Revue de presse
"genius... doesn't go far enough" (Sunday Telegraph)
"[A] splashy, dishy, very giftable memoir" (The New York Times)
"An absolutely beautiful book. As you would expect from the creative director of American Vogue, it is both stylish and striking, Coddington is a survivor, and this memoir is testimony to that" (Sarah Vine The Times)
"This memoir of a life in style from the 1960s until today will be equally absorbing for those who love the fashion world and those who find it impenetrably alien. Either way, as seen through Coddington’s eyes, it is never less than fascinating" (Vanessa Friedman Financial Times) --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Présentation de l'éditeur
With the witty, forthright voice that has endeared her to her colleagues and peers for more than forty years, Grace now creatively directs the reader through the storied narrative of her life so far. Evoking the time when models had to tote their own bags and props to shoots, Grace describes her early career as a model, working with such world-class photographers as David Bailey and Norman Parkinson, before she stepped behind the camera to become a fashion editor at British Vogue in the late 1960s. Here she began creating the fantasy “travelogues” that would become her trademark. In 1988 she joined American Vogue, where her breathtakingly romantic and imaginative fashion features, a sampling of which appear in this book, have become instant classics.
Delightfully underscored by Grace’s pen-and-ink illustrations, Grace will introduce readers to the colorful designers, hairstylists, makeup artists, photographers, models, and celebrities with whom Grace has created her signature images. Grace reveals her private world with equal candor—the car accident that almost derailed her modeling career, her two marriages, the untimely death of her sister, Rosemary, her friendship with Harper’s Bazaar editor-in-chief Liz Tilberis, and her thirty-year romance with Didier Malige. Finally, Grace describes her abiding relationship with Anna Wintour, and the evolving mastery by which she has come to define the height of fashion.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY FINANCIAL TIMES
“If Wintour is the Pope . . . Coddington is Michelangelo, trying to paint a fresh version of the Sistine Chapel twelve times a year.”—Time