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Hedda Gabler [Format Kindle]

Henrik Ibsen
5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)

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Descriptions du produit

From School Library Journal

Grade 9 Up-Ibsen's classic is well served by the talents of Juliet Stevenson and seven other British actors, all veterans of the Royal Shakespeare Company, stage, and film. With excellent diction and generally convincing emotion, the polished cast conveys the dark despair that touches everyone in the play, and eventually overwhelms Hedda. Brief, but pleasant music gently marks the end of each act, and sound quality is good throughout. Exceptionally complete liner notes make it easy to find a specific track, and there's plenty of playbill-style information about the performers and the play. While this recordings is not a must buy, it will be a helpful audio component to classes studying the work of Norway's great 19th century playwright.
Barbara Wysocki, Cora J. Belden Library, Rocky Hill, CT
Copyright 2003 Reed Business Information, Inc.

From AudioFile

Juliet Stevenson inhabits the title Femme Fatale with such conviction that even a lesser supporting cast would have to rise to the occasion. But the cast here is first-rate as is the insightful and resonant direction by John Tydeman, retired head of BBC Radio Drama. Not only has he made this intense stage play perfectly intelligible for audio, but he delivers the most engrossing HEDDA this reviewer has encountered in any medium. The intelligent, spirited, and self-absorbed Hedda has a dull but devoted husband, an ardent ex-lover, and a lecherous old judge hanging around her. Her manipulations, instigated largely to spark her uninspiring existence, result in a tragically untragic shooting and her own virtual enslavement. Ibsen's masterful, flawlessly constructed character study, though written to reflect rural Norway of the 1880s, seems vividly contemporary. Here are characters we either know or hope never to meet--far more fascinating and real than any of the Carringtons or Ewings. Y.R. Winner of AudioFile Earphones Award © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 936 KB
  • Nombre de pages de l'édition imprimée : 130 pages
  • Pagination - ISBN de l'édition imprimée de référence : 1566630061
  • Editeur : Ivan R. Dee (1 novembre 1992)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • Synthèse vocale : Activée
  • X-Ray :
  • Word Wise: Activé
  • Composition améliorée: Activé
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: n°298.685 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)

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Commentaires client les plus utiles
5.0 étoiles sur 5 HEDDA, HEDDA HEDDO 1 juillet 2013
Cette pièce d'Ibsen témoigne de la violence consubstantielle à l'inhumanité à travers la dépersonnalisation imposée par l'Ordre Dominant...Le tout intentionnel de la démarche vise à dénoncer la structure paranoïde sur laquelle s'appuie toute mise au pas...Hedda Gabler fut interdite en URSS et au Chili...
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Amazon.com: 4.1 étoiles sur 5  34 commentaires
9 internautes sur 9 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Hedda Gabler was a remarkable play ahead of its time! 20 mai 1999
Par Un client - Publié sur Amazon.com
Henrik Ibsen was truly the Father of Modern Drama! His plays are much more "in-tune" with today's life than many scholars want to believe or will admit. Hedda was a powerful woman, who on the surface appeared to be confined by a dress, imprisoned in man's house, and smothered by a male-dominated society. It would appear that Thea Elvstead was the woman with more control, but this is not true. Hedda was a calculating "bitch" who dared (quite shrewdly) to cross over her set in stone "boundaries," manipulate others, and stand back and watch others lives be destroyed as a result. But when she is backed into a corner by the "new" creative couple (George & Thea) and Judge Brack, she takes the final power into her own hand. How ironic that the power is her late father's pistol. How tragic is her death when it was the ultimate control of a destiny that she so strongly desired? Henrik, you were a true visonary!!!
12 internautes sur 13 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Hedda The Misunderstood 30 mars 2004
Par Angelique - Publié sur Amazon.com
Aw Contrare my friends, Hedda was not bored, but trapped. A woman before her time, as most of Ibsen's female characters, unable to yield to the societal norms of the day. A strong, well educated woman existing in a time when permission to go out and about had to be asked of the dominant male of the house. The insurgence of the Industrial Revolution was taking place, the world was changing quickly, and with it old manors and chivalry was being extincted. These mores which Hedda had been raised to cling to were falling away for the world, but not for Hedda. They ran concourse to the blood in her veins.
Despite an inner strength of character and longing to dominate, inspire, and influence, she found herself torn between the new world and the way in which she was raised. Those values and their presence is signified by the silent character of her father, in the form of a picture that is continually refferred to.
When Hedda is overshadowed by Mrs. Elvstead in Lovborg's life she scrambles to make her mark, to have some influence. The nature of that inspiration is of no interest to her. As a madman who longs for fame and finds it in a violent act, Hedda does what she does for the power/influence in it, but not out of malice. Though we, the audience, may judge what her actions may have lead to, this is a moot avenue of perspective. It is "why" she does what she does that makes her such an intriguing character.
6 internautes sur 6 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Bravo! Bravo! 28 mars 2003
Par Un client - Publié sur Amazon.com
A great audio play which pulls the listener in and never lets go. As the story progresses the tension mounts and mounts until you can't take the suspense no longer. Juliet Stevenson does a superb job in portraying the manipulative but reckless Hedda and the rest of the cast are top notch. This is a brilliant presentation of ibsen's play showing the foibles of life and the dangers of desire. A wonderful audio experience to be listened to over and over again. Highly recommended. This audio book contains two CDs and is a full cast presentation of Ibsen's play Hedda Gabler.
5 internautes sur 5 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 The Malicious Implacable Hedda Gabler 30 septembre 2003
Par joyce brown - Publié sur Amazon.com
Many people view Hedda as a heroine who was trapped in a world that was not comparable to her train of thought;however I view her as a malicious implacable twisted woman. Nothing in which she did suprised me at all. I felt no remorse in her passing but rather a deliberate sigh of relief. The only thing she ever had to offer was sarcastic insults and low blows to one's intelligence. At the age of 29 Hedda possed the strife and iniquity of a woman twice her age.

Hedda lives in a mans world having been raised by her father who was militant. She strives not to let being a woman hinder her from lifes adventures, so she goes things that most men do. She has a nick for blowing things up and anything that gets in her hands is destroyed. She made all women in her presence succomb to her aggressivenss, all men fell prey to her wit and beauty.

Hedda married Tesman to appear as if she was doing something with her life. He may have been inherently smart but he was naive to the ways of Hedda. Lovburg was a smart man and he could carry on a descent conversation with Hedda but he was pathetic in a sense. It seemed as if he lead a double life and I viewd him as being a drifter. The only person who was on her level of equal intelligence truly was Judge Brack. He understood her and read her like a book; they were literally the same person. He did find her escapades to be quite amusing but at the same time he kind of held a grudge towards her amybe from some past rendezvous.In the end his name Judge took total effect. He held Hedda's fate in his hand and she was not about to let him win that easily. Hedda didn't prove to bite as loud as her bark because she finished herself off when she lost power and control of a situation in which she started.
4 internautes sur 4 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Best translation for stage 25 avril 2003
Par Didi - Publié sur Amazon.com
From the view of a Theater major, this translation and adaptation of Henrik Ibsen's 'Hedda Gabler' allows an audience (and a reader, for that matter) to follow all the intricate little jokes and personality quirks. Unlike other translations, the way each character speaks is distinct from all the others. The words aren't the only thing translated from the Norwegian; the nuances and attitudes are as well. George Tesman is amusingly obtuse, and his Auntie Julia isn't simply the sweet old lady she appears to be. Judge Brack and Hedda can share some wonderful inside jokes without the rest of the characters noticing. Eilert Lovborg isn't just bipolar in his actions but also in his words. And unlike many other translations, it is actually possible to be sympathetic to Hedda's situation and not simply loath her for her attitude. One of Ibsen's greatest talents is his way with words: the characters are forever saying one thing and meaning something entirely different. As 'Hedda Gabler' is a play, it is not meant to be simply read; it is meant to be seen, and Jon Robin Baitz certainly makes it easier for the actors to get across the message Ibsen was trying to send. And studying the play intensively during rehearsals and production of 'Hedda Gabler' really make it easier to appreciate exactly how much is going on. It takes much more than just a reading to understand 'Hedda': at its finest, it takes a really stellar cast, especially in the title role, to pull it off.
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