghue's precisely poignant details.... This is a book to cherish, to share with your friends and book clubs, to buy for every reader on your Christmas list, and to read again in a few years. Adored is not too strong a word to describe my feelings for it. My one wish: Emma Donoghue, could you please write faster?"―Joy Tipping, Dallas Morning News
"Room's eloquent author brings the same sensitivity to this period piece, which explores the unsolved 1876 San Francisco murder of Jenny Bonnet through the eyes of the bohemian friend she left behind."―InStyle
"The setting [Blanche] inhibits is alive, brimming with sin and music."―New Yorker
"Donoghue depicts with feeling the new parent's confusion, anxiety and guilt--not just 'Am I doing the right thing?' but 'Am I feeling the right thing?-.... Respect for the facts lets the book sprawl towards its final revelations. The effect is a rough if vital music, not unlike Blanche's own repertoire."―Adrian Turpin, Financial Times
"Donoghue has a gift for place, for setting, for wringing anxiety and drama out of the spaces her characters occupy, as well as for taking real-life events and rendering them realer and sharper than they were the first time around.... It's a bizarre story through and through, and Donoghue more than does it justice, drawing for the reader a (clearly assiduously researched) world that feels both too strange to be real and too vivid not to be."―Ellen Cushing, East Bay Express
"The perfect highbrow historical murder mystery summer read.... Working from actual historic record, Donoghue...masterfully fleshes out San Francisco's demi-monde of French émigré performers and pimps.... [and her] pacing is exemplary.... FROG MUSIC also makes a case for the return of blatant eroticism to mainstream literature. Blanche Buenon's world is one of sex and prostitution, Jenny's one of subverting her gender expectations, and both women have a charged sexuality that simmers like that summer heat wave under the surface of the novel. Donoghue handles graphic sexual scenes deftly, never compromising the frank and lustful point of view of her main character."―Leigh Baldwin, San Antonio Current
Présentation de l'éditeur
Summer of 1876: San Francisco is in the fierce grip of a record-breaking heat wave and a smallpox epidemic. Through the window of a railroad saloon, a young woman named Jenny Bonnet is shot dead.
The survivor, her friend Blanche Beunon, is a French burlesque dancer. Over the next three days, she will risk everything to bring Jenny's murderer to justice--if he doesn't track her down first. The story Blanche struggles to piece together is one of free-love bohemians, desperate paupers, and arrogant millionaires; of jealous men, icy women, and damaged children. It's the secret life of Jenny herself, a notorious character who breaks the law every morning by getting dressed: a charmer as slippery as the frogs she hunts.
In thrilling, cinematic style, FROG MUSIC digs up a long-forgotten, never-solved crime. Full of songs that migrated across the world, Emma Donoghue's lyrical tale of love and bloodshed among lowlifes captures the pulse of a boomtown like no other.
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What follows is a fascinating and horrifying account of real baby farms, homes in the business of tending infants and children for money and which were most often appaling in their conditions. The entire view of the underside of the glittering post gold boom San Francisco is evoked in detail that allows the reader entry into this closed world. The characters are multi-dimensional, and each is fascinating in her own right.
This book appears to be a large departure from her previous work. In fact, "Room" shares with this novel the world of women struggling against the strictures in which they find themselves. Donoghue also has a back list including "Slammerkin" another historical novel with women who must make a living in a world who sees their worth in strictly defined limits. Some graphic scenes are portrayed, but frankly I found the state of the baby farm to be more shocking than the sexual scenes. I found this book to be interesting, well written, and educational. References are provided at the end that include the genesis of the songs sung by the characters in question. I recommend this book.
Frog Music, which is set in 1870s San Francisco in the midst of an incredibly warm summer and a smallpox epidemic, takes up the story of a real historical figures. Jenny Bonnet, a fast-talking, pants-wearing frog hunter befriends Blanche Beunon, a French burlesque dancer and prostitute. One night, Beunon flees her Arthur, her pimp and boyfriend. Blanche follows Jenny outside of the city to plot her next move. Trouble is close behind, though, and through the window one night, Jenny is shot and killed. The story follows Blanche's quest to discover her friend's murderer.
I was taken quickly with the historical aspects (having just finished and loved Kate Manning’s My Notorious Life) and cursory descriptions of the book as a whole. I do have a better picture of 1876 San Francisco - the ravaging impact of smallpox, the racial tension with Chinese immigrants, and the Gold Rush sentimentality.
However, despite all of my excitement, even as I first sat down to read, I was unable to really get into the story. Part of the issue was, I didn't really like any of the characters. Also, the book started to get explicit. Blanche is a woman who loves sex and has quite a few rough encounters that are fairly hard-core.
I have trouble with plots in which very few characters are good or appealing (Breaking Bad, for instance, yes, I know, it's blasphemy to dislike that show, but I do). In part because Blanche is so inherently flawed and selfish, and given that the novel was rife with explicit sex scenes, my distaste started to add up early and quickly. Additionally, the plot kept moving back and forth in time, over the few weeks preceding and following the murder, which I found a bit frustrating and confusing. The book had extremely long chapters, only 8 in about 400 pages, which I generally dislike as well. Finally, the pace of the plot was fine, but the story itself just wasn't all that engaging.
All and all, I just didn't like it. The book took me about 2 weeks to read, mostly because I just didn't really care what happened next. So, my recommendation? Skip it.
On the positive side: The murder mystery that is central to the story is compelling and the solution to the murder is surprising and thought-provoking. The social underside of San Francisco in 1876 plays a big role and, through the story, Donoghue exposes the alarming levels of discrimination and brutality that existed in the so-called "good old days." I loved the character of Jenny Bonnet, the frog-catching cross-dresser who is the catalyst for the transformation of the protagonist. Jenny is a real character in the mold of that old bee charmer, Idgie Threadgoode. There are witty asides scattered throughout the book, some aimed at the Irish (Donoghue's tribe, so it's OK). An interesting Afterword presents facts about the real crime that is fictionalized in the book.
On the downside: There are too many cardboard characters - mostly one-dimensional villains just this side of Snideley Whiplash. The flashback and flash-forward structure promotes suspense but becomes cumbersome and a little confusing, even to this careful reader. The heroine, Blanche, was hard to relate to, partly because she is sexually wanton, mostly because she is shallow and a nit-wit about her own exploitation. Despite Donoghue's skill at depicting mother-child bonds, I had a hard time buying Blanche's newfound maternal devotion.
Some of the writing in "Frog Music" disappoints. I will never forget the startlingly original similes that brought Donoghue's Slammerkin to life. In "Frog Music," we get "wrung out like a rag," "sick as a dog" and "limp as old cabbage." This might be a stylistic use of Old West vernacular but, after almost 400 pages with dozens of these cliches, it became grating and perhaps indicative of lazy writing. I wanted to holler, "Whoa, Nellie!" As much as I admire Donoghue's social consciousness, I got fatigued by the piling on of issues like child abuse, the sex trade, economic exploitation, and racial, sexual and gender bias - these on top of disease, jealousy, revenge, murder! Some of the scenes were so over-the-top they made me roll my eyes or laugh, and I'm pretty sure that was not the author's intention. "Frog Music" would have been more effective both pared down and toned down.
Having admired Room: A Novel, Slammerkin, Hood: A Novel, Touchy Subjects and Astray by Donoghue, I will always give her the benefit of the doubt. I look forward to her next book.
There's so much inside this story that gives a clear picture of societal attitudes and norms of the time, including matters tucked away out of sight, out of mind. The latter being, without giving anything away, one of the most appalling and heart-wrenching things I've read about in a long time.
Frog Music is altogether exciting, suspenseful, tragic, unsavory, and scandalous. Its characters are gritty and flawed in all the best ways. Donoghue writes in a naturally beautiful style, interspersing smatterings of French throughout (there's a glossary in the back of the book), but the pace is quick, which kept me turning page after page.
There is so much more I want to say, but I'm holding back because those things caught me by surprise as I was reading. Let's just say, I think this book would give reading groups a wealth of topics to discuss.
I received a copy of this book from the publisher in exchange for my honest review.