House of Stone: A Memoir of Home, Family, and a Lost Middle East (Anglais) Relié – 28 février 2012
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"Six pages into this book, I said to myself, if Anthony Shadid continues like this, this book will be a classic. And page by page, he did continue, and he wrote a honest-to-God, hands-down, undeniable and instant classic. This is a book about war, and terrible loss, and a troubled region, and his own tattered family history, yes, but it’s written with the kind of levity and candor and lyricism we associate with, say, Junot Diaz — and that makes the book, improbably, both a compulsive read and one you don’t want to end. I have no idea how Shadid pulled all this off while talking about the history of modern Lebanon, how he balanced ribald humor and great warmth with the sorrow woven into a story like this, but anyway, we should all be grateful that he did."
— Dave Eggers, author of Zeitoun and What Is the What"Anthony Shadid’s beautifully rendered memoir is a rich account of a man’s gradual immersion into the world of the Middle East and the culture of the Levant, a kingdom almost unrecognizable today, where the rooms and hallways of his great-grandfather’s house tell stories that will linger with every reader for decades." — André Aciman, author of Out of Egypt "House of Stone is poignant, aching, and at times laugh-out-loud funny . . . Shadid's writing is so lyrical it's like hearing a song." — David Finkel, author of the Pulitzer Prize-winning The Good Soldier "House of Stone is a haunting, beautifully realized piece of writing." — Nick Flynn, author of The Ticking Is the Bomb "What a beautiful introduction to a world that I knew so little about. House of Stone is engaging, poignant, and funny." — Abraham Verghese, author of Cutting for Stone
"I was captivated, instantly, by Anthony Shadid's lushly evocative prose. Crumbling Ottoman outposts, doomed pashas, and roving bandits feel immediate, familiar, and relevant. Lose yourself in these pages, where empires linger, grandparents wander, and a battered Lebanon beckons us home. Savor it all. If Márquez had explored nonfiction, Macondo would feel as real as Marjayoun."
— Dave Cullen, author of Columbine
"Evocative and beautifully written, House of Stone . . . should be read by anyone who wishes to understand the agonies and hopes of the Middle East."
— Kai Bird, Pulitzer Prize-winning historian and author of Crossing Mandelbaum Gate
"In rebuilding his family home in southern Lebanon, Shadid commits an extraordinarily generous act of restoration for his wounded land, and for us all."
— Annia Ciezadlo, author of Day of Honey
"Few books provide such a subtle, yet powerful insight into the tragedy of today’s Middle East."
— Amin Maalouf, author of Origins: A Memoir
"A riveting, soulful, and candid journey . . ."
— Robin Wright, author of Rock the Casbah
Présentation de l'éditeur
“Evocative and beautifully written, House of Stone . . . should be read by anyone who wishes to understand the agonies and hopes of the Middle East.” — Kai Bird, Pulitzer Prize–winning historian and author of Crossing Mandelbaum Gate
“In rebuilding his family home in southern Lebanon, Shadid commits an extraordinarily generous act of restoration for his wounded land, and for us all.” — Annia Ciezadlo, author of Day of Honey
In spring 2011, Anthony Shadid was one of four New York Times reporters captured in Libya, cuffed and beaten, as that country was seized by revolution. When he was freed, he went home. Not to Boston or Beirut—where he lives— or to Oklahoma City, where his Lebanese-American family had settled and where he was raised. Instead, he returned to his great-grandfather’s estate, a house that, over three years earlier, Shadid had begun to rebuild.
House of Stone is the story of a battle-scarred home and a war correspondent’s jostled spirit, and of how reconstructing the one came to fortify the other. In this poignant and resonant memoir, the author of the award-winning Night Draws Near creates a mosaic of past and present, tracing the house’s renewal alongside his family’s flight from Lebanon and resettlement in America. In the process, Shadid memorializes a lost world, documents the shifting Middle East, and provides profound insights into this volatile landscape. House of Stone is an unforgettable meditation on war, exile, rebirth, and the universal yearning for home.
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One of the narrative threads of the book, always printed in italics, is the history of the Marjayoun area, dating back roughly a century and a half. It is enough to make you nostalgic for the Ottoman Empire! The sharp political demarcations of today: Lebanon, Israel, Syria, Jordan and Iraq did not exist. Marjayoun served as several cross-roads, and trading with the Bedouin (as well as the occasional raids) was frequent. The author works in the tentative link, seemingly of all the Arabs throughout the Middle East, that their family's northern migration dates back to the breaking of the Marib Dam in Yemen, as mentioned in the Koran, in the 6th Century. Shadid paints a picture of a much more tolerant Levant, where the ethnic and tribal groups largely co-existed. For sure though, grudges, vendettas, and open armed-conflict did occur. One of Shadid's better lines, perhaps apocryphal, is in conversation with one old man about the injury a person of another clan had done to his family, forty years before. Revenge? "No, it is still too early." Shadid could have tempered his nostalgia a bit more if he had specifically recalled the Turkish genocide against the Armenians, as one of the Empire's dying notes. Somewhat ironically, it is when the area fell under French and British "Protectorate" status, after World War I, that the lawlessness and out and out starvation forced so many of both sides of his family to emigrate: to Brazil, West Africa and the United States. In the States, they largely settled in Oklahoma and Kansas, and, in general, prospered. His grandmother, in particular, seemed to develop those Depression-era values of never wasting which led to their financial success.
The other strong narrative thread is Shadid's successful attempt, which commenced in August, 2007, and lasted a year, to restore the stone house of his great grandparents, Isber and Bahija. Dealing with contractors, and undertaking numerous financial arrangements, of a non-routine nature, can provide immense insights into the current state of the village, and of Lebanon as a whole. I recalled parallels with Peter Mayle's A Year in Provence. For sure, Mayle had it easy by comparison, and the "ghosts" of his ancestors were not present. The characters on Shadid's project are rich and variegated, starting with the "foreman," with the mixed named that is symbolic of so much of Lebanon, "Abu Jean"; and anyone who has ever worked with contractors knows that "insh'allah" and "bukra" ("if Allah wills it," and "tomorrow") are universal constants that transcend cultural specifics. One of the greater anomalies in Shadid's project is that he did NOT (and perhaps still does not) own the house that he restored; rather he owned (owns) a fractional amount, along with all too many cousins, scattered across three continents. Surely the concept of "moral eminent domain" should be operative somewhere.
Other Marjayoun residents that Shadid portrays is one of the "last gentlemen of the Ottoman Empire, Cecil Hourani, who was born in England, and Dr. Khairalla, who ran the local hospital, and was tried for treason by Lebanon after the Israeli withdrawal in 2000. He mentions, but does not elaborate on another famous man whose family's roots are in Marjayoun, Dr. Michael DeBakey. Underscoring the 6 degrees of connectivity theory, DeBakey, and his team, operated the heart program at King Faisal Specialist Hospital in the early `80's. Shadid's book resonated in numerous other ways, one of which is the aphorism: "Coffee without cardamom is like a bride without her gown" (p. 23). Another is the quintessential: Any American living, working, and who is actually INTERESTED in the Middle East has to be in the CIA!
A warm, lovely, insightful book, written by a man who has already been quite lucky on the battlefield. Go carefully. 5-stars.
There are essentially two.
First, to acknowledge that within two weeks of posting the review, Anthony Shadid died, in Syria, of an acute asthma attack. He left us far too early, and is dearly missed.
Second, seems that I made a significant mistake in my review, one for which "Westerners" are famous in the Arab world; trying to correctly differentiate individuals with similar names. I received a courteous email from Lina Haddad, who does not explain her exact relationship with the individuals involved, though I suspect there is one. She said the following:
You state that "Major Saad Haddad, of the South Lebanon Army, and an active Israeli collaborator, lived for a number of years in Shadid's ancestral home."
In the book Anthony Shadid talks about Albert Haddad , the collaborater who squatted his home and not Major Saad Haddad.
From first hand Knowledge I assure you that Major Saad Haddad lived with his family in the house he built on a land he bought, before the Lebanese civil war ever started.
Major Haddad died in 1984, and Albert Haddad left the house in 2000 (as the book states) upon the IDF withdrawal from South Lebanon.
Another inaccuracy, Major Saad Haddad established "the army of free Lebanon" and not the South Lebanon Army. As for being an active collaborator, I think that you would be surprised to know, that Major Saad Haddad was sent to Marjeyoun via the port of Haifa under the orders of the legitimate government of Beyrouth.
I sincerely hope you will correct the inaccuracies.
I stand corrected. Many thanks Ms. Haddad.
Lebanon, as well as several other middle eastern countries, was once part of the Ottoman Empire until it collapsed after WWI. The French originally established Lebanon as a country, which the Israelis challenged by going to war to recover some territory. Thereafter Lebanon was torn apart again during fifteen years of civil war.
These wars affected the people of that country in many ways, creating a Lebanese persona that only another Lebanese can understand. Isber Samara, although originally having been poor, through his own labors became a wealthy man and built this elaborate stone house for his family. Because of these ongoing wars and fearful for his family's lives, he sent his wife and six children to the United States where they settled in Oklahoma, along with other relatives.
With great dexterity the author weaves the past history and culture of these people with the present through the use of flashbacks. Through narrating the lives of his grandparents while under the rule of the Ottoman Empire, and the simple beautiful, stability existing, which also included religious tolerance, and diverse cultures, and then interjecting sequences describing the many difficulties he faced with the workmen while reconstructing his bayt, and his personal inter-relationships with his different friends, he gives a very clear picture of the joys, loves, anger, vendettas, slyness, and strength of these people.
If you are deeply interested in the culture and traditions of the Middle East, both past and present, this is an excellent book to read, recognizing that the author is not just someone looking from the outside in, but is someone inside revealing it to the outside.
Note: Anthony Shadid died in Syria on February 16, 2012. He was reporting on the war as it took place. May he rest in peace.
One year ago on March 16, 2011, Anthony and three colleagues had been detained in Libya and suffered imprisonment and beatings until they were released a few days later. Mr. Shadid understood that danger was always around the corner. Anthony Shadid is a two time Pulitzer Prize journalist for the New York Times.
In this book, Anthony Shadid tells us of his family history and the generational home in Majayoun, Lebanon. This is an estate built by his great-grandfather, and Anthony returned to Marjayoun and rebuilt this home for himself, his family and the generations of relatives who had died and those yet to come. He owned but a small piece of this house, but he felt a need to rejuvenate his soul and this new home. This is a mostly loving tale of the resurrection of this home, and the obstacles and issues that everyone who re-builds a home relates in sad and funny detail. We learn of Anthony's immediate family and his life in Oklahoma, Boston and New York City.
Life in Lebanon today is not easy. Anthony Shadid takes us to his homeland, and we get to meet his neighbors, the physician he befriends, the workers Abu Jean, in particular, who are hired to rebuild the home. Everyone tells him that this is not just his home, and people will take advantage of him. It matters not, Anthony feels a great need to be part of his heritage.
Anthony Shadid was part of the Arabic world. His job as a journalist was to observe and record the day to day life of the world in Iraq, Egypt, Libya, Turkey and Syria. He knew the area, he had been arrested and had lived in this area for many years. He had a daughter in the States, and he loved her immensely. He had met a new woman and had a son and was so happy. Before all of this new happiness, he was brought back to Marjayoun, and that is where the story begins and ends.
This was a remarkable book in many ways. Lebanon, the country has always been a curious place to most of us. A country we will never visit. Now, with Anthony Shadid's eyes and voice we are part of the world of these people. Their culture and as the house is rebuilt we revisit the past with Mr Shadid and the stories his relatives have to tell. Both Marjayoun and Anthony Shadid had come through a war and were tired and needed rejuvenation. This is his story, and a terrific story it is. It is so sad that this man has died at such a young age. He will go home but once again.
Highly Recommended.prisrob 02-17-12
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I rarely blurb books, and this was only the third one I ever did, which indicates how much I loved it. Here's what I wrote for the back cover:
"I was captivated, instantly, by Anthony Shadid's lushly evocative prose. Crumbling Ottoman outposts, doomed pashas, and roving bandits feel immediate, familiar, and relevant. Lose yourself in these pages, where empires linger, grandparents wander, and a battered Lebanon beckons us home. Savor it all. If Gabriel Márquez had explored nonfiction, Macondo would feel as real as Marjayoun." -- Dave Cullen, author of Columbine
Reading it sometimes made me feel inadequate as a writer. I wish I could do some of the amazing things he does. Or maybe I wish I could do them so relentlessly. I tend to underline phrases I love, and the pages are covered in ink. Every other sentence leaps out at me. Hard to believe anyone can be that consistent. Faulkner, Nabokov, Denis Johnson and William Lychak are the only ones who have matched Anthony's underline rate for me.
Shadid was born in Oklahoma where his Lebanese family emigrated in the 1920s. As New York Times reporter, fluent in Lebanese, he has traveled extensively in the Middle East. A few years ago he decided to return to Lebanon and restore his family's home. This book is a description of that endeavor as he shares the details of rebuilding the house, the people he meets along the way, and the history of the members of his family.
There is constant frustration in the building of the house and the reader is not spared any of the details, from the choosing of the tiles, to the restoring of the arches to the personalities of the workers and townspeople. And even though the particulars of the house building were a challenge for me to follow, I was definitely impressed by his fortitude, his relations with all the people who crossed his path and his quest to identify with his personal heritage. I was defiantly moved by his story. And I am saddened by his death.
This is a fine book and a living legacy to be cherished.
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