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Haydn - Les symphonies londoniennes, vol. 2 : Symphonies n° 93, 94, 97, 99, 100 et 101 (Coffret 2 CD)

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Détails sur le produit

  • Interprète: Colin Davis
  • Orchestre: Royal Concertgebouw Orchestra
  • Chef d'orchestre: Colin Davis
  • Compositeur: Franz Joseph Haydn
  • CD (10 septembre 2012)
  • Nombre de disques: 2
  • Label: Philips
  • ASIN : B0000041AR
  • Autres éditions : CD  |  Téléchargement MP3
  • Moyenne des commentaires client : 4.0 étoiles sur 5 1 commentaire client
  • Classement des meilleures ventes d'Amazon: 16.658 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Symphonie n 93 en re majeur hi - adagio allegro assai
  2. Symphonie n 93 en re majeur hi - largo cantabile
  3. Symphonie n 93 en re majeur hi - menuetto allegro
  4. Symphonie n 93 en re majeur hi - finale presto ma non troppo
  5. Symphonie en mi bemol majeur hi n 99 - 1. adagio - vivace assai
  6. Symphonie en mi bemol majeur hi n 99 - 2. adagio
  7. Symphonie en mi bemol majeur hi n 99 - 3. menuetto (allegretto)
  8. Symphonie en mi bemol majeur hi n 99 - 4. finale (vivace)
  9. Symphonie n 100 militaire en sol majeur - 1. adagio - allegro
  10. Symphonie n 100 militaire en sol majeur - 2. allegretto
  11. Symphonie n 100 militaire en sol majeur - 3. menuet (moderato)
  12. Symphonie n 100 militaire en sol majeur - 4. finale ( presto)

Disque : 2

  1. Symphonie n 94 la surprise en sol majeur - I adagio vivace assai
  2. Symphonie n 94 la surprise en sol majeur - II andante
  3. Symphonie n 94 la surprise en sol majeur - III menuetto e trio allegro molto
  4. Symphonie n 94 la surprise en sol majeur - IV finale allegro di molto
  5. Symphonie en ut majeur hi n 97 - 1. adagio - vivace
  6. Symphonie en ut majeur hi n 97 - 2. adagio ma non troppo
  7. Symphonie en ut majeur hi n 97 - 3. menuetto (allegretto)
  8. Symphonie en ut majeur hi n 97 - 4. finale (presto assai)
  9. Symphonie n 101 l'horloge en re majeur - 1. adagio - presto
  10. Symphonie n 101 l'horloge en re majeur - 2. andante
  11. Symphonie n 101 l'horloge en re majeur - 3. menuet (allegretto) - trio
  12. Symphonie n 101 l'horloge en re majeur - 4. finale (vivace)

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Format: CD Achat vérifié
Le chois de cet achat a été d'améliorer ma connaissance sur la période Londonienne de Haydn et de ce fait de compléter ma discothèque à la maison
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0xa04c85ac) étoiles sur 5 19 commentaires
25 internautes sur 26 ont trouvé ce commentaire utile 
HASH(0xa0333060) étoiles sur 5 A Pure Musical Delight 17 juillet 2001
Par DWPC - Publié sur Amazon.com
Format: CD Achat vérifié
A great convergence of wonderful music, an inspired orchestra, a talented conductor, AND high quality recording. This set is one of those rarities. Haydn's London Symphonies demonstrate his genius and sense of humor. No composer neuroses to be found here. This music is masterful, balanced, and in many movements, fun. No. 94, the "Surprise" and 100, the Military, show Haydn's ability to compose richly but not take himself or his patrons too seriously. The Royal Concertgebouw Orchestra plays with skill and charm (even that horn player who's a bit flat in the Allegretto of the 100th), and Davis directs well (though I think Bernstein's conducting of the 100th had more swagger). Last but by no means least, the quality of the Phillips recording is excellent; clean and well engineered, with no studio boominess shading everything. With so many classical recording being mediocre, I hope your system can reveal all the detail here. This 2-disk set is a bargain.
12 internautes sur 12 ont trouvé ce commentaire utile 
HASH(0xa06cd810) étoiles sur 5 A Magnificent Bargain! 14 mars 2000
Par Un client - Publié sur Amazon.com
Format: CD
One never ceases to be amazed at the inexhaustible invention and creativity displayed by the great Haydn in these marvellous works. As I mentioned in my review of Vol. 1 (q.v.) these symphonies, in which the mature genius was working at full stretch, are brimming with vitality, wit, excitement and the warm humanity that is Haydn's trademark. These performances, with the Concertgebouw magisterially conducted by Sir Colin Davis, are fully worthy of Haydn's inspiration. This set contains some of the finest moments: a desert-island version of the most famous of the twelve "London" Symphonies, the "Surprise" Symphony; an urbane and stylish version of "The Clock"; a performance of the "Military" Symphony with its great slow movement that is second to none; and, beginning the set, one of the lesser known masterpieces, the wonderful no. 93 in D Major, one of the perfect expressions of purely musical humor and wit: the minuet is a rollicking parody, with giddy, lumbering rhythms and hilarious contrasts of timbre and dynamics-- a masterpiece of musical humor (it's as if Haydn were lampooning the very form); the wonderful finale with its famous upbeat joke in the recapitulation. Indeed, each of the symphonies has its own delights. All told, this set is a magnificent bargain, the finest version available at any price, and with its companion volume 1 should be in the collection of every lover of truly great music.
12 internautes sur 12 ont trouvé ce commentaire utile 
HASH(0xa03d5558) étoiles sur 5 Definitive Recordings of Haydn's Late Symphonies: Part II 2 juin 2001
Par John Kwok - Publié sur Amazon.com
Format: CD
Sir Colin Davis earned his reputation as a fine interpreter of Haydn, partly due to splendid recordings such as these. Both the Penguin Guide and the Grammophone Guide Classical CDs rate these as the finest recordings of Haydn's "London" symphonies. They are magnificient performances played with much enthusiasm and warmth by the Royal Concertgebouw Orchestra. Although there are a number of fine digital recordings of these symphonies around, none seem as elegantly played as Davis' splendid readings. The sound quality is superb, due to Philips' state-of-the-art digital remastering. Along with the two CDs in Volume One, these definitive recordings should be a part of any classical music lover's CD collection.
12 internautes sur 13 ont trouvé ce commentaire utile 
HASH(0xa049afa8) étoiles sur 5 Haydn's London Symphonies 20 décembre 2005
Par Robin Friedman - Publié sur Amazon.com
Format: CD
I have been listening to many of Haydn's earlier symphonies on the ongoing cycle of the complete series on Naxos. But for the final set of twelve, Haydn's masterpieces in the form, I wanted Sir Colin Davis conducting the Royal Concertgebouw Orchestra. Davis has recorded the twelve London symphonies on two mid-priced Phillips "duo" CDs. The performances are outstanding and filled with ebullience. They will make a good introduction to Haydn for those new to his music and will delight long-term lovers of Haydn.

Beginning when he was about 25, Haydn composed for the wealthy and music-loving Esterhazy family. His fame gradually spread throughout Europe and, with the "Paris" symphonies, Haydn began to write works for a public broader than his aristocratic patron. With the death of Nicholas Esterhazy in 1790, Haydn received an invitation to visit London. He visited twice, in 1791-1792 and again from 1794-1795. His twelve "London" symphonies are the result. These are full-scaled symphonic creations showing the consummate mastery Haydn had acquired over the years. The works are joyous and lively and were immediately welcomed by Haydn's London audiences. They are also highly sophisticated and endlessly creative works of art which will reward careful listening and study. For those listeners wanting a more detailed, yet non-technical overview of the twelve London symphonies than that found on liner notes, I suggest consulting their treatment in Michael Steinberg's valuable work, "The Symphony: A Listener's Guide."

This two-CD set includes six of the London symphonies: nos. 93, 94, 97, 99, 100, and 101. Let me mention a few features of each.

Haydn's most famous symphony is probably the 94th in G major, the "Surprise". The theme of the second movement, with the large "bang" at the end of the repetition of the opening phrase is one of the best-known moments of music, familiar to children. This remains an excellent work to introduce young people to music. The "surprise" movement proceeds with a lovely set of variations, and there is much to get to know, including more surprises, in the remaining three movements as well.

Symphony no. 100 is also in G major and is known as the "Military" for the martial tone of the second movement, replete with drums, cymbals, and triangle. In addition to the "Military" movement, this symphony features a vicacious finale replete with timpani, a contrapuntal section, and some soft moments of reflection hidden within the lively theme.

The "Clock" symphony, no 101 in D major is named for the tick-tock accompaniment figure in the second movement which is forever endearing. This movement gradually rises to a moment of passion as it develops. The work also features a lively opening movement, a lengthy minuet, and an outstanding finale that works from an inocuous opening to complex counterpoint.

The symphonies with nicknames are the easiest way to introduce the London set, but the symphonies without these names are on the same high plane. The first of the London set is symphony no. 93, also in D major. A memorable moment of this work is the opening of the second movement, which Haydn scores for a string quartet. The movement becomes rather introspective as it proceeds, but Haydn brings it back to earth with a toot on the bassoon at the close. The symphony opens with a slow. detailed introduction followed by an opening movement that develops two lively and lyrical themes.

The 97th symphony is the last of twenty Haydn symphonies in C major, a key he used for regal, ceremonial effect. The work opens with a surprisingly quiet slow introduction followed by an opening movement that develops broadly from many repetitions of the basic chord of C major.

The 99th symphony in E-flat major is the first in which Haydn used clarinets and, from the opening chord, clarinets play a major role in the texture of this work. This is one of the more complex symphonies of the London set, with a harmonically adventurous slow introduction followed by a movement that emphasizes the second of its two major themes. The slow movement is deeply intense and also stresses the second of the two primary themes on which it is based. After a lyrical, restrained opening, the movement turns to the minor key in a dramatic section before returning to the opening material, substantially embellished. The minuet combines elements of both courtliness and earthiness while the finale is rapid and culminates in a fugal passage. The 99th is one of the finest symphonies of an outstanding series.

This set, and its companion recording of the remaining six London symphonies, make a wonderful introduction to a great composer.

Robin Friedman
6 internautes sur 6 ont trouvé ce commentaire utile 
HASH(0xa0473078) étoiles sur 5 A standard of musical artistry 14 mars 2001
Par Un client - Publié sur Amazon.com
Format: CD
In the review for volume 1 of this collection I gave a general appreciation. Here I would like to give a couple of comments on this most excellent performance. The 12 London Symphonies are not generally appreciated as a whole, and I suspect for a very simple reason: some got a nickname, and some times for a very silly reason. In our oversimplifying world, well, people tend to pay attention to the nickname. That is too bad for those not curious enough to dig further. In this collection we have one opportunity to fairly compare all of these works, recorded in the space of 6 years, a period which one would presume gave the director a chance to maintain the feel for the work. Here you will find, of course, a brilliant "Military" played for its music and not for its pseudo effects as it is found elsewhere. The "London" interpretation has nothing to envy to any other I have ever heard. But for me the most rewarding experiences were in the non-nicknamed opus. For example the adagio from the E-flat Hob I:99 is a revelation under Mr. Davis baton, an almost unbearable poignancy (this particular volume). And the exquisite and almost pensive at times two B flat opus (98 and 102) makes you wonder what it is with the "flat" keys that so inspired Haydn.
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