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Hard-Boiled Wonderland And The End Of The World
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Hard-Boiled Wonderland And The End Of The World [Format Kindle]

Haruki Murakami
4.5 étoiles sur 5  Voir tous les commentaires (2 commentaires client)

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Descriptions du produit

From Publishers Weekly

There ought to be a name for the genre Murakami ( A Wild Sheep Chase ) has invented, and it might be the literary pyrotechno-thriller. The plot here is so elaborate that about 100 pages, one-fourth of the book, elapse before its various elements begin to fit together, but Murakami's lightning prose more than sustains the reader. Embellished with witticisms, wordplay and allusions to such figures as Stendhal heroes and Lauren Bacall, the tale is set in a Tokyo of the near future. Thanks to a wonderland of technology, an intelligence agent has had his brain implanted with a "profoundly personal drama" that allows him to "launder" and "shuffle" classified data, and all that he knows of the drama is its password, The End of the World. But after interference from a scientist and from the Semiotecs, a rival intelligence unit, the subconscious story is about to replace the agent's own perceptions of reality. Intertwined with the agent's attempts to understand his plight are scenes from The End of the World. Murakami's ingenuity and inventiveness cannot fail to intoxicate; this is a bravura performance.
Copyright 1991 Reed Business Information, Inc.

From Library Journal

The last surviving victim of an experiment that implanted the subjects' heads with electrodes that decipher coded messages is the unnamed narrator of this excellent book by Murakami, one of Japan's best-selling novelists and winner of the prestigious Tanizaki prize. Half the chapters are set in Tokyo, where the narrator negotiates underground worlds populated by INKlings, dodges opponents of both sides of a raging high-tech infowar, and engages in an affair with a beautiful librarian with a gargantuan appetite. In alternating chapters he tries to reunite with his mind and his shadow, from which he has been severed by the grim, dark "replacement" consciousness implanted in him by a dotty neurophysiologist. Both worlds share the unearthly theme of unicorn skulls that moan and glow. Murakami's fast-paced style, full of hip internationalism, slangy allegory, and intrigue, has been adroitly translated. Murakami is also author of A Wild Sheep Chase ( LJ 10/15/89); his new work is recommended for academic libraries and public libraries emphasizing serious contemporary fiction.
- D.E. Perushek, Univ. of Tennessee, Knoxville
Copyright 1991 Reed Business Information, Inc.

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 1220 KB
  • Nombre de pages de l'édition imprimée : 418 pages
  • Editeur : Vintage Digital; Édition : New Ed (10 octobre 2011)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ISBN-10: 0099448785
  • ISBN-13: 978-0099448785
  • ASIN: B005TKD9D6
  • Synthèse vocale : Activée
  • X-Ray :
  • Moyenne des commentaires client : 4.5 étoiles sur 5  Voir tous les commentaires (2 commentaires client)
  • Classement des meilleures ventes d'Amazon: n°28.220 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)
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Commentaires client les plus utiles
5.0 étoiles sur 5 trully original and captivating 24 septembre 2012
Format:Broché|Achat vérifié
I had read the Wind up bird chronicles and I decided to try this one, I haven't been disappointed, it's disturbing , fascinating and you just want to go on reading it, you never know where one story starts and the other one finishes, also a good reference to Japanese way of life.
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4.0 étoiles sur 5 Typiquement Murakami 23 août 2012
Format:Broché|Achat vérifié
Excellent même si on retrouve le style Murakami. Plus "frivole" que d'habitude. Le titre est macabre mais le livre est comme un policier
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Commentaires client les plus utiles sur (beta) 4.4 étoiles sur 5  261 commentaires
138 internautes sur 142 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 One of the best books I've ever bought on a whim... 19 avril 1999
Par Un client - Publié sur
I purchased this book on a whim - the descriptions sounded interesting enough to merit a look.
Boy was I stunned by it. One of the best books I've read in a long time and probably one of the best novels I've read that's been written in the last 20 years.
Beautifully written (and translated) it spoke to many different sides of me. The novel brilliantly fuses a number of different cultural genres (science fiction, mystery, film noir, fantasy, magical realism, "cyberpunk") into a mix that, amazingly, works very well. Try to imagine a collaborative effort by Garcia-Marquez, William Gibson, and Walker Percy and you almost might be able to envision what this book feels like to read. Who else but a Japanese author could make such an intriguing pop culture cocktail?
Besides being a genre-bender, the premise of the book and the questions that it raises concerning the relationship between humanity and technology, the soul and the mind, and the individual and society are quite thought provoking.
Did I mention that the book is very funny at times too?
This is unlike any other book you'll ever read. Definitely worth checking out IMHO.
69 internautes sur 74 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 WHICH WORLD DO I BELONG TO? 22 décembre 2005
Par Sesho - Publié sur
Hard Boiled Wonderland and the End of the World follows two distinct and parallel storylines, both with unnamed narrators who might or might not be the same person. In the first storyline, the narrator is a "Calcutec", a computer specialist working for "The System" to protect data against the "Semiotecs", an organization of powerful black market information pirates. Called down into the sewers below Tokyo against regulations and against the law, the main character agrees to "shuffle", or encode the work of a nutty professor who says he has discovered a way to make bones talk! His life might be in danger though because all the major powers want a piece of this new technology. This plotline alternates chapters with a more fantasy type idyll about a town surrounded by an impenetrable and unscalable wall, in which the narrator tries to figure out who he is and how he came there. There are other inhabitants but all their comments are pretty cryptic. But there's some bizarre stuff going on. For example, there are unicorns grazing around the town, you lose your shadow, and the narrator is given the job of "reading dreams" from the skulls of strange beasts! He must set about figuring out how to escape unless he wants to be trapped there forever.

This novel was weird but refreshing. I thought it was pretty clever of Murakami to almost write two books in one, the first being a cyberpunk adventure and the other a strange surreal fantasy. But it worked. Don't worry, these two stories within a novel do have a purpose in being joined together, even though you might not understand all the "physics" talk when explanations are given. You get the gist of it. Harold Bloom once said that what gives a novel its lasting greatness is that it has to be strange. Murakami more than lives up to this thought and makes you feel as if you've entered a new world. That's a good thing. It really gives you a sense of wonder and mental adventure which you don't find too often in literature these days. I look forward to reading his other works.

If you liked this book, I would highly recommend viewing a Japanese anime called Haibane-Renmei which was greatly influenced by the fantasy parts of Hard-Boiled Wonderland.
65 internautes sur 70 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 The Interconnectedness of All Things 7 février 2000
Par Bibliophile - Publié sur
This is simply the best book I have ever read! I was hooked from the first page and drawn into the world of the narrator as subtly as one is drawn into a dream. The linking of the subconscious and conscious elements of the mind are at work here, and this is what makes this book all at once so wonderful, disturbing and enlightening. It is a psychological masterpiece and lays bare the interconnectedness of all things- the people in our lives, the places, the choices we make, our dreams, desires, longings and regrets and most importantly, the often inexplicable and enigmatic relationship between our subconscious and conscious mind. The masterful way Murakami interweaves the chapters begins with a divergent simplicity and gradually progresses to a complex, synchronistic web/mandala in which all points share a beginning yet have no end.
45 internautes sur 49 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Experimental and Traditional 9 avril 1999
Par Un client - Publié sur
At some point along the way on your journey through "Hard-Boiled Wonderland and the End of the World"--in my case, not until I had read the last page and closed the book--it may occur to you, Why, this isn't a modernistic, subversive, radical treatise on the ravages of contemporary society and the havoc that technology has wreaked on us, it's just an old-fashioned book about aging! The two halves of the book--"Hard-Boiled Wonderland" and "The End of the World"--represent, to my mind, youth and adulthood, respectively, and the protagonist--as well as the author--appear to find themselves poised in thirtysomething limbo, trying to decide what they want their lives to be like from hereon out. "Hard-Boiled Wonderland" certainly seems to be the more fun of the two worlds--exotic women, delicious food, cool cars, high-paced city living, and infinite possibilities for what career to choose, which woman to settle down with, and what town to live in. But Wonderland is certainly more dangerous--all that high-tech mafia business, gruesome violence, flesh-eating monsters, broken-into apartments, splitting headaches, and hangovers from those crazy nights drowning your confusion in whiskey. It's enough to make a thirtysomething guy long for a little peace and comfort. That's where "The End of the World" comes in. End of the World is everything Wonderland is not: one monogamous partner, gruel for breakfast, lunch, and dinner, no mode of transportation other than your own two feet, and nothing more exciting to do than stare off at the mountains or the smoke stack from the Power Plant or wait for the herd of beasts to come trampling through the town every evening. Your career is decided for you--you will "read dreams" from unicorn skulls in a musty old library--and you will settle down with such-and-such woman, who's the only available woman around, and you can never leave the high-walled town or even find out what's outside it. You can't even go outside in the daytime to see the light without your special dark glasses on. All this comfort starts to seem a little dreary to the narrator (who has no idea how he arrived there and can't remember his life beforehand), and he has to make a choice near the end of the novel whether to follow his Shadow (i.e., his soul) back into the exciting but treacherous spirit of his youth or to continue on forever in the calm but melancholy End of the World he has "created." I won't spoil the ending, but suffice it to say that it's a little surprising, makes more sense the more you think about it, and ultimately feels utterly natural. And despite the surface experimentalism of the novel--witty and inventive as it is--this theme of living in one's youth forever or accepting the idea of old age is probably one of the oldest themes in literature.
In such an experimental novel, the author is taking a risk that the unique style in which he writes to convey the message he has to give may affect our enjoyment of the book. Unfortunately, the two worlds are so polarized--for good thematic reasons--that they're difficult to read about: Wonderland is just a little too chaotic, the End of the World is just a little too dull. It's the type of book that's easier to appreciate than to enjoy, or more enjoyable to reflect on than to actually read. That said, this was still a wonderful book, my favorite book by Murakami only next to "The Wind-up Bird Chronicle," and it haunted me for a long time afterward.
23 internautes sur 24 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Abstruse has never seemed more avant-garde 27 septembre 2005
Par John Thompson - Publié sur
Format:Broché|Achat vérifié
If there was a genre here to bend, break, or quite simply shatter, this book wouldn't be so much genre-defying as it would a two-ton genre wrecking ball.

Many precedents are at once acknowledged and seamlessly woven into an intricate whole; Philip K. Dick, Kurt Vonnegut, Jorge Borges, Robert Heinlein. Seemingly incongruent styles are melded, switched, convoluted, and turned outside backward.

Not to disclose too much, but the dexterity with which Murakami flits between mirroring realities, (between chapters, no less!) is conceptually breathtaking.

The imagery is so well written and imbued with so much poetic vividity, there are scenes that will resonate in your minds eye for hours after you have turned the page.

In short, there is no preparing yourself for the literary trip you will take with Haruki as your mind-bending guide.
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