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Two things happen to shatter Martin's equilibrium. First, a new, corporate-style postal manager takes the job that by rights should have been his, promptly beginning a campaign of privatization and modernization that threatens all Martin holds dear. Second, an American woman outbids him on Hemingway memorabilia; a scholar, "not a fan," of the writer, Ruth Kohler lives in seclusion nearby while she works on a book about the women in Hemingway's life. Martin and Ruth engage in some increasingly heated role-playing as the conflict over Threston's post office comes to a slow boil. Deprived of his position, his cozy world crashing down around him, Martin finds himself acting more like the he-man writer than he ever thought possible. Palin's debut is in some ways a surprise: poignant rather than funny, skillfully paced and couched in workmanlike but hardly spectacular prose. Readers expecting Pythonesque absurdity might find themselves disappointed--but only at first; with patience, this book unfolds its more subtle pleasures with understated aplomb. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
