Book Description
Hearing Film offers the first critical examination of music in the films of the 1980s and 1990s and looks at the burgeoning role of compiled scores in the shaping of a film.
About the author
Anahid Kassabian is Assistant Professor of Communication and Media Studies at Fordham University, Chair of the International Association for the Study of Popular Music and Editor of the Journal of Popular Music Studies. She coedited the book Keeping Score: Music, Disciplinarity, Culture (UP of Virginia, 1997) and has written numerous articles and book chapters on popular music, film music and feminist theory.