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Stephen King, an evil car, and a teenage boy coming to terms with the fragility and randomness of life.... Wait, haven't we read this before? Diehard King fans, worry not. Aside from the titular car playing a main role in the story,
From a Buick 8 could not be less like King's 1983 masterpiece,
Christine. If anything, this story resembles King's serial novel
The Green Mile, with reminiscing police characters flashing back on bizarre events that took place decades earlier.
The book's intriguing plot revolves around the troopers of Pennsylvania State Patrol Troop D, who come into possession of what at first appears to be a vintage automobile. Closer inspection and experimentation conducted by the troopers reveal that this car's doors (and trunk) sometimes open to another dimension populated by gross-out creatures straight out of ... well, a Stephen King novel. As the plot progresses, the veteran troopers' tales of these visits from interdimensional nasties, and the occasional "lightquakes" put on by the car, are passed on to the son of a fallen comrade whose fascination with the car bordered on dangerous obsession.
Unlike earlier King works, there is no active threat here; no monster is stalking the heroes of the story, unless you count the characters' own curiosity. In past books, King has terrorized readers with vampires, werewolves, a killer clown, ghosts, and aliens, but this time around, the bogeyman is a more passive, cerebral threat, and one for which they don't make a ready-to-wear Halloween costume--man's fascination with and fear of the unknown. While some readers may find this tale less exciting than the horror master's earlier works, From a Buick 8 is a wonderful example of how much King's plotting skills and literary finesse have matured over his long career. And, most of all, it's a darn creepy book. --Benjamin Reese
From Publishers Weekly
An assembly of readers performs King's latest, which is told from several different perspectives. This subdued, vaguely creepy tale is about an extraordinary force that infiltrates the lives of the people who work at a police barracks in rural Pennsylvania. King displays his masterful knack for building tension, but this work is more about the effect of events on the central characters' psyches than it is about the events themselves. In that vein, the portrayals of the characters, their inner monologues and their interactions are vital to the success of this audio, and the entire cast does a fine job. Rebhorn serves as an able narrator and provides a brief, chilling portrait of the sallow, mysterious man who brings an otherworldly '54 Buick into the life of Troop D before vanishing. Davidson handles the inner turmoil of Sgt. Sandy Dearborn and the youthful stubbornness of troubled Ned Wilcox. Among the other highlights is Tobolowsky's perfectly inflected Swedish accent for Arky, the troop's janitor. With only a few, appropriately wistful notes of guitar at the beginning and end, the production is kept to a minimum. The approach works well for a quieter book that relies less on shock than much of King's previous work.
Copyright 2002 Reed Business Information, Inc.
