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Godsmack Version tous publics, Import

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Page Artiste Godsmack


Détails sur le produit

  • Cassette (3 août 1999)
  • Nombre de disques: 1
  • Format : Version tous publics, Import
  • Label: Mis
  • ASIN : B00000JWBF
  • Autres éditions : CD  |  Cassette  |  Téléchargement MP3
  • Moyenne des commentaires client : 4.0 étoiles sur 5 2 commentaires client
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Par Un client le 23 février 2003
Format: CD
Un début prométeur pour le groupe de rock américain Godsmack !
Voici leur tout premier album qui allie de fortes percussions, la voie enragée du chanteur Sully, une guitare enflammée et des basses à couper le souffle !
Toutes ces qualités sont démontrées dans chacunes des chansons de l'album mise à part 'Voodoo', la chanson cloturant l'album, qui se devait d'etre plus posée que les autres. Ainsi nous pourrons y remarquer les capacités étonnantes de la voix de Sully.
Les fans de néo-rock seront heureux d'écouter ce quasi-nouveau son qui n'avait jusque là jamais été écouté. Encore une facette étonnante du néo-rock !
Je n'ai qu'une chose à dire, bravo Godsmack !
Remarque sur ce commentaire 1 sur 1 ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
Merci pour votre commentaire.
Désolé, nous n'avons pas réussi à enregistrer votre vote. Veuillez réessayer
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Par Un client le 23 février 2003
Format: CD
Un début prométeur pour le groupe de rock américain Godsmack !
Voici leur tout premier album qui allie de fortes percussions, la voie enragée du chanteur Sully, une guitare enflammée et des basses à couper le souffle !
Toutes ces qualités sont démontrées dans chacunes des chansons de l'album mise à part 'Voodoo', la chanson cloturant l'album, qui se devait d'etre plus posée que les autres. Ainsi nous pourrons y remarquer les capacités étonnantes de la voix de Sully.
Les fans de néo-rock seront heureux d'écouter ce quasi-nouveau son qui n'avait jusque là jamais été écouté. Encore une facette étonnante du néo-rock !
Je n'ai qu'une chose à dire, bravo Godsmack !
Remarque sur ce commentaire 4 sur 6 ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
Merci pour votre commentaire.
Désolé, nous n'avons pas réussi à enregistrer votre vote. Veuillez réessayer
Signaler un abus

Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9c963564) étoiles sur 5 524 commentaires
25 internautes sur 27 ont trouvé ce commentaire utile 
HASH(0x9cd21174) étoiles sur 5 Have you been smacked yet? 13 juillet 2000
Par mute - Publié sur Amazon.com
Format: CD
Yes it's true that Godsmack's influence spectrum is vast, but this foursome probably listened to these influential greats (Metallica, Alice in chains etc.) and created their own bigger and better sound to become gods of their own rage-energetic realm. This sound is alive. Not even to talk about Sully's well balanced voice seamlessly integrating with Tony's aggressive and rhythm-hungry six stringer. Their lyrics adds a further spark to the already rock solid sound. This CD has attitude written all over it. Sully, Robbie, Tony and Tommy...we salute you.
35 internautes sur 40 ont trouvé ce commentaire utile 
HASH(0x9c82f3e4) étoiles sur 5 A Powerful Debut Empowered By Sully Erna's Unique Voice 8 avril 2003
Par M. Hart - Publié sur Amazon.com
Format: CD
Godsmack's self-titled debut album from 1998 packs an aggressive set of one dozen emotionally dark songs, whose mournful lyrics sung by the groups powerful vocalist Sully Erna are very expressive. Reminiscent of heavy metal favorite Metallica and grunge bands such as Nirvana, Soundgarden and 'Alice in Chains', Godsmack has combined several styles to produce a very unique sound of their own. Formed in 1995 in Boston, Sully Erna (who is a practicing Wiccan) along with with guitarist Tony Rombola, bassist Robbie Merrill and drummer Tommy Stewart first received notice when people began listening to Godsmack's single "Whatever". Popularity grew with songs such as "Keep Away" and "Voodoo". My ratings for each song (out of 5 stars) are listed below:
1. "Moon Baby" (5+). Starts softly, but suddenly awakens to powerful guitar and bass, as well as Sully's dark vocals. Guitar aggressiveness later grows, as well as harmonized vocals.
2. "Whatever" (5+). Fast-paced, very aggresive guitar and potent percussion mix with powerful & melodic vocals.
3. "Keep Away" (5). Intense guitar takes center stage with the lyrics about wanting an exlover to stay away and features a guitar solo.
4. "Time Bomb" (5). Aggressive vocals backed by aggressive guitar and percussion take center stage in this song which also features occassional silent or near-silent breaks.
5. "Bad Religion" (4.5). Grungy song marked by aggressively plucked guitar & bass, as well as strong pitch changes.
6. "Immune" (4). Slower song that begins with a spoken sample before being swallowed by Sully's very grungy voice. Aggressive guitar comes through in the middle followed by a brief instrumental interlude. Good guitar riffs towards the latter part of the song.
7. "Someone in London" (3.5). Slow, but very dark instrumental marked by strong bass and base drum. Sound effects include lightly heard screams before leading into the next song.
8. "Get Up, Get Out!" (4). Faster tempo and aggressively riffed guitar back Sully's aggressive vocals. Somewhat repetivite.
9. "Now or Never" (3). Song begins softly but quickly crescendos instrumentally with aggressive guitar and percussion before the dark vocals begin. Not a particularly engaging song as it is somewhat long and monotonic.
10. "Stress" (4). Faster and less dark song than the previous track. More engaging guitar and lyrics including a lengthy scream from Sully.
11. "Situation" (4.5). Song begins with sounds reminiscent of a squeaky wheel, but is quickly taken over by aggressive guitar and bass with Sully's wailful vocals. Good guitar riffs and solo.
12. "Voodoo" (5+). One of the best songs on the album, starting with Sully's funereal melodic vocals followed by strong percussion and bass with guitar in the background. Though the song itself is 4:40 minutes long, the track continues for another 4+ minutes of silence and lightly played percussion.
Overall, I rate Godsmack's self-titled debut album with 4 out of 5 stars. It's powerfully dark music can be listened to repeatedly without becoming tiresome. I highly recommend it to anyone that enjoys grunge or dark rock.
16 internautes sur 18 ont trouvé ce commentaire utile 
HASH(0x9c906078) étoiles sur 5 Yeah, baby, Yeah! 23 mars 2000
Par The Wickerman - Publié sur Amazon.com
Format: CD
Okay, so this may not be an, and I quote, "original" piece of work, but it's still really cool. Sully Erna has a great voice, managing to growl somewhat like James Hetfield (like on "Keep Away") and moan like Layne Staley (like on the enigmatic but catchy "Voodoo"). Yeah, this album's good and heavy, but the lyrics could be more far-reaching. But hey, I don't really mind. It's a good "attitude" CD, and I just love to imagine screaming those words to the people I hate when listening to this CD. "Keep Away" is, by far, the best song on here, although "Whatever" and "Moon Baby" are probably the runners-up. My only complaint is that that little media thing at the beginning of "Moon Baby" is quite obviously a rip-off of White Zombie, but oh well, it's still cool. Oh, and there really doesn't need to be an explicit lyrics label, I have CD's with worse language that don't have it. Yeah, nothing bad here, so "do like I told you" and check out this CD. It really rocks.
39 internautes sur 48 ont trouvé ce commentaire utile 
HASH(0x9cb42e34) étoiles sur 5 Awesome adrenaline pumping rock 12 avril 2000
Par Forest Law - Publié sur Amazon.com
Format: CD
Godsmack are an awesome band, but they somehow picked up a reputation of being Alice In Chains wannabes. I do detect an AIC influence, but there is an equal influence from bands like Metallica, Tool, and White Zombie in their sound. However, they have the ability to take their influences and create an aggressive, energetic sound all their own.
Frontman Sully Erna's vocals are often very intense and confrontational, which sets them apart from their influences. Many of the songs seem to express anger toward someone, possibly an ex-girlfriend, with the resolution often being telling them to "go away". They do this in many of their songs, which might annoy some people, but I personally find it to be stress relieving. Tony's innovative guitar work (he actually can play lead, which many popular rock bands nowadays are not capable of doing) and the well oiled rhythm machine compliment the vocals and awesome songwriting perfectly. The best songs on the album (good to crank up when you're in a bad mood) are "Whatever", "Keep Away", "Time Bomb", "Bad Religion", and "Get Up, Get Out". Highly recommended if you are tired of all the trendy rock that permeates the airwaves.
8 internautes sur 8 ont trouvé ce commentaire utile 
HASH(0x9ca59630) étoiles sur 5 Hits Your Senses Like a Ton of Bricks... 16 novembre 2001
Par Robert J. Schneider - Publié sur Amazon.com
Format: CD
...and it never lets up. Although the final song on Godsmack's self-titled debut, "Voodoo", sounds soft compared to the rest of this blistering CD, it is a deeply dark dirge that probes the recesses of drug addiction and insanity. It is probably the most depressing song that ever came out of 1998. It is also one of the five greatest songs to come out of that year. No one ever said that true art had to be pretty.
To say that musically, Godsmack are somewhere between Metallica and Pantera is, however accurate, a way over-simplification of what it is like to play this CD. Sure, I may not want to hear it every day, but when I'm in the mood for something dark, deep, and heavy, this CD fulfills that part of me better than most others do (save for Black Sabbath's first 2 albums, of course). I think that Godsmack's true ability is not just how loud they can be while still remaining distinctively melodic (which they are); no, it's more in the way that they can so effectively project the dark themes in their music. They create such a vivid mood that you almost feel you can see it. You'd think that a big-name heavy-rock producer like Bob Rock or Bruce Fairbairn was responsible for evoking this masterful texture of sounds from this band. Nope, it was frontman and chief songwriter Sully who produced it: how many other metal bands sounding this good can say that their lead singer produced their debut offering?
My favorite song is actually the final dirge of "Voodoo", but "Moon Baby", "Whatever", "Keep Away", "Bad Religion", "Immune", and "Get Up, Get Out!" will also be duly (and deservingly) noted as classic rock tracks from 1998. This CD will go down in history as not just a classic, but as the one responsible for the birth of hardcore metal (some call it nu-metal) at the close of the old millennium.
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