Commencez à lire Hamlet sur votre Kindle dans moins d'une minute. Vous n'avez pas encore de Kindle ? Achetez-le ici Ou commencez à lire dès maintenant avec l'une de nos applications de lecture Kindle gratuites.

Envoyer sur votre Kindle ou un autre appareil

 
 
 

Essai gratuit

Découvrez gratuitement un extrait de ce titre

Envoyer sur votre Kindle ou un autre appareil

Désolé, cet article n'est pas disponible en
Image non disponible pour la
couleur :
Image non disponible
 

Hamlet [Format Kindle]

William Shakespeare
3.7 étoiles sur 5  Voir tous les commentaires (3 commentaires client)

Prix éditeur - format imprimé : EUR 4,67
Prix Kindle : EUR 0,95 TTC & envoi gratuit via réseau sans fil par Amazon Whispernet
Économisez : EUR 3,72 (80%)

App de lecture Kindle gratuite Tout le monde peut lire les livres Kindle, même sans un appareil Kindle, grâce à l'appli Kindle GRATUITE pour les smartphones, les tablettes et les ordinateurs.

Pour obtenir l'appli gratuite, saisissez votre adresse e-mail ou numéro de téléphone mobile.






Descriptions du produit

Amazon.co.uk

Undoubtedly the most famous of all of Shakespeare's plays, Hamlet remains one of the most enduring but also enigmatic pieces of western literature. The story of Hamlet, the young Prince of Denmark, his tortured relationship with his mother, and his quest to avenge his father's murder at the hand of his brother Claudius has fascinated writers and audiences ever since it was written around 1600.

For many years interest focused on both Hamlet's inability to avenge his father's death, claiming that "the native hue of resolution / Is sicklied o'er with the pale cast of thought", and, according to none other than Freud, his oedipal fixation with his mother. However, more recently critics have turned their attention to Hamlet's bold theatrical self-reflexivity (most famously reflected in the performance of "The Mousetrap"), its fascination with issues of theology and Renaissance humanism, and its dense, complex poetic language. What is so remarkable about the play is the way in which it tends to uncannily reflect the concerns of different epochs. As a result, Hamlet has been at different moments defined as a romantic rebel, an angst-ridden existentialist, a paralysed intellectual and an ambivalent New Man. Whatever subsequent generations make of Hamlet, they are unlikely to exhaust the possibilities of this most extraordinary play. --Jerry Brotton

Extrait

Act 1 Scene 1 running scene 1

Enter Barnardo and Francisco, two sentinels Meeting

BARNARDO Who's there?

FRANCISCO Nay, answer me: stand and unfold yourself.

BARNARDO Long live the king!

FRANCISCO Barnardo?

BARNARDO He.

FRANCISCO You come most carefully upon your hour.

BARNARDO 'Tis now struck twelve: get thee to bed, Francisco.

FRANCISCO For this relief much thanks: 'tis bitter cold,
And I am sick at heart.

BARNARDO Have you had quiet guard?

FRANCISCO Not a mouse stirring.

BARNARDO Well, goodnight.
If you do meet Horatio and Marcellus,
The rivals of my watch, bid them make haste.

Enter Horatio and Marcellus

FRANCISCO I think I hear them.- Stand! Who's there?

HORATIO Friends to this ground.

MARCELLUS And liegemen to the Dane.

FRANCISCO Give you goodnight.

MARCELLUS O, farewell, honest soldier. Who hath relieved you?

FRANCISCO Barnardo has my place. Give you goodnight.

Exit Francisco

MARCELLUS Holla! Barnardo!

BARNARDO Say, what, is Horatio there?

HORATIO A piece of him.

BARNARDO Welcome, Horatio: welcome, good Marcellus.

MARCELLUS What, has this thing appeared again tonight?

BARNARDO I have seen nothing.

MARCELLUS Horatio says 'tis but our fantasy,
And will not let belief take hold of him
Touching this dreaded sight twice seen of us:
Therefore I have entreated him along
With us to watch the minutes of this night,
That if again this apparition come,
He may approve our eyes and speak to it.

HORATIO Tush, tush, 'twill not appear.

BARNARDO Sit down awhile,
And let us once again assail your ears,
That are so fortified against our story,
What we two nights have seen.

HORATIO Well, sit we down,
And let us hear Barnardo speak of this.

BARNARDO Last night of all,
When yond same star that's westward from the pole
Had made his course t'illume that part of heaven
Where now it burns, Marcellus and myself,
The bell then beating one-

MARCELLUS Peace, break thee off.

Enter the Ghost

Look where it comes again.

BARNARDO In the same figure like the king that's dead.

MARCELLUS Thou art a scholar; speak to it, Horatio.

BARNARDO Looks it not like the king? Mark it, Horatio.

HORATIO Most like: it harrows me with fear and wonder.

BARNARDO It would be spoke to.

MARCELLUS Question it, Horatio.

HORATIO What art thou that usurp'st this time of night,
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march? By heaven I charge thee speak!

MARCELLUS It is offended.

BARNARDO See, it stalks away.

HORATIO Stay! Speak, speak! I charge thee, speak! Exit the Ghost

MARCELLUS 'Tis gone and will not answer.

BARNARDO How now, Horatio? You tremble and look pale.
Is not this something more than fantasy?
What think you on't?

HORATIO Before my God, I might not this believe
Without the sensible and true avouch
Of mine own eyes.

MARCELLUS Is it not like the king?

HORATIO As thou art to thyself.
Such was the very armour he had on
When he th'ambitious Norway combated:
So frowned he once when, in an angry parle,
He smote the steelèd pole-axe on the ice.
'Tis strange.

MARCELLUS Thus twice before, and just at this dead hour,
With martial stalk hath he gone by our watch.

HORATIO In what particular thought to work I know not,
But in the gross and scope of my opinion,
This bodes some strange eruption to our state.

MARCELLUS Good now, sit down and tell me, he that knows,
Why this same strict and most observant watch
So nightly toils the subject of the land,
And why such daily cast of brazen cannon
And foreign mart for implements of war:
Why such impress of shipwrights, whose sore task
Does not divide the Sunday from the week:
What might be toward, that this sweaty haste
Doth make the night joint-labourer with the day:
Who is't that can inform me?

HORATIO That can I,
At least, the whisper goes so: our last king,
Whose image even but now appeared to us,
Was, as you know, by Fortinbras of Norway,
Thereto pricked on by a most emulate pride,
Dared to the combat, in which our valiant Hamlet -
For so this side of our known world esteemed him -
Did slay this Fortinbras, who by a sealed compact,
Well ratified by law and heraldry,
Did forfeit, with his life, all those his lands
Which he stood seized on to the conqueror:
Against the which, a moiety competent
Was gagèd by our king, which had returned
To the inheritance of Fortinbras,
Had he been vanquisher, as, by the same cov'nant,
And carriage of the article designed,
His fell to Hamlet. Now, sir, young Fortinbras,
Of unimprovèd mettle hot and full,
Hath in the skirts of Norway here and there
Sharked up a list of landless resolutes
For food and diet to some enterprise
That hath a stomach in't, which is no other -
And it doth well appear unto our state -
But to recover of us, by strong hand
And terms compulsative, those foresaid lands
So by his father lost: and this, I take it,
Is the main motive of our preparations,
The source of this our watch and the chief head
Of this post-haste and rummage in the land.

Enter Ghost again

But soft, behold! Lo, where it comes again!
I'll cross it, though it blast me. Stay, illusion!
If thou hast any sound or use of voice,
Speak to me:
If there be any good thing to be done
That may to thee do ease and grace to me,
Speak to me:
If thou art privy to thy country's fate -
Which, haply, foreknowing may avoid - O, speak!
Or if thou hast uphoarded in thy life
Extorted treasure in the womb of earth - [A cock crows]
For which, they say, you spirits oft walk in death -
Speak of it: stay and speak!- Stop it, Marcellus.

MARCELLUS Shall I strike at it with my partisan?

HORATIO Do, if it will not stand. They attempt to strike it

BARNARDO 'Tis here!

HORATIO 'Tis here!

MARCELLUS 'Tis gone! Exit Ghost
We do it wrong, being so majestical,
To offer it the show of violence,
For it is as the air invulnerable,
And our vain blows malicious mockery.

BARNARDO It was about to speak when the cock crew.

HORATIO And then it started like a guilty thing
Upon a fearful summons. I have heard
The cock, that is the trumpet to the day,
Doth with his lofty and shrill-sounding throat
Awake the god of day, and at his warning,
Whether in sea or fire, in earth or air,
Th'extravagant and erring spirit hies
To his confine: and of the truth herein
This present object made probation.

MARCELLUS It faded on the crowing of the cock.
Some say that ever gainst that season comes
Wherein our Saviour's birth is celebrated,
The bird of dawning singeth all night long,
And then, they say, no spirit can walk abroad:
The nights are wholesome, then no planets strike,
No fairy talks, nor witch hath power to charm,
So hallowed and so gracious is the time.

HORATIO So have I heard and do in part believe it.
But, look, the morn in russet mantle clad,
Walks o'er the dew of yon high eastern hill.
Break we our watch up, and by my advice,
Let us impart what we have seen tonight
Unto young Hamlet, for upon my life,
This spirit, dumb to us, will speak to him.
Do you consent we shall acquaint him with it,
As needful in our loves, fitting our duty?

MARCELLUS Let's do't, I pray, and I this morning know
Where we shall find him most conveniently. Exeunt


Act 1 Scene 2
running scene 2

Enter Claudius King of Denmark, Gertrude the Queen, Hamlet,
Polonius, Laertes and his sister Ophelia, Lords Attendant


KING Though yet of Hamlet our dear brother's death
The memory be green, and that it us befitted
To bear our hearts in grief and our whole kingdom
To be contracted in one brow of woe,
Yet so far hath discretion fought with nature
That we with wisest sorrow think on him
Together with remembrance of ourselves.
Therefore our sometime sister, now our queen,
Th'imperial jointress of this warlike state,
Have we, as 'twere with a defeated joy,
With one auspicious and one dropping eye,
With mirth in funeral and with dirge in marriage,
In equal scale weighing delight and dole,
Taken to wife; nor have we herein barred
Your better wisdoms, which have freely gone
With this affair along. For all, our thanks.
Now follows that you know young Fortinbras,
Holding a weak supposal of our worth,
Or thinking by our late dear brother's death
Our state to be disjoint and out of frame,
Colleaguèd with the dream of his advantage,
He hath not failed to pester us with message
Importing the surrender of those lands
Lost by his father, with all bonds of law,
To our most valiant brother. So much for him.

Enter Voltemand and Cornelius

Now for ourself and for this time of meeting,
Thus much the business is: we have here writ
To Norway, uncle of young Fortinbras -
Who, impotent and bedrid, scarcely hears
Of this his nephew's purpose - to suppress
His further gait herein, in that the levies,
The lists and full proportions, are all made
Out of his subject. And we here dispatch
You, good Cornelius, and you, Voltemand,
For bearing of this greeting to old Norway,
Giving to you no further personal power
To business with the king, more than the scope
Of these dilated articles allow. [Gives a paper]
Farewell, and let your haste commend your duty.

VOLTEMAND In that, and all things, will we show our duty.

KING We doubt it nothing: heartily farewell.-

Exeunt Voltemand and Cornelius

And now, Laertes, what's the news with you?<b...

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 567 KB
  • Nombre de pages de l'édition imprimée : 106 pages
  • Pagination - ISBN de l'édition imprimée de référence : 142092253X
  • Editeur : Start Publishing LLC (1 avril 2013)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ASIN: B00CBDCC5A
  • Synthèse vocale : Activée
  • X-Ray :
  • Word Wise: Non activé
  • Moyenne des commentaires client : 3.7 étoiles sur 5  Voir tous les commentaires (3 commentaires client)
  • Classement des meilleures ventes d'Amazon: n°146.457 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)
  •  Souhaitez-vous faire modifier les images ?


En savoir plus sur l'auteur

Découvrez des livres, informez-vous sur les écrivains, lisez des blogs d'auteurs et bien plus encore.

Commentaires en ligne

4 étoiles
0
3 étoiles
0
2 étoiles
0
3.7 étoiles sur 5
3.7 étoiles sur 5
Commentaires client les plus utiles
3 internautes sur 3 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 probablement l'édition de référence actuelle 29 mai 2010
Par earthlingonfire TOP 500 COMMENTATEURS VOIX VINE
Format:Broché|Achat vérifié
Les problèmes que pose(nt) le(s) texte(s) de Hamlet ainsi que son sens sont bien connus et notoirement insolubles. Ann Thompson et Neil Taylor en prennent acte, comme du fait que leur tâche est de proposer une édition de Hamlet, pas une thèse sur Hamlet. L'introduction pourra décevoir si on la compare à certaines autres de la série, qui ouvrent des pistes de lecture nouvelles. Thompson et Taylor se "contentent" de dresser l'état des lieux et l'histoire de la réflexion sur Hamlet et de son interprétation, sans choisir et sans apporter une seule idée nouvelle. Ils semblent par défaut nous dire ainsi que "leur" Hamlet, c'est la polysémie de Hamlet et l'histoire cumulée de ses lectures et de ses appropriations. C'est sans doute peu original de nos jours, mais concernant cette pièce en particulier c'est sans doute particulièrement pertinent. Refus de choisir dans l'établissement du texte également : puisqu'aucune "vérité" n'a pour l'instant fait l'objet d'un consensus (l'aporie qui frappent toute théorie sur les relations entre Q1, Q2 et F est clairement exposée), Thompson et Taylor refusent d'arbitrer entre les trois textes originaux mais aussi de les mélanger : ils proposent donc une édition non pas "de" Hamlet mais des trois Hamlet (les deux premier in-quarto et l'in-folio). Une telle édition pouvait difficilement tenir en un seul volume des format, papier et taille de caractères d'Arden ; on se retrouve donc avec deux volumes. Lire la suite ›
Avez-vous trouvé ce commentaire utile ?
1 internautes sur 1 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 probablement l'édition de référence actuelle 30 octobre 2011
Par earthlingonfire TOP 500 COMMENTATEURS VOIX VINE
Format:Broché|Achat vérifié
Les problèmes que pose(nt) le(s) texte(s) de Hamlet ainsi que son sens sont bien connus et notoirement insolubles. Ann Thompson et Neil Taylor en prennent acte, comme du fait que leur tâche est de proposer une édition de Hamlet, pas une thèse sur Hamlet. L'introduction pourra décevoir si on la compare à certaines autres de la série, qui ouvrent des pistes de lecture nouvelles. Thompson et Taylor se "contentent" de dresser l'état des lieux et l'histoire de la réflexion sur Hamlet et de son interprétation, sans choisir et sans apporter une seule idée nouvelle. Ils semblent par défaut nous dire ainsi que "leur" Hamlet, c'est la polysémie de Hamlet et l'histoire cumulée de ses lectures et de ses appropriations. C'est sans doute peu original de nos jours, mais concernant cette pièce en particulier c'est sans doute particulièrement pertinent. Refus de choisir dans l'établissement du texte également : puisqu'aucune "vérité" n'a pour l'instant fait l'objet d'un consensus (l'aporie qui frappent toute théorie sur les relations entre Q1, Q2 et F est clairement exposée), Thompson et Taylor refusent d'arbitrer entre les trois textes originaux mais aussi de les mélanger : ils proposent donc une édition non pas "de" Hamlet mais des trois Hamlet (les deux premier in-quarto et l'in-folio). Une telle édition pouvait difficilement tenir en un seul volume des format, papier et taille de caractères d'Arden ; on se retrouve donc avec deux volumes. Lire la suite ›
Avez-vous trouvé ce commentaire utile ?
1.0 étoiles sur 5 Une édition à consulter sur papier 22 janvier 2015
Format:Format Kindle|Achat vérifié
Une étoile pour la version Kindle. Quel gachis! Au XXe siècle, les éditions Arden ont été les premières à utiliser des notes en bas de page. Au XXIe siècles elles font un grand pas en arrière avec une édition dans un format qui ne permet que les notes en fins de livre, la pire solution pour les notes qui expliquent le sens d'un mot (beaucoup de termes ont changé de sens depuis l'époque Shakespearienne). Ou comment rendre inutilisable la meilleure édition d'Hamlet du marché.... À pleurer.
Avez-vous trouvé ce commentaire utile ?
Commentaires client les plus utiles sur Amazon.com (beta)
Amazon.com: 0.0 étoiles sur 5  0 commentaires
67 internautes sur 69 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Arden Shakespeare Hamlet 4 décembre 2006
Par Nathan Records - Publié sur Amazon.com
Format:Broché
I am currently working on my MFA/Directing. I directed Hamlet and am now writing my defense of it. I have two thoughts on this third edition.

After going through this edition, from a point of view of the script, I'm not sure I understand the need to update Harold Jenkins's 2d edition. The script itself was easier to navigate in the 2d edition and I thought Jenkins's notes were more helpful. I also disagree with some of what Thompson and Taylor have to say in their editorial notes below the script. That said, I am biased because I used the 2d edition as a sort of "Hamlet Bible" as I directed the piece. Jenkins's notes were extremely insightful and useful. I became very comfortable with it.

On the other hand, this third edition has some different insight into the play in performance than does the second edition, as well as information on casting and music that was not included in Jenkins. Obviously there is much written about William Shakespeare in the world, and this 3rd edition of Arden is probably the most up-to-date resource for bibliographic material (as well as some photos of past productions of the play). Jenkins edition is 24 years old, ancient in the scholastic world's "what's new" when it comes to sifting the vast quantity of material written on Shakespeare and Hamlet.

Obviously, the needs of the theatrical world for playing Hamlet are different than that of the scholastic world (of which I am currently stuck in both). I think Jenkins is more user-friendly for the theatrician while Thompson & Taylor suit the needs of the scholastic better. My final thought is that a scholar/student of Shakespeare will want to have both the second and third editions for the differences they have to offer.
21 internautes sur 21 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Hamlet: A Fresh Look at the Danish Prince 10 janvier 2007
Par MACLEAR - Publié sur Amazon.com
Format:Relié|Achat vérifié
The folks at Arden decided to bring forth all three versions of Shakespeare's revenge (or anti-revenge) tragedy so that those who care can study the similarities and differences between the texts for themselves. I teach many Shakespearean plays and using the "bad quarto" of 1603 in conjunction with the oft used conflated text is an eye-opener for students who get a chance to truly engage in the text when comparing, say, Hamlet's third act soliloquy of the Folio (1623) version with the often maligned 1603 version. As usual, the people at Arden do an excellent job at editing the works. This is an excellent companion piece to the recently released third edition of Hamlet by the same editors of the 1604 Quarto text. A welcome addition to any Bardolators library.
28 internautes sur 32 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Simply Indispensable 1 novembre 2003
Par Paul Frandano - Publié sur Amazon.com
Format:Broché
When Henry James sat down to write on his Venetian travels for what later became the Italian Hours, he began with a disclaimer: "It is a great pleasure to write the word; but I am not sure there is not a certain impudence in pretending to add anything to it." Turning to Shakespeare, we might amuse ourselves by writing on, say, Hamlet, but can anything be said that's not already been said, and better, a dozen times, by superior critics and closer readers? In the appropriate spirit of humility (and in utter submission to the Bard and his great gift to civilization), I offer a few thoughts on the Arden 2nd Edition of Hamlet, and not on "the greatest work in the history of literature."
Hamlet is by far the longest of the Ardens at 574 pages. It breaks down thusly: the prefatory material of editor Harold Jenkins - one of the Arden Series general editors and a Hamlet authority of great renown - alone takes up 164 pages. Three-quarters of this is bibliographical and historical. In his 40-page critical introduction, Jenkins addresses many of the plays thorniest problems, with the Talmudic attentiveness of the closest reader. Then comes the play itself, spread over 264 pages (in terms of sheer length relative to the Bard's other plays, the text is a monster, coming in at more than 3800 lines). Each page of the Arden includes an average half-page of Jenkins' detailed, argumentative, authoritative, and uncommonly helpful footnotes. The final 146 pages consist of longer (end)notes that Jenkins simply could not physically fit onto the bottom of a page. Many of these are short essays (including an appendix that glosses an earlier discussion on the dating of the play).
Each of the Arden Hamlet's three sections might merit separate publication (after a modest bit of repackaging), but as a totality, Jenkins' edition must be the greatest value on the Shakespeare market. Jenkins' ruminations on the provenance of the story and the many sources Shakespeare might have drawn on, the "Ur-Hamlet" that might have come from the quill of contemporary Thomas Kyd (The Spanish Tragedy), the complexities of determining an authoritative text, the drama's inconsistencies and unanswered questions, the import of the great soliloquy of III.i (which is emphatically NOT, insists Jenkins, a deliberation on whether to commit suicide), Elizabethan revenge dramas in general, and so much more make this a truly indispensable, illuminating, even breathtaking volume.
We think we know this play well. We have read it, and seen performed on stage and in memorable or hideously forgettable films. Many of its greatest lines are embedded in our hearts. The beginning of true understanding, however, resides in a superbly annotated scholarly edition. The Arden is one of several choices you can make and is for me the one to own, equally suitable for students, scholars, actors, and mere Bardolators. It will - provided, of course, you are not already a scholarly specialist in Elizabethan drama - knock the scales from your eyes. And until the 3rd edition now in preparation under Ann Thompson is published, this Hamlet will stand as the epitome of the Arden Shakespeare's greatness as a series.
15 internautes sur 19 ont trouvé ce commentaire utile 
1.0 étoiles sur 5 Do not buy this edition of Hamlet 14 octobre 2011
Par Tortle - Publié sur Amazon.com
Format:Broché|Achat vérifié
I have no beef with Hamlet. This review is only about the version of the book. Amazon advertises it as the Folger edition, but what you actually get is some crappy book that has abbreviated names and huge spaces between lines. There are no line numbers or footnotes. There isn't even and Act or Scene header at the top of the page to remind you where you are. Whatever you do, don't fall for the 9.99 trap and instead buy the Folger edition.
9 internautes sur 11 ont trouvé ce commentaire utile 
2.0 étoiles sur 5 This edition not as described on this page 8 septembre 2011
Par VA Reader - Publié sur Amazon.com
Format:Broché|Achat vérifié
I don't have a beef with Shakespeare, but with the presentation of this version of Hamlet -- the description (as noted if you look closely) is for an entirely different book, the Folger publication (which includes notes, glossary, etc etc). The book pictured here is solely the play. Fine for if you're putting on Hamlet and want to act it out, but not as helpful as a reference.
Ces commentaires ont-ils été utiles ?   Dites-le-nous
Rechercher des commentaires
Rechercher uniquement parmi les commentaires portant sur ce produit

Discussions entre clients

Le forum concernant ce produit
Discussion Réponses Message le plus récent
Pas de discussions pour l'instant

Posez des questions, partagez votre opinion, gagnez en compréhension
Démarrer une nouvelle discussion
Thème:
Première publication:
Aller s'identifier
 

Rechercher parmi les discussions des clients
Rechercher dans toutes les discussions Amazon
   


Rechercher des articles similaires par rubrique