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Handbook of the Birds of the World: Barn Owls to Hummingbirds [Illustré] [Anglais] [Relié]

Nigel J. Collar , Josep del Hoyo , Andrew Elliott , Jordi Sargatal

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31 décembre 1998 Handbook of the Birds of the World (Livre 5)
Barn Owls to Hummingbirds. Prólogo sobre indicadores de riesgo y evaluación de estado en las aves. Más de 8000 referencias bibliográficas.

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I wonder how many people were sceptical about how far the Handbook of the Birds of the World project would progress when the first volume was published in 1992. However, with the publication of Volume 5 the bookmakers probably wouldn’t take bets on it not being finished in style. With what is arguably the strongest volume to date, a publication that all the critics have described as a "monumental" work is going from strength to strength. Admittedly, part of the reason for the appeal of the latest offering is its scope, covering as it does some of the world’s most exciting birds: owls, nightjars, swifts and hummingbirds certainly take some beating. Included here are some of the planet’s most enigmatic, beautiful and amazing species. The Handbook of the Birds of the World formula is all-encompassing. It is far more than a field guide, yet its colour plates are of the quality to be expected in the best in-the-field reference, and its photographs are superb. The depth of information on each family is on a comparable plane with that in many family monographs. And if you want to use it as a coffee table book, the brilliant photographs are enough to delight someone with only the most tenuous interest in birds. So how does the whole thing hang together? The introductory chapters for each of the nine families dealt with – barn owls, typical owls, Oilbird, owletnightjars, frogmouths, potoos, nightjars, swifts, treeswifts and hummingbirds – give a thorough overview dealing with systematics, morphology, habits, voice, food and feeding, breeding, movements, relationship with man, and status and conservation. It is sensible to separate so much information out from the species accounts, both to draw out the similarities between related birds and also to show the range of variation.There is much information here which is not duplicated in the species accounts. A read of these sections makes understanding taxonomic relationships that much easier. Taxonomic ‘grey areas’ are addressed, but where there is debate about relationships, the different options are explained as well as current knowledge allows. Reference is made to extinct species and to the fossil record. So, for example, we learn that the earliest swift-like bird was called Primapus lacki and was found in Eocene deposits in England. The 760 pages are jam-packed with interesting facts such as this. It is the introductory chapters for the families which provide a home for the photographs, which are truly excellent throughout. It appears that the publisher has not left a stone unturned in the quest to find the very best. When you consider that the subject matter ranges from birds which are nocturnal to those that usually don?t stay in one place for more than a nanosecond, this must have seemed a tall order, but the aim has been achieved. Space does not allow a list of the truly great shots, but one of my personal favourites is the flying Oilbird at dusk on page 247, and take a look at the Marvellous Spatuletail on page 491 and the Green Violet-ear on page 496 if you would like to be lured to the Neotropics. The captions are very informative, too, some running to 40 lines or more, although I feel it would help the reader in immediately recognising pictures of unfamiliar birds if the species name was emboldened in each. The colour paintings of each species are positioned sensibly among the species accounts. There are 76 plates, covering each of the 743 species dealt with in the text and a good number of distinct subspecies.Where relevant, both sexes and different colour morphs are illustrated, and where it helps, notably with the nightjars, flight illustrations accompany those of perched birds. For a project of this scale it is inevitable that a team of artists will have to be called upon. Nineteen are represented in this volume, but although slight differences in style are apparent, none has fallen below a very acceptable standard. It is notoriously difficult to paint hummingbirds – the same individual can look black in dull conditions and iridescent in direct sunlight – but the task is achieved comprehensively with the 32 plates covering this family. And plate 35, which includes Standard-winged and Pennant-winged Nightjars, got me thinking about flights to Africa. The species accounts cover taxonomy, distribution, descriptive notes, habitat, food and feeding, breeding, movements, and status and conservation. Subspecies and their distributions are listed. Every account includes a clear distribution map, covering breeding and wintering ranges. The team of experts who have compiled and written these accounts have consulted a copious list of references which runs to 62 pages. In fact, everything about this book is big, from its 310x240 mm format and 760 pages to its weight, which at 4 kg precludes it going into the field with you. And, yes, £110 is a lot of money, but this is exceptional value. I can hardly wait for the next seven volumes. Tim Harris. Fri Feb 01 18:08:00 UTC 2002 Birdwatch, Issue 92

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Amazon.com: 4.5 étoiles sur 5  2 commentaires
1 internautes sur 1 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Bizarre birds 26 juillet 2012
Par Ashtar Command - Publié sur Amazon.com
The "Handbooks of the Birds of the World" is a super-encylopedia spanning 16 volumes, published by Lynx Edicions and BirdLife International. It really does cover all living species of bird known to science. All 9,000 of them! Well, almost all. A supplemental volume with about 60 entirely new species will be published at some point next year.

This is the fifth volume of the HBW. It describes three very different orders: the Owls (Strigiformes), the Nightjars and allies (Caprimulgiformes) and the Swifts, Tree-Swifts and Hummingbirds (Apodiformes). I always find it fascinating that the screeching, fast and even somewhat bizarre swifts outside my window are actually related to hummingbirds! But the most absurd birds in this volume are surely the Caprimulgiformes. It includes the Potoos, which are perfect mimics of tree stumps - a large color photo shows this strange ability (try to spot the bird in it!). Further, there are the strictly nocturnal Oilbirds, which communicate in bat-like manner through eco-location. Apparently, scientists who visit the caves where the Oilbirds live have to wear protective masks - the damp caves are a haven for a fungus that causes the lung disease known as histoplasmosis.

The text in the HBW is rather heavy and takes some time to get used to. These books, after all, are primarily intended for ornithologists (with or without protective gear). However, the large amounts of illustrations and color photos might appeal to a more general audience. Unfortunately, these books are extremely expensive, no doubt precisely because of the color (and colorful) photos.

I tend to give these books five stars hands down, and so is the case with volume 5.
14 internautes sur 22 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 An unprecedented resource 8 novembre 2000
Par Sheri - Publié sur Amazon.com
This is the only volume of the Handbook series I have so far, but based on it I would seriously consider investing money (and bookshelf space) in the entire set. For hummingbirds at least, this is the first modern treatment of all the world's known species, with illustrations and range maps as well as text, plus a detailed overview of current knowledge on biology, behavior, ecology, taxonomy, evolution, etc. Each species is illustrated field guide-style, with good representation of sexes and geographic variation. The species accounts are short but pithy and include conservation status.

The only real areas of concern, again in reference to the hummingbird section, were in the lack of consistency in the plates, sweeping taxonomic revisions, and editorial bias. Most of the plates are wonderful, but a few are so stylized as to scarcely resemble a real hummingbird, much less the one being portrayed (among the owl plates, too, are some exquisite portraits and some that are cartoonish). Some fairly major revisions of taxonomy - including lumping and splitting of species plus generic reassignments - provide food for thought, but many are controversial and may ultimately be rejected by the ornithological community.

More distressing are the expressed and implied prejudices of the section editor. When published observations disagreed with his unsubstantiated opinion on one issue, he repeatedly insisted that these observations must be wrong. As the editor is European, his opinions are no doubt influenced by his limited field experience with hummingbirds, but it is an abuse of editorial privilege (not to mention unscientific) to use such a forum to arrogantly dismiss the findings of one's colleagues. Moreover, among the 18 authors of hummingbird species accounts I found only a single Latino name and none I recognized as belonging to women, though there are many highly qualified and experienced Latin American and/or female researchers in the field. These are idiosyncracies of this particular editor, and I would not expect these issues to rear their ugly heads throughout the series.

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