I, Hassan Haji, was born, the second of six children, above my grandfather’s restaurant on the Napean Sea Road in what was then called West Bombay, two decades before the great city was renamed Mumbai. I suspect my destiny was written from the very start, for my first sensation of life was the smell of machli ka salan, a spicy fish curry, rising through the floorboards to the cot in my parents’ room above the restaurant. To this day I can recall the sensation of those cot bars pressed up coldly against my toddler’s face, my nose poked out as far as possible and searching the air for that aromatic packet of cardamom, fish heads, and palm oil, which, even at that young age, somehow suggested there were unfathomable riches to be discovered and savored in the free world beyond.
But let me start at the beginning. In 1934, my grandfather arrived in Bombay from Gujarat, a young man riding to the great city on the roof of a steam engine. These days in India many up-and-coming families have miraculously discovered noble backgrounds—famous relatives who worked with Mahatma Gandhi in the early days in South Africa—but I have no such genteel heritage. We were poor Muslims, subsistence farmers from dusty Bhavnagar, and a severe blight among the cotton fields in the 1930s left my starving seventeen-year-old grandfather no choice but to migrate to Bombay, that bustling metropolis where little people have long gone to make their mark.
My life in the kitchen, in short, starts way back with my grandfather’s great hunger. And that three-day ride atop the train, baking in the fierce sun, clinging for dear life as the hot iron chugged across the plains of India, was the unpromising start of my family’s journey. Grandfather never liked to talk about those early days in Bombay, but I know from Ammi, my grandmother, that he slept rough in the streets for many years, earning his living delivering tiffin boxes to the Indian clerks running the back rooms of the British Empire.
To understand the Bombay from where I come, you must go to Victoria Terminus at rush hour. It is the very essence of Indian life. Coaches are split between men and women, and commuters literally hang from the windows and doors as the trains ratchet down the rails into the Victoria and Churchgate stations. The trains are so crowded there isn’t even room for the commuters’ lunch boxes, which arrive in separate trains after rush hour. These tiffin boxes—over two million battered tin cans with a lid—smelling of daal and gingery cabbage and black pepper rice and sent on by loyal wives—are sorted, stacked into trundle carts, and delivered with utmost precision to each insurance clerk and bank teller throughout Bombay.
That was what my grandfather did. He delivered lunch boxes.
A dabba-wallah. Nothing more. Nothing less.
Grandfather was quite a dour fellow. We called him Bapaji, and I remember him squatting on his haunches in the street near sunset during Ramadan, his face white with hunger and rage as he puffed on a beedi. I can still see the thin nose and iron-wire eyebrows, the soiled skullcap and kurta, his white scraggly beard.
Dour he was, but a good provider, too. By the age of twenty-three he was delivering nearly a thousand tiffin boxes a day. Fourteen runners worked for him, their pumping legs wrapped in lungi—the poor Indian man’s skirt—trundling the carts through the congested streets of Bombay as they off-loaded tinned lunches at the Scottish Amicable and Eagle Star buildings.
It was 1938, I believe, when he finally summoned Ammi. The two had been married since they were fourteen and she arrived with her cheap bangles on the train from Gujarat, a tiny peasant with oiled black skin. The train station filled with steam, the urchins made toilet on the tracks, and the water boys cried out, a current of tired passengers and porters flowing down the platform. In the back, third-class with her bundles, my Ammi.
Grandfather barked something at her and they were off, the loyal village wife trailing several respectful steps behind her Bombay man.
It was on the eve of World War II that my grandparents set up a clapboard house in the slums off the Napean Sea Road. Bombay was the back room of the Allies’ Asian war effort, and soon a million soldiers from around the world were passing through its gates. For many soldiers it was their last moments of peace before the torrid fighting of Burma and the Philippines, and the young men cavorted about Bombay’s coastal roads, cigarettes hanging from their lips, ogling the prostitutes working Chowpatty Beach.
It was my grandmother’s idea to sell them snacks, and my grandfather eventually agreed, adding to the tiffin business a string of food stalls on bicycles, mobile snack bars that rushed from the bathing soldiers at Juhu Beach to the Friday evening rush-hour crush outside the Churchgate train station. They sold sweets made of nuts and honey, milky tea, but mostly they sold bhelpuri, a newspaper cone of puffed rice, chutney, potatoes, onions, tomatoes, mint, and coriander, all mixed together and slathered with spices.
Delicious, I tell you, and not surprisingly the snack-bicycles became a commercial success. And so, encouraged by their good fortune, my grandparents cleared an abandoned lot on the far side of the Napean Sea Road. It was there that they erected a primitive roadside restaurant. They built a kitchen of three tandoori ovens—and a bank of charcoal fires on which rested iron kadais of mutton masala—all under a U.S. Army tent. In the shade of the banyan tree, they also set up some rough tables and slung hammocks. Grandmother employed Bappu, a cook from a village in Kerala, and to her northern repertoire she now added dishes like onion theal and spicy grilled prawns.
Soldiers and sailors and airmen washed their hands with English soap in an oil drum, dried themselves on the proffered towel, and then clambered up on the hammocks strung under the shady tree. By then some relatives from Gujarat had joined my grandparents, and these young men were our waiters. They slapped wooden boards, makeshift tables, across the hammocks and quickly covered them with bowls of skewered chicken and basmati and sweets made from butter and honey.
During slow moments Grandmother wandered out in the long shirt and trousers we call a salwar kameez, threading her way between the sagging hammocks and chatting with the homesick soldiers missing the dishes of their own countries. “What you like to eat?” she’d ask. “What you eat at home?”
And the British soldiers told her about steak-and-kidney pies, of the steam that arose when the knife first plunged into the crust and revealed the pie’s lumpy viscera. Each soldier tried to outdo the other, and soon the tent filled with oohing and “cors” and excited palaver. And the Americans, not wishing to be outdone by the British, joined in, earnestly searching for the words that could describe a grilled steak coming from cattle fed on Florida swamp grass.
And so, armed with this intelligence she picked up in her walkabouts, Ammi retreated to the kitchen, re-creating in her tandoori oven interpretations of what she had heard. There was, for example, a kind of Indian bread-and-butter pudding, dusted with fresh nutmeg, that became a hit with the British soldiers; the Americans, she found, they were partial to peanut sauce and mango chutney folded in between a piece of naan. And so it wasn’t long before news of our kitchen spread from Gurkha to British soldier, from barracks to warship, and all day long jeeps stopped outside our Napean Sea Road tent.
Ammi was quite remarkable and I cannot give her enough credit for what became of me. There is no dish finer than her pearlspot, a fish she dusted in a sweet-chili masala, wrapped in a banana leaf, and tawa-grilled with a spot of coconut oil. It is for me, well, the very height of Indian culture and civilization, both robust and refined, and everything that I have ever cooked since is held up against this benchmark, my grandmother’s favorite dish. And she had that amazing capacity of the professional chef to perform several tasks at once. I grew up watching her tiny figure darting barefoot across the earthen kitchen floor, quickly dipping eggplant slices in chickpea flour and frying them in the kadai, cuffing a cook, passing me an almond wafer, screeching her disapproval at my aunt.
The point of all this, however, is Ammi’s roadside tent quickly established itself as a cash cow and suddenly my grandparents were doing extremely well, the small fortune they amassed, the hard-currency residue of a million soldiers and sailors and airmen moving in and out of Bombay.
And with this came the problems of success. Bapaji was notoriously tightfisted. He was always yelling at us for the smallest thing, such as dabbing too much oil on the tawa grill. Really a bit mad for money. So, suspicious of the neighbors and our Gujarati relatives, Bapaji began hiding his savings in coffee tins, and every Sunday he traveled to a secret spot in the country where he buried his precious lucre in the ground.
My grandparents’ break came in the fall of 1942 when the British administration, needing cash for the war effort, auctioned off tracts of Bombay real estate. Most of the property was in Salsette, the larger island on which Bombay was built, but awkward strips of land and vacant lots of Colaba were also disposed of. Among the land to be sold: the abandoned Napean Sea Road property on which my family was squatting.
Bapaji was essentially a peasant and like all peasants he respected land more than paper money. So one day he dug up all his hidden tins and went, with a literate neighbor at his side, to the Standard Chartered Bank. With the bank’s help, Bapaji bought the four-acre plot on the Napean Sea Road, paying at auction 1,016 English pounds, 10 shillings, and 8 pence for land at the foot of Malabar Hill.
Then, and only then, my grandparents were blessed with children. Midwives delivered my father, Abbas Haji, the night of the famous wartime ammunition explosion at the Bombay Docks. The evening sky exploded with balls of fire, great eruptions shattering windows far across the city, and it was at that precise moment my grandmother let out a bloodcurdling scream and Papa popped out, yelling louder even than the explosions and his mother. We all laughed at this story, the way Ammi told it, for anyone who knew my father would agree it was a most appropriate backdrop to his arrival. Auntie, born two years later, arrived under much calmer circumstances.
Independence and Partition came and went. What precisely happened to the family during that infamous time remains a mystery; none of the questions we asked Papa were ever given a straight answer. “Oh, you know, it was bad,” he would say, when pressed. “But we managed. Now stop with the police interrogation. Go get me my newspaper.”
We do know that my father’s family, like many others, was split in two. Most of our relatives fled to Pakistan, but Bapaji stayed in Mumbai and hid his family in a Hindi business associate’s warehouse basement. Ammi once told me they slept by day, because at night they were kept awake by the screams and throat-slitting taking place just outside the basement’s door.
The point is Papa grew up in an India very different from the one his father knew. Grandfather was illiterate; Papa attended a local school, not very good, admittedly, but he still made it to the Institute of Catering Technology, a polytechnic in Ahmedabad.
Education makes the old tribal ways quite impossible, of course, and it was in Ahmedabad that Papa met Tahira, a light-skinned accounting student who would become my mother. Papa says he first fell in love with her smell. His head was down in a library book when he caught the most intoxicating whiff of chapatis and rose water.
That, he said, that was my mother.
One of my earliest memories is of Papa tightly squeezing my hand as we stood on the Mahatma Gandhi Road, staring in the direction of the fashionable Hyderabad Restaurant. Bombay’s immensely wealthy Banaji family and their friends were unloading at curb edge from a chauffeur-driven Mercedes. The women squealed and kissed and remarked on one another’s weight; behind them a Sikh doorman snapped open the glass door of the restaurant.
Hyderabad and its proprietor, a sort of Indian Douglas Fairbanks, Jr., called Uday Joshi, were frequently in the society pages of the Times of India, and each mention of Joshi made my father curse and rattle the paper. While our own restaurant was not in the same league as Hyderabad—we served good food at fair prices—Papa thought Uday Joshi was his great rival. And here now was this high-society crowd descending on the famous restaurant for a mehndi, a prenuptial tradition in which the bride and her women friends sit plumped on cushions and have their hands, palms, and feet intricately painted with henna. It meant fine food, lively music, spicy gossip. And it most certainly meant more press for Joshi.
“Look,” Papa said suddenly. “Gopan Kalam.”
Papa bit the corner of his mustache as he wetly clapped my hand in his paw. I will never forget his face. It was as if the clouds had suddenly parted and Allah himself stood before us. “He a billionaire,” Papa whispered. “Make his money in petrochemicals and telecommunications. Look, look at that woman’s emeralds. Aiiee. Size of plums.”
Right then Uday Joshi emerged from the glass doors and stood among the elegant peach saris and silk Nehru suits as if he were their equal. Four or five newspaper photographers instantly called at him to turn this way and that. Joshi was famously smitten with all things European, and he stood perkily before the clicking cameras in a shiny black Pierre Cardin lounge suit, his capped white teeth flashing in the light.
The famous restaurateur commanded my attention, even at that tender age, like a Bollywood screen legend. Joshi’s throat, I remember, was lusciously wrapped in a yellow silk ascot, and his hair was airily combed back in a silver pompadour, mightily secured with cans of hair spray. I don’t think I had ever seen anyone so elegant.
“Look at him,” Papa hissed. “Look at that little rooster.”
Papa could not stand watching Joshi a moment longer, and he turned abruptly, yanking me toward the Suryodhaya Supermarket and its special on ten-gallon vats of vegetable oil. I was just eight and had to run to keep up with his long strides and flapping kurta.
“Listen to me, Hassan,” he roared over the traffic. “One day the Haji name will be known far and wide, and no one will remember that rooster. Just you wait and see. Ask the people then, ask them who Uday Joshi is. Who he? they say. But Haji? Haji, they say, Haji are very distinguished, very important family.”
In short, Papa was a man of large appetites. He was fat but tall for an Indian, just six feet. Chubby-faced, with curly iron hair and a thick waxed mustache. And he was always dressed the old way, a kurta, over trousers.
But he was not what you would call refined. Papa ate, like all Muslim men, with his hands—his right hand, that is, the left resting on his lap. But instead of the decorous lifting of food to his lips, Papa stuck his head down in the plate and shoveled fatty mutton and rice into his face as if he’d never get another meal. And he sweated buckets while he ate, wet spots the size of dinner plates appearing under his arms. When he finally lifted his face from the food, he had the glassy-eyed look of a drunk, his chin and cheeks slicked with orange grease.
I loved him but even I must agree it was a frightful sight. After dinner Papa hobbled over to the couch, collapsed, and for the next half hour fanned himself and let everyone else in on his general satisfaction with loud belches and thunderous farts. My mother, coming from her respectable civil servant family in Delhi, closed her eyes with disgust at this after-dinner ritual. And she was always on him while he was eating. “Abbas,” she’d say. “Slow down. You’ll choke. Good heavens. Like eating with a donkey.”
But you had to admire Papa, the charisma and determination behind his immense drive. By the time I came along in 1975, he was firmly in control of the family restaurant, my grandfather ailing from emphysema and largely confined, on his good days, to overseeing the tiffin delivery business from a stiff-backed chair in the courtyard.
Ammi’s tent was retired for a gray concrete-and-brick compound. My family lived on the second floor of the main house, above our restaurant. My grandparents and childless aunt and uncle lived in the house one over, and down from them our family enclave was sealed off with a cube of wooden two-story shacks where our Kerala cook, Bappu, and the other servants slept on the floor.
It was the courtyard that was the heart and soul of the old family business. Tiffin carts and bicycle-snack-bars were stacked against the far wall, and under the shade of the saggy tarp were cauldrons of carp-head soup, stacks of banana leaves, and freshly made samosas on wax paper. The great iron vats of flecked rice, perfumed with bay leaf and cardamom, stood against the courtyard’s opposite wall, and around these delicacies hummed a constant thrum of flies. A male servant usually sat on a canvas sack at the kitchen’s back door, carefully picking out the black specks of dirt among the basmati kernels; and an oily-headed female, bent at the waist with her sari gathered between her legs, was brushing with a short broom the courtyard dirt, back and forth, back and forth. And I recall our yard as always full of life, filled with constant comings and goings that made the roosters and chickens jerk about, nervously clucking in the shadows of my childhood.
It was here, in the heat of the afternoon after school, that I would find Ammi working under the porch eaves overhanging the interior courtyard. I’d scramble atop a crate for a hot-faced sniff of her spicy fish soup, and we’d chat a bit about my day at school before she passed over to me the stirring of the cauldron. And I remember her gracefully gathering up the hem of her sari, retreating to the wall where she kept an eye on me as she smoked her iron pipe, a habit she kept from her village days in Gujarat.
I remember this as if it were yesterday: stirring and stirring to the city’s beat, passing for the very first time into the magic trance that has ever since taken me when I cook. The balmy wind warbled across the courtyard, bringing the faraway yap of Bombay dogs and traffic and the smell of raw sewage into the family compound. Ammi squatted in the shady corner, her tiny wrinkled face disappearing behind contented claps of smoke; and, floating down from above, the girlish voices of my mother and aunt as they folded chickpea and chili into skirts of pastry on the first-floor veranda overhead. But most of all I recall the sound of my iron hoe grating rhythmically across the vessel’s floor, bringing jewels up from the soup-deep: the bony fish heads and the white eyes rising to the surface on eddies ruby red.
I still dream of the place. If you stepped out of the immediate safety of our family compound you stood at the edge of the notorious Napean Sea Road shantytown. It was a sea of roof scraps atop rickety clapboard shacks, all crisscrossed by putrid streams. From the shantytown rose the pungent smells of charcoal fires and rotting garbage, and the hazy air itself was thick with the roar of roosters and bleating goats and the slap-thud of washing beaten on cement slabs. Here, children and adults shat in the streets.
But on the other side of us, a different India. As I grew up, so, too, did my country. Malabar Hill, towering above us, quickly filled with cranes as between the old gated villas white high-rises called Miramar and Palm Beach arose. I know not where they came from, but the affluent seemed to suddenly spring like gods from the very ground. Everywhere, the talk was of nothing but mint-fresh software engineers and scrap metal dealers and pashmina exporters and umbrella manufacturers and I know not what else. Millionaires, by the hundreds first, then by the thousands.
Once a month Papa paid Malabar Hill a visit. He would put on a fresh-washed kurta and take me by the hand up the hill so we could “pay our respects” to the powerful politicians. We gingerly made our way to the back doors of vanilla-colored villas, the white-gloved butler wordlessly pointing at a terra-cotta pot just inside the door. Papa dropped his brown paper bag among the heap of other paper bags, the door unceremoniously slammed shut in our face, and we were off with our rupee-stuffed paper bags to the next Bombay Regional Congress Committee official. But there were rules. Never to the front of the house. Always at the back.
And then, business done, humming a ghazal under his breath, Papa bought us, on the trip I am remembering, a mango juice and some grilled corn and we sat on a bench in the Hanging Gardens, the public park up on Malabar Hill. From our spot under palm trees and bougainvilleas we could see the comings and goings at Broadway, a spanking-new apartment building across the torrid green: the businessmen climbing into their Mercedes; the children emerging in school uniforms; the wives off for tennis and tea. A steady stream of wealthy Jains—silky robes, hairy chests, gold-rimmed glasses—headed past us to the Jain Mandir, a temple where they washed their idols in sandalwood paste.
Papa sank his teeth into the corn and violently mowed his way down the cob, bits of kernel sticking to his mustache and cheeks and hair. “Lots of money,” he said, smacking his lips and gesturing across the street with the savaged cob. “Rich people.”
A girl and her nanny, on their way to a birthday party, emerged from the apartment building and flagged down a taxi.
“That girl is in my school. See her in the playground.”
Papa flung his finished corncob into the bushes and wiped his face with a handkerchief.
“Is that so?” he said. “She nice?”
“No. She think she spicy hot.”
At that moment, I recall, a van pulled up to the apartment building’s doors. It was the fabled restaurateur Uday Joshi, delivering his latest business, home catering, for those distressing times when servants had the day off. An enormous picture of a winking Joshi stared at us from the side of the van, a bubble erupting from his mouth. NO MESS. NO FUSS. WE DO IT FOR YOU, it said.
The doorman held open the door as the caterer, in white jacket, bolted from the back of the van with tin trays and lids and foil. And I remember the deep rumble of Papa’s voice.
“What Joshi up to now?”
Father had long ago done away with the old U.S. Army tent, replacing it with a brick house and plastic tables. It was a cavernous hall, simple, boisterous with noise. When I was twelve, however, Papa decided to move upmarket, closer to Joshi’s Hyderabad Restaurant, and he turned our old restaurant compound into the 365-seat Bollywood Nights.
In went a stone fountain. Over the center of the dining room, Papa hung a disco glitter-ball, made of mirrors, revolving over a tiny dance floor. He had the walls painted gold before covering them, just like he had seen in pictures of a Hollywood restaurant, with the signed photographs of Bollywood stars. Then he bribed starlets and their husbands to regularly drop by the restaurant a couple of times a month, and, miraculously, the glossy magazine Hello Bombay! always had a photographer there precisely at the right moment. And on weekends Papa hired singers who were the spitting image of the hugely popular Alka Yagnik and Udit Narayan.
So successful was the whole venture that, a few years after Bollywood Nights opened, Papa added a Chinese restaurant to our compound, and a real disco with smoke machines that—much to my annoyance—only my oldest brother, Umar, was allowed to operate. We occupied our entire four acres, the Chinese and Bollywood Nights restaurants seating 568, vibrant businesses catering to Bombay’s upwardly mobile.
The restaurants reverberated with laughter and the thump of the disco, the smell of chilies and roast fish in the air wet and fecund with spilled Kingfisher beer. Papa—known to everyone as Big Abbas—was born for this work, and he waddled around his studio lot all day like some Bollywood producer, yelling orders, slapping up the head slovenly busboys, greeting guests. His foot always on the gas. “Come on, come on,” was his constant cry. “Why so slow, like an old woman?”
My mother, by contrast, was the much-needed brake, always ready to bring Papa down to earth with a smack of common sense, and I recall her sitting coolly in a cage just upstairs from Bollywood Nights’ main door, penciling in the accounts from her lofty perch.
But above us all, the vultures that fed off the bodies in the Tower of Silence, the Parsi burial grounds up on Malabar Hill.
The vultures I remember, too.
Always circling and circling and circling.
--Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Revue de presse
A delicious culinary romp from the beaches of Bombay to the peaks of Paris Haute Cuisine. Very charming and a delight to savor.” --Padma Lakshmi,author of Tangy, Tart, Hot and Sweet and host of Bravo TV’s Top Chef
"Outstanding! A completely engaging human story heavily larded with the lushest, most high-test food porn since Zola. Easily the best novel ever set in the world of cooking --and absolutely thrilling from beginning to end. I wished it went on for another three hundred pages." --Anthony Bourdain, author of Kitchen Confidential
"A gorgeous novel, vivid and intimate, tracing a journey from kitchen to kitchen, from culture to culture, with a perfect touch." --Susan Orlean, author of The Orchid Thief
“A page-turner that captures the extent to which nostalgia and imagination are a part of the craft of cooking, while vividly conjuring the sights and smells of the kitchen. In The Hundred Foot Journey food isn’t just a theme, it’s a main character.” --Tom Colicchio, Chef/ Owner Craft restaurants
"Cooking and writing at a high level require great passion—exactly the kind of passion Richard Morais has poured into The Hundred-Foot Journey, the story of an Indian boy who discovers he has an extraordinary gift for cooking." --Michael Ruhlman, author of Ratio: The Simple Codes Behind the Craft of Everyday Cooking
“This tale of restaurant rivalry and a desperate quest for Michelin Stars is beautifully told. From India to France, Richard Morais takes his caravanserai of eccentric characters and mouth-watering recipes on an unlikely journey from the teeming streets of Mumbai to a quiet village in rural France. I have never experienced that most subtle of senses—smell—captured so well in print. The aroma of fine cooking just floats off the pages. Don't read this book if you're hungry. You might eat it.” -- Simon Beaufoy, Oscar-award winning screenwriter, Slumdog Millionaire
"In The Hundred Foot Journey, Richard C. Morais conjures a richly-woven tapestry of exotic sights, smells and tastes that transports the reader to a world of epicurean delights. This is a charming, deeply felt novel that questions, and ultimately celebrates, the twists and turns of an authentically lived life." --Elin Hilderbrand, author of Barefoot
"The Hundred-Foot Journey has great charm and is colorfully written, sensual and evocative.” --Joanne Harris, author of Chocolat
“Precise descriptive writing offers much to savor in this bouillabaisse of a first novel." --Kirkus Reviews
"Morais delves into a rich, imagery-filled culinary world that begins in Bombay and ends in Paris, tracing the career of Hassan Haji as he becomes a famed Parisian chef. From vibrantly depicted French markets and restaurant kitchens to the lively and humorously portrayed Haji family, Morais engulfs the reader in Hassan's wondrous world of discovery. Regardless of one’s relationship with food, this novel will spark the desire to wield a whisk or maybe just a knife and fork." --Publishers Weekly
“Hassan Haji’s tone of voice is something of a masterpiece, cosmopolitan but not entirely European either. And the quest for the Michelin stars is a real cliff-hanger. For anyone who loves food, and who cares for character, the book’s a banquet. Lovely stuff. What a superb Merchant Ivory Production movie it would have made.” –Simon Callow, actor (Four Weddings And A Funeral) and author of Orson Welles: The Road To Xanadu.
"This novel, of mythic proportions yet told with truly heartfelt realism, is a stunning tribute to the devotion of family and food. Bound to please anyone who has ever been happily coaxed to eat beyond the point of fullness, overwhelmed by the magnetism of 'just one more bite.'" --Booklist (Starred Review)--Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Commentaires client les plus utiles sur Amazon.com (beta)
78 internautes sur 82 ont trouvé ce commentaire utile
A Delicious Read23 juillet 2010
- Publié sur Amazon.com
Through the highly imaginative and captivating unfolding of the life story of the novel's main character, Hassan Haji, Richard Morais has given us a timeless, magical story that from the first page lovingly and romantically embraces the reader around the unfolding of a universal theme. That theme is Hassan's unrelenting, heroic pursuit of his destiny, overcoming some very heavy odds. Quite a journey - his roots were those of a pre-WW11 Indian family of poor Muslim subsistence farmers. His journey culminated many decades later when the restaurant he created in rural France achieved the recognition and honor of earning 3 Stars. We are given a front row seat to his process of both life-discovery, and of his personal self-discovery, emergence and crystalization as a very wise and compete person and a premier chef.
In telling Hassan's story, Morais weaves us through multiple continents, countries, fascinating cultures and characters and unforgettable cuisine. The authenticity, graphic description and feel of Hassan's experiences speaks to the many years of expat living of the author. As Hassan's life narrative unfolds, and because Marais excels at communicating experiences, we get to virtually smell and taste the emergence of his artistry as a chef. The author's obvious love of food is passionately sprinkled, chopped and poured throughout.
Among the many things Hassan's journey reveals, one that stands out to me is how he ultimately succeeds in achieving his destiny and simultaneously learns the importance of trusting and believing in himself and his craft. I highly recommend The Hundred-Foot Journey.
66 internautes sur 70 ont trouvé ce commentaire utile
A Sensory Delight!4 août 2010
Margaret M. Paul
- Publié sur Amazon.com
My husband gave me a copy of The Hundred-Foot Journey for our first (paper) wedding anniversary, and from the moment I opened it, I was captivated. In my many (many!) years of reading about food and cooking, I have never been so entranced - I smelled every marvelous aroma, tasted every delicious mouthful, and heard every exclamation in every accent. I was transported around the world with the Haji family - from India, to London, to the French Jura, to Paris and the South of France - and I shared in their celebrations as well as their tears. This is a book to be savored, embraced, and cherished. Pick up this book and read the blurbs on the back cover - for once, they are not overblown raves, they are dead on. If you love food, do not miss this wonderful book!
23 internautes sur 25 ont trouvé ce commentaire utile
A delectable treat10 août 2010
- Publié sur Amazon.com
Format: Format Kindle
Like other reviewers, I absolutely adore this book. It captivated me immediately and kept it's hold to the very end, and I still wanted more. My husband and his family are Indian, and I felt like this book gave me a secret insight into their family history by proxy, and inspired me to dive into their culinary history head on. It inspired me to really open a relationship with my mother in law and get down to the nitty gritty of learning their recipes to keep that tradition alive for our daughter. After one day of reading, my husband came home to biryani and ras malai. It's impossible not to be hungry, both spiritually and physically, while reading this book.
I laughed, cried, took breaks to cook, and kept reading. This book taught me that it is indeed possible to both devour and savor something you love, and will be on my regular list for years to come. For foodies, this is the penultimate read, and a triumph for a first novel.
18 internautes sur 20 ont trouvé ce commentaire utile
Seems to be written by 2 different authors10 juillet 2014
doctor from the black lagoon
- Publié sur Amazon.com
It started out very well. As an older Indian American, some of the references were quite authentic in terms of the expressions, the songs, and the types of food. The trip to London, the ride through the Jura in France is interesting and creates great atmosphere. The competition between Hassan's family and Madame Mallory is fun to read. Once the tide turns and Madame Mallory takes an interest in Hassan's cooking education and for all intents and purposes, he leaves his Indian cooking behind, the perspective pulls out and the reader becomes more of a window viewer rather than being in the same room with Hassan. The sense of being removed while the action happens gets stronger as the book moves on. Transitions from the cooking lessons with Madame Mallory to his move to Paris and so on are abrupt and clumsy. The characters seem to appear from nowhere and were friends with our main character but we don't see how those friendships started. His relationship with Paul Verdun, the chef that he looks up to, seems to come out of nowhere. The problematic waiter Claude seems like an journalistic anecdote and doesn't really fit in with the plot in any way. At this point, the story is editorialized like an old man's hazy memoir and you feel like someone else finished the book. There is no more suspense or conflict, he just goes along talking about his cooking and his daily life. Near the end, it feels more like an epilogue and you are told what is to befall some of the main characters who are still alive. The descriptions of food, cooking, gourmet recipes are incredibly well done, and even a bit gruesome. the detail of the advanced industrialized chicken slaughterhouse near the end of the book also is quite involved and didn't seem to help the flow of the story in any way. again, I felt as if the narrator left the story to read us an article about an interesting but unrelated fact outside of the story. by the end of the story, when Hassan achieves his great accomplishments, I forgot that it was so important to him. So overall, the plot started out quite exciting, meandered and then got a flat tire somewhere in the last quarter of the book. the themes seemed to do the same because ultimately, I wasn't sure why Hassan's story was important.
28 internautes sur 33 ont trouvé ce commentaire utile
Mezmerizing29 septembre 2010
- Publié sur Amazon.com
This is one of those books you know you are going to love after just a few pages. The author, Richard Morais, wrote for Forbes for years and combines a great fictional narrative, full of deep characters, with the detailed observations typical of magazine reporters. I was especially impressed with how the language could go from florid and beautiful to dirty and raw in a single sentence without losing balance. Morais' ability to capture the essence of places and peoples is absolutely transfixing with such visual and aural descriptions that I remember more of a movie than a book. This cinematic quality is not surprising since the intent was to have his friend, Ismail Merchant (of the Merchant-Ivory producing team), develop the narrative into a film. Unfortunately, the producer died unexpectedly before the manuscript was complete.
This exploration of family, personal development and professional relationships, all wrapped in the evolution of various food movements is a must read for anyone who likes to travel, cook, and explore new cuisines.