- Référence constructeur: HJ47
- ASIN: B0069M0IEG
- Date de mise en ligne sur Amazon.fr : 18 novembre 2011
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Descriptions du produit
Dimensions: 10.5 inches X 7.3 inches
Hindu Paintings & Artwork | Paintings of Hindu Gods & Goddesses
Water Color on Paper
This miniature, rendered pursuing in iconography and anatomy of figures, character of building and architecture and type of background and overall ambience the idiom of the early eighteenth century Basohli art, the pioneer Pahari art school, portrays Lord Vishnu appearing in the vision of Devaki and Vasudev in the prison of Mathuras atrocious demon king Kansa before he incarnates as Krishna, Devakis eighth child, for eliminating the tormenter of his parents and innocent millions. The artist has preferred a beautiful pavilion with an artistic door, eaves and merlon, beautifully designed each part and a lavish bed with a white cover and a full-length bolster to a rough uncouth indecent prison-cell for housing Devaki and Vasudev, obviously out of reverence for being the parents of Lord Krishna. Devakis posture suggests the advanced stage of her pregnancy, and Vasudevs pensive and subdued face, a mind in prayer wishing that everything goes well. Though it relates to a subsequent stage in the myth of the birth of Krishna, the painting portrays in its other half the door-guards along with their dogs in deep slumber, something which in the myth happens later when Vishnu as Krishna has incarnated and an oracle directs Vasudev to shift the newborn to Nands house at Gokul and bring in exchange his simultaneously born daughter. For facilitating Vasudeo for the act not only his fetters break and door-guards fall asleep but also the prison gates unlock and open and the river Yamuna, on the peak of flood which Bhadaun the month of torrential rains, occasioned, cools down to ankle depth for giving him passage. The dark deep background and water-drops falling incessant in the upper register in the painting symbolise the month of Krishnas birth, the monsoon month of Bhadaun. As the myth has it,
Hindu Paintings & Artwork | Paintings of Hindu Gods & Goddesses
Water Color on Paper
This miniature, rendered pursuing in iconography and anatomy of figures, character of building and architecture and type of background and overall ambience the idiom of the early eighteenth century Basohli art, the pioneer Pahari art school, portrays Lord Vishnu appearing in the vision of Devaki and Vasudev in the prison of Mathuras atrocious demon king Kansa before he incarnates as Krishna, Devakis eighth child, for eliminating the tormenter of his parents and innocent millions. The artist has preferred a beautiful pavilion with an artistic door, eaves and merlon, beautifully designed each part and a lavish bed with a white cover and a full-length bolster to a rough uncouth indecent prison-cell for housing Devaki and Vasudev, obviously out of reverence for being the parents of Lord Krishna. Devakis posture suggests the advanced stage of her pregnancy, and Vasudevs pensive and subdued face, a mind in prayer wishing that everything goes well. Though it relates to a subsequent stage in the myth of the birth of Krishna, the painting portrays in its other half the door-guards along with their dogs in deep slumber, something which in the myth happens later when Vishnu as Krishna has incarnated and an oracle directs Vasudev to shift the newborn to Nands house at Gokul and bring in exchange his simultaneously born daughter. For facilitating Vasudeo for the act not only his fetters break and door-guards fall asleep but also the prison gates unlock and open and the river Yamuna, on the peak of flood which Bhadaun the month of torrential rains, occasioned, cools down to ankle depth for giving him passage. The dark deep background and water-drops falling incessant in the upper register in the painting symbolise the month of Krishnas birth, the monsoon month of Bhadaun. As the myth has it,
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