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Grace Notes, MacLaverty's first novel since Cal, is as much about Irish identity--and possibility--as it is about art. Catherine's newest piece, a mass, includes the huge drums Protestants play in parades. "It was a scary sound--like thunder. Like the town was under a canopy of dark noise." Though her fellow Catholics see the drums as instruments of threat, Catherine is determined to integrate them into her composition.
Her return to Belfast for her father's funeral brings back several ghosts, among them an influential professor who spoke of grace notes--"the notes between the notes." This novel is full of such instances, wry snatches of conversation and unforgettable observations: the new Chinese restaurant that has had to offer chips to stay in business, or the pub that's "on a slight hill. When dogs pissed at the door the dark lines ran diagonally to the gutter." These transcend the occasional passage in which MacLaverty tries too hard to see into the life and rhythms of a female artist. The final section, however, a live radio concert of Catherine's piece, is a triumph for both woman composer and male author. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
