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Geometry of design, revised and updated /anglais (Anglais) Broché – 29 juillet 2011

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Book by Elam Kimberly

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Commentaires client les plus utiles sur (beta) HASH(0x99483390) étoiles sur 5 15 commentaires
6 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0x994b5e40) étoiles sur 5 Great Book 21 décembre 2013
Par John Mitchell - Publié sur
Format: Broché Achat vérifié
This book should be required reading for all design students. Very well written with great illustrations. More design students -- and teachers as well -- need to be aware and familiar with the geometric principles behind, well... everything! Geometry is not just a way to mathematically analyze spacial relationships from works of art or architectural structures, but integral to the study of human interaction with, well... everything! Artwork on a wall, images and type on a page, digital interfaces, furniture in a room -- geometry is the heart of all understanding of the world around us and how we relate to it.
4 internautes sur 4 ont trouvé ce commentaire utile 
HASH(0x994c20a8) étoiles sur 5 Good Conveyance of Appreciation for Geometry in Design 6 mars 2013
Par Monty - Publié sur
Format: Broché Achat vérifié
This is an elegant introduction to the topic of ratio & proportion as they correlate to beauty. If its purpose is to convey a deeply rooted esteem and sense of appreciation for the geometry of design, it accomplishes this superbly. This book is an excellent addition to the library of a web developer or designer.
3 internautes sur 3 ont trouvé ce commentaire utile 
HASH(0x994c206c) étoiles sur 5 Prof M 29 septembre 2012
Par Prof. M - Publié sur
Format: Broché Achat vérifié
The updated book has valuable information with both graphic photos and structural overlays.
A good book for teaching and references for application.
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x994c2360) étoiles sur 5 Worthwhile read for beginner/intermediate artists 20 juillet 2015
Par TQ - Publié sur
Format: Broché Achat vérifié
This book was very strange. It DOES appear that the geometric considerations it talks about are accurate, and apply to the pieces discussed in the book, but for almost every single one I found myself thinking "Noooo. No way. Totally reaching to make a point." Then there would be a page overlaying the structure it was describing which did, indeed, form connections as the text described.

If you are an artist, especially a student artist whose critiques often result in criticism of layout or arrangement, I would recommend this book. If you spend some time reading this, and really work on applying what it talks about, you'll see a difference in how your art is received. Even if you're an artist who is generally pretty good at layout, I'd recommend this to you as well just to help crystallize some concepts and maybe inspire some change in focus.

I'm only giving this four stars because it feels like this book is missing something, but I can't quite put my finger on what. I absolutely felt like I came away having learned something, but there's this persistent feeling like there was some next step it didn't quite reach. I'll come back and edit/add a comment if I figure out what it is.
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x994c23c0) étoiles sur 5 Intriguing Analysis 29 octobre 2015
Par Jack Keely - Publié sur
Format: Broché Achat vérifié
Designers and artists will be intrigued by Kimberly Elam’s visually rich investigation of proportion, form, and composition. I tend to draw intuitively, placing elements in a picture where they seem to “fit”. My ability to illustrate was definitely sharpened by my years in design school working with grid systems and analyzing the composition of posters and page layouts. Kimberly Elam’s book echoes that experience by closely examining everything from a Mies van der Rohe Barcelona Chair to a Toulouse-Lautrec poster. She relates the forms in design, architecture, and art to naturally occurring forms such as a Nautilus shell or a pine cone. The author’s ability to explain complex concepts in an understandable way makes this book approachable, useful, and fun. I am fascinated by Ms. Elam’s use of transparent overlays that allow the reader to see the structure of the work under examination. Judging by the fact that the book has been published in nine languages, apparently other readers are fascinated as well.
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