Amazon.com
The very idea of a unique tradition of gay-male writing began relatively recently. Early in the 20th century, homosexual writers began to write more honestly. Yet writers, both gay and straight, have written about the experience of homosexuality since ancient times. In his encyclopedic overview, Gregory Woods has knitted together a transhistorical and transcultural history--a tradition--of gay-male writing over the centuries. Using a broad but readily applicable definition of gay literature that includes works by openly gay men, works in which homosexual activity occurs, and works that manifest a gay "sensibility," Woods manages to move us from Homer to David Leavitt, from Arabic poets of the classical age to contemporary South African poetry, from closeted Victorian memoirs to AIDS literature. By its nature, A History of Gay Literature lacks the specificity of critique that illuminates individual work, but this approach is more than compensated for by the book's ability to locate and discuss amazing similarities of experience and expression throughout history and culture. Highly intelligent, jauntily written, and endlessly informative, A History of Gay Literature is an impressive addition to contemporary gay scholarship.
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From Publishers Weekly
Woods's (Articulate Flesh: Male Homo-Eroticism and Modern Poetry) dense but rewarding history has a lofty aim: "queering the canon." Starting with the man-boy love of Greek classics, this academic text focuses on homoeroticism in the literary imagination. But Woods does more. By analyzing attitudes about homosexual men, he looks at the homophobic ideologies that poetry and prose have encouraged throughout history. While there is not enough information on the role of religion in classifying sodomy as sin, Woods demonstrates that as early as the 12th century, hostility against man-to-man love was evident. But despite the linking of homosexual love with shame and repentance, it formed a culture?described by writers as diverse as Aristophanes, Rumi, William Shakespeare, the Marquis de Sade, Walt Whitman, Federico Garcia Lorca, Langston Hughes and Jane Austen?that held on. Woods's commentary about the Nazis and about the popular postwar belief that fascism developed because of Germany's tolerance of "sexual perversion" is eye-opening, as is his deconstruction of 1950s crime fiction, which routinely depicted gay men as deviants. Woods moves his readers into the decades since Stonewall and scrutinizes writing that deals with gay pride as well as AIDS. Throughout, his point that homoerotic traditions are a literary constant is well-taken and persuasively argued. Woods makes inroads in defining queer culture and illuminates the essential role gay men have played in the Western canon.
Copyright 1998 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Copyright 1998 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
