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Robert Polidori's Havana is a haunting city of sherbet colors and peeling stucco, grand colonial architecture in decay, and real people who hang their laundry across a lofty foyer in an old mansion. Polidori's photographs, which fill the pages of this beautiful, oversized book, appear without comment, yet it is impossible to miss the affection and melancholy of his highly personal vision.
Elms Street, September 2001
chronicles the faded grandeur of Cubas crumbling colonial architecture.