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HOW TO IMPROVE YOUR CHOPS: Without Playing a Note (English Edition)
 
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HOW TO IMPROVE YOUR CHOPS: Without Playing a Note (English Edition) [Format Kindle]

David Boe

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Latest update: A new YouTube video of the "Primary Exercise" may now be seen here:

http://youtu.be/zz0qAIBubPk


Within only a few days of serious exercise during his daily commute, a top principal trumpeter for a major European orchestra reports that his chops are in "the best shape of my life," and that his colleagues are complementing him on his tone, range and endurance.

Other reviews and comments offer further evidence of success. Part-time players report full time chops! This technique allows you to achieve in only minutes what would normally require many hours of practice time in terms of muscle development of the embouchure.

In a revolutionary new approach to improving performance on wind instruments, author David Boe unveils unique set of exercises that allow musicians to strengthen the facial muscles involved with playing a wind instrument.

Combining the latest scientific research on muscle development with decades of personal experience and observation, Mr. Boe has devised a completely original method that has proven tremendously beneficial to players at all levels, including the highest level professional performers.

This is the first and only method book by a musician, written specifically FOR musicians, to exclusively focus on the benefits of muscle development of the embouchure without using an instrument or mouthpiece.

The exercises described are especially useful because they can be completed without any additional tools or objects and are performed in complete silence. When added to a musician's regular practice routine, the exercises can save significant amounts of time by making precious hours of practice time much more productive.

Enhanced muscle strength of the embouchure has been shown to yield tremendous benefits in several areas of particular interest to wind musicians, especially players of brass instruments. Many players report significant improvements in RANGE, ENDURANCE and FLEXIBILITY, with further improvements in TONE QUALITY and overall sound production.

This small ebook costs only a fraction of what you would pay for a lesson from a top professional, and you can easily read it in less than an hour. Yet it has the potential to revolutionize your playing as a professional, student, or amateur musician.

Also available as an audio book! Superbly voiced by the talented and versatile KC Cowan, you can now listen to How To Improve Your Chops in the excellent audio edition, available through Amazon's Audible.com site. Here's a link:

http://www.audible.com/search/ref=a_mn_at_ano_tseft__galileo/179-7273956-6095436?advsearchKeywords=how+to+improve+your+chops&x=0&y=0

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Amazon.com: 3.9 étoiles sur 5  20 commentaires
2 internautes sur 2 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Unique approach 22 avril 2013
Par Jazzbone - Publié sur Amazon.com
Format:Format Kindle|Achat vérifié
This technique is similar to others I have seen over the years, but is particularly interesting in that it dispenses entirely with props such as mouthpieces or mouthpiece rims, pencils or pens, "lip buzzing," and even specialty devices designed for isometric exercise. This enables you to use it any time, anywhere. I have been using it now for a couple of weeks and find that, if nothing else, it helps me to warm up faster if I start my routine with this isometric exercise. I think it might be helping my embouchure strength and endurance as well, and time will tell. Care should be taken to follow the instructions closely to keep the exercise confined to the mouth and not involve the throat or breathing mechanism. One thing this system does not seem to do is exercise the center of the embouchure, the muscles immediately surrounding the aperture. I don't view this as a failure, as the author clearly states that this system is designed to build up the corners. And perhaps I'm just still learning to use it. Four stars for now, and perhaps more to come.
2 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 best trick ever 27 décembre 2012
Par jackie sauriol - Publié sur Amazon.com
Format:Format Kindle|Achat vérifié
I have been playing trombone for 25 years; I also work a full time desk job
and practicing on my lunch hours is not that easy; for me these exercises are
the difference between struggling and having fun playing!

After doing this exercise for just 2 days, (about 20 reps) my stamina increased
noticibly, and at the end of my next gig I still had power.

I have buzzed mouthpieces for years and even learned to buzz without a mouthpiece,
but more than any single aspect of horn practicing this method can change what's possible
in short order!

Jackie Sauriol, Portland, OR
2 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Versatile concept 27 décembre 2012
Par Amazon Customer - Publié sur Amazon.com
Format:Format Kindle
As an oboist, I was intrigued and bought the book just out of curiosity. I've been doing the exercises for a few weeks and have noticed improvement in my playing stamina, just in time for all of my holiday rehearsals and concerts. I have modified it, however, to accommodate my oboe embouchure. I alternate between what the author has suggested for brass players and the embouchure I use. I have noticed that this helps me with flexibility and strengthens more facial muscles.
2 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Great for Woodwinds too 26 décembre 2012
Par Marco Fusaro - Publié sur Amazon.com
Format:Format Kindle|Achat vérifié
As a sax player I have been finding the exercises to be a huge help with my armature. I look forward to further improving my tone as I keep up with this.
2 internautes sur 2 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 A great excercise 17 décembre 2012
Par malkemus - Publié sur Amazon.com
Format:Format Kindle|Achat vérifié
I have been practicing the exercise described in this book for several months now and find it to be incredibly useful during the periods in which I am unable to play my horn. After about two weeks of practicing with this exercise multiple times a day, I was able to play lead trumpet with unually strength without the usual exhaustion. I would strongly recommend this book to any trumpet player that finds it sometimes difficult to practice as much as they wish they could.
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