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How Men Are

5 étoiles sur 5 1 commentaire client

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Page Artiste Heaven 17

Détails sur le produit

  • Album vinyle
  • Nombre de disques: 1
  • Label: Virgin
  • ASIN : B000LZ1HSS
  • Autres éditions : CD  |  Album vinyle  |  Téléchargement MP3
  • Moyenne des commentaires client : 5.0 étoiles sur 5 1 commentaire client
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Descriptions du produit

HEAVEN 17 How Men Are (1984 UK 9-track vinyl LP including Sunset Now and the fantastic closing song And Thats No Lie picture sleeve with illustrated lyric inner. Both the picture sleeve and vinyl are in excellent condition V2326)

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Format: CD
Si la compilation est moins bonne, cet album est pour moi ce qu'ils ont fait de mieux avec un morceau sublime " and that's no lie" ; en cd il s'usera moins vite qu'en cassette ou vinyl !
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Commentaires client les plus utiles sur (beta) HASH(0x9c678d2c) étoiles sur 5 9 commentaires
4 internautes sur 4 ont trouvé ce commentaire utile 
HASH(0x9d0a4654) étoiles sur 5 Smart Classy Pop 18 octobre 2006
Par J. Grasso - Publié sur
Format: CD
This is IMHO the best of heaven 17's output ever. Somewhere in between their long career they mastered the art of smooth, cool sophisticated pop. Think Spandau Ballet's Parade or True but with a bit more of an "edge". No favourite cut because every song is sublime. Do yourself a favour - give it a try.
2 internautes sur 2 ont trouvé ce commentaire utile 
HASH(0x9e836e58) étoiles sur 5 Plenty fo stuff to like, a few misses 16 juillet 2003
Par D. H. Richards - Publié sur
Format: CD
How Men Are was, coming on the heels of the Luxury Gap and their massive UK hit "Temptation" something of a challenge. The production had moved from funky to more orchestral in nature, the songs less hook driven and more introspective. Still, I remember this being one of my favorite albums in the late 80s, I constantly played it and grew to love it. The Skin I'm In and Shame Is On the Rocks are classic Heaven 17 songs, full of bright pop sounds and yeah, funky I guess. The album has one of my all time fave Heaven 17 songs "Reputation," a shamefully over looked -should have been a hit single. ...And That's No Lie is a massive, almost Brian Wilson-type epic that has promise but seems half finished.
If anything, compared to the first two albums this one is more mature and less hit driven. Some tracks seem like filler, portents of things to come in hindsight. Not a bad album, certainly nothing embarrassing. But just wait...
3 internautes sur 4 ont trouvé ce commentaire utile 
HASH(0x9c634330) étoiles sur 5 Designing Heaven? 20 octobre 2006
Par MarkF - Publié sur
Format: CD
This long awaited reissue of Heaven 17's third album is superb. Any album that contains a song with the energy and power of 'Sunset Now' has to be good. The fact that so much of the other material has stood the test of time so well is pleasing.

Heaven 17 were often overshadowed by the phenomenon of 'Dare' and the Human League, yet they went on to record several exceptional albums. Overall, this was probably their strongest effort, until the reformation with 'Bigger than America'. Here there songwriting skills are to the fore, as they essay various aspects of funk and soul. Glenn Gregory is a superb vocalist, and the songs are well tailored to the strengths of his voice.

A wonderfull album, definitely of it's time, that has aged gracefully. The additions to this eddition are entertaining, but not indispensable. If you are interested in Heaven 17, this is a real high poibnt in their career, and a good basis for getting to know them better.
1 internautes sur 1 ont trouvé ce commentaire utile 
HASH(0x9c3dd6a8) étoiles sur 5 Up there with the Best of H17 28 avril 2004
Par Un client - Publié sur
Format: CD
This band has churned out some of the most quintessential eighties synth records of the 80s. This was their third outing and by far the most polished. It's slick and well (over?) produced and I absolutely love it. The lyrics showcase the band's great sense of humour and irony. Highlights include Sunset Now and And That's No Lie. If you love 80's pop you will love this album. Guaranteed.
HASH(0x9eed760c) étoiles sur 5 Heaven 17 On How Men Are 10 février 2012
Par Andre S. Grindle - Publié sur
Format: CD
After having exploded with their debut and breaking out commerciall with both Luxury Gap and their production for Tina Turner's Private Dancer, Heaven 17 were in a possition to take plenty of creative stock. This trio had a huge wealth of interests from cinema to American jazz and it's culture. There was a lot to draw from within those two catagories of culture. Also by this time the whole new wave/brit funk phenomenon was beginning to take a backseat to either poppier or even more brooding sorts of bands. The wit and glitter was beginning to work it's way out of the music. So the cover art now depicts the trio more as black suspender glad jazz/soul/R&B type characters with flowers tossed at them and a pair of fish for some reason. Another case where cover art says a lot about the contents. Seem to be finding a lot of those lately.

While still heavy on the synth pop influences,these songs aren't as bound by them and focus more on rhythm,melody and a lot of backround singers. It's not as thoroughly R&B oriented as you might think. But on songs such as "Sunset Now","The Skin I'm In" and in particular "Reputation" the backup singers,cracked/muted horn effects and somewhat off kilter chord progressions showcase a similar jazzier influence that Thomas Dolby was going into,only with more production scene. There's a sense here the trio might be going to be some English version of Steely Dan. Of course Joe Jackson probably already sort of had that covered by this point. Other songs such as "Five Minutes To Midnight","This Is Mine","The Fuse" and "Flamedown" graft this soulfully jazzy glitz with the chillier synth pop for a strange hybrid which is explored in the more abstract extended sings here,expecially the "cinemix" of "This Is Mine".

Heaven 17 often covered a lot of their lyrical and musical influences on their albums quite subtly. The idea was probably that if you were "in" on the jazz,movie and other cultural influences integrated into their sound,that was wonderful. But if you didn't,they'd kind of lure you towards seeking it out by making it all sound very appealing. On the other band,most of the songs can be enjoyed purely out of that swoony New Romantic era...romanticism that was still an enormous aspect of their approach even at this point in their careers. They always tended towards the quirky end of the British synth pop movement. It's a quality more often associated with solo artists such as Howard Jones and Thomas Dolby. But this trio had it all going on that way too. And while they were never quite as enormously popular commercially as others who worked in this particular pop music field,they sure had a thing going. But you really have to come to it to really appreciate it.
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