Votre compte Amazon Music n'est actuellement associé à aucun pays. Pour profiter de la musique Premium, allez sur votre Bibliothèque musicale et transférez votre compte à Amazon.fr (FR).
  
  • Tous les prix incluent la TVA.
Il ne reste plus que 1 exemplaire(s) en stock.
Expédié et vendu par musikdrehscheibe.
EUR 28,08 + EUR 2,49 Livraison
Livraison à EUR 0,01 sur les livres et gratuite dès EUR 25 d'achats sur tout autre article Détails
État: D'occasion: Très bon
Commentaire: Film plastique manquant, les codes d'activation pour le contenu bonus en ligne peuvent être manquants ou expirés. Amazon - Offres Reconditionnées vous assure la même qualité de service qu'Amazon.fr ainsi que 30 jours de retour.
Autres vendeurs sur Amazon
Ajouter au panier
EUR 28,51
+ EUR 2,49 (livraison)
Vendu par : Founders Factory JPN4FR
Vous l'avez déjà ? Vendez sur Amazon
Egalement disponible en MP3
Album MP3 à EUR 9,99

I'm All For You - Copy control

4.7 étoiles sur 5 3 commentaires client

2 neufs à partir de EUR 28,08 1 d'occasion à partir de EUR 15,66

Vous cherchez un CD ou Vinyle ?

CD à petits prix et en promotion
Retrouvez nos promotions et CD à petits prix.

Offres spéciales et liens associés


Page Artiste Joe Lovano


Détails sur le produit

  • CD (10 mai 2004)
  • Nombre de disques: 1
  • Label: Parlophone
  • ASIN : B0001Y4KII
  • Autres versions : CD  |  Téléchargement MP3
  • Moyenne des commentaires client : 4.7 étoiles sur 5 3 commentaires client
  • Classement des meilleures ventes d'Amazon: 154.662 en Musique (Voir les 100 premiers en Musique)
  •  Voulez-vous mettre à jour des informations sur le produit, faire un commentaire sur des images ou nous signaler un prix inférieur?

  • Ecouter les extraits (Extrait)
1
30
7:50
Album uniquement
2
30
7:51
Album uniquement
3
30
4:01
Ecouter le titre Acheter : EUR 1,29
 
4
30
5:16
Ecouter le titre Acheter : EUR 1,29
 
5
30
5:47
Ecouter le titre Acheter : EUR 1,29
 
6
30
9:28
Album uniquement
7
30
6:50
Ecouter le titre Acheter : EUR 1,29
 
8
30
7:31
Album uniquement
9
30
4:38
Ecouter le titre Acheter : EUR 1,29
 

Descriptions du produit

Descriptions du produit

LOVANO JOE

Amazon.fr

L’art de la ballade est, peu ou prou, la pierre d’achoppement pour tout musicien de jazz qui se respecte et, pour un saxophoniste ténor, ce ne sont pas les modèles qui manquent dans ce domaine. Joe Lovano n’est évidemment pas un débutant, ni sur l’instrument ni dans ce style, mais il n’y avait encore jamais consacré un enregistrement entier. Aussi a-t-il pris soin de s’entourer de spécialistes du genre, d’instrumentistes chevronnés et sensibles, capables d’envelopper sa sonorité profonde et charnue d’harmonies suggestives et de rythmes souples. Réussite totale pour celui que l’on considère de plus en plus comme la référence majeure du ténor contemporain. Classicisme et modernité, puissance feutrée et caresses, amour de la mélodie et goût du beau son. Lovano, Hank Jones, George Mraz et Paul Motian revisitent neuf ballades intemporelles avec une gourmandise et un savoir-faire qui ont toutes chances de servir de modèle aux jeunes générations de musiciens. En attendant, elles feront le régal des connaisseurs. --Thierry Quénum

Commentaires en ligne

4.7 étoiles sur 5
5 étoiles
2
4 étoiles
1
3 étoiles
0
2 étoiles
0
1 étoiles
0
Voir les 3 commentaires client
Partagez votre opinion avec les autres clients

Meilleurs commentaires des clients

Par freddiefreejazz TOP 100 COMMENTATEURS le 4 novembre 2015
Format: CD Achat vérifié
En ces temps d'obscurité et de lumières tamisées, il est bon de ressortir quelques galettes qui me paraissent encore fondamentale. Celle-ci l'est. I'm All for You est un disque magnifique de balades. Et puis surtout, rendez-vous compte : Joe Lovano trouvait une rythmique de luxe. Hank Jones au piano, George Mraz à la contrebasse et Paul Motian à la batterie. Cette session studio composée uniquement de standards est un must pour qui voudrait avoir l'âme au repos.
Remarque sur ce commentaire 1 sur 1 ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
Merci pour votre commentaire.
Désolé, nous n'avons pas réussi à enregistrer votre vote. Veuillez réessayer
Signaler un abus
Par LD COMMENTATEUR DU HALL D'HONNEURTOP 50 COMMENTATEURS le 23 décembre 2010
Format: CD Achat vérifié
Quatre très grands jazzmen, un album de ballades. La garantie du succès? Certes non, tant on connaît de rencontres peu abouties ou qui ne se sont pas vraiment faites à l'occasion d'un enregistrement. Il s'est d'ailleurs bien trouvé quelques personnes pour faire la fine bouche devant ce disque enregistré en 2003 et sorti en 2004, au motif qu'il serait trop "old school" et que la sauce ne prendrait pas complètement entre les musiciens. Je tiens à m'inscrire en faux.

Le réécouter quelques années après, c'est retrouver le plaisir éprouvé au premier contact, mais sans doute un peu modifié. Dans mon souvenir, ce "ballad songbook" était l'occasion pour Joe Lovano de faire valoir ses sonorités les plus chaudes, ses phrasés les plus langoureux. Ce n'est à vrai dire qu'en partie le cas, car si ces ballades sont bien prétexte à mettre en valeur un son de ténor bien caractéristique, d'une chaleur certaine, le lyrisme est comme souvent chez lui contenu. Il ne recherche en aucun cas une ampleur démesurée. Pour suave qu'il puisse parfois être, le son de Lovano n'est jamais d'une sensualité exacerbée: peut-être ne pourrait-on pas dire de lui, comme le rappelle Ira Gitler dans les notes de pochette, ce qu'on disait de Coleman Hawkins, "l'homme qui transformait le saxophone en sexophone". Cela étant, dans un titre comme 'I Waited for You', peut-être le clou de cet album, il faut bien reconnaître à Lovano un potentiel érotique certain...
Lire la suite ›
28 commentaires 4 sur 5 ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
Merci pour votre commentaire.
Désolé, nous n'avons pas réussi à enregistrer votre vote. Veuillez réessayer
Signaler un abus
Par CAHLIREV TOP 500 COMMENTATEURS le 13 novembre 2012
Format: CD
.....Vraiment je ne vois pas après un tel commentaire comment j'aurai pu mettre moins de 5 étoiles......tout est dit et expliqué avec une très grande précision j'avais acheté cet album avant d'avoir lu celui ci, je confirme et j'adore ce disque de ballades.
Un très bon album , idéal pour tous ceux qui aime le jazz cool de très grande qualité, ce disque est pour eux , Joe Lovano c'est admirablement entouré un pur bonheur dans ce monde grisâtre.
Remarque sur ce commentaire Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
Merci pour votre commentaire.
Désolé, nous n'avons pas réussi à enregistrer votre vote. Veuillez réessayer
Signaler un abus

Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9ad2d5b8) étoiles sur 5 11 commentaires
29 internautes sur 29 ont trouvé ce commentaire utile 
HASH(0x9ad63150) étoiles sur 5 I'm all for you, Joe! 5 mai 2004
Par Jan P. Dennis - Publié sur Amazon.com
Format: CD
The first Joe Lovano disc I bought was Village Life, way back in 1986. I was new to jazz at the time, and I couldn't make much of it. But I stuck with Mr. Lovano, and I've come to reap the benefits of artist loyalty with this spectacular disc.
Lovano has always been a wonderful ballad player; to hear him in this intimate context with players of the absolute highest caliber is a very special treat. Lovano has a kind of street-smart, blue-collar, no-nonsense approach that enables him to imbue his ballad playing with complete sincerity, devoid of sentimentality or irony. Just as importantly, in his middle-to-late years as an artist, he has found his way to a mode of expression uniquely his own: deeply honest, gently persuasive, and totally heartfelt. The tone he achieves is nothing short of remarkable. What strikes me about it is how conversational it is, while at the same time being subtly profound. It's almost as if you're casually chatting with him and all of a sudden he drops some major bomb about postmodern hermeneutics, absolutely apposite, effortlessly arising out of the topic at hand. No in-your-face pyrotechnics, no shouting-at-the-top-of-his-lungs declamation; just beautiful, reasoned, nuanced articulation of the highest order.
One might say he's mellowed in a similar way to Joe Henderson in his latter years (although he sounds almost nothing like him). One thing I love about his playing is his gorgeous vibrato. What makes it stand out is his ability to use it with absolute judiciousness all the while making it sound entirely natural. I would venture to say that of all living saxophone players (save, perhaps, Pharoah Sanders) he has the most distinctive approach to his instrument.
A note about his bandmates, Hank Jones (piano), George Mraz (double-bass), and Paul Motian (drums). All, of course, are first-rate jazz musicians. Of the three, Lovano has played most with Motian, having been a long-time member of his trio. This familiarity enables the two to achieve an instrumental simpatico among the most brilliant in the history of jazz. Motian and Lovano, seemingly effortlessly, enact an elaborate dancing back-and-forth vibe that marks these proceedings as something entirely special. Lovano has also played quite a bit with Mraz, always a player of impeccable taste, timing, and timbre. Hank Jones, of the brothers Jones, lifts this session into the stratosphere. A wise and canny choice for the piano chair, Jones seems to have lost none of his magic touch as accompanist and solo performer, desite his advanced years. Although he and Lovano haven't played together much, Jones brings such a deep knowledge of the entire history of jazz to this session that he always seems ready with the absolutely appropriate move be it in a comping or solo capacity.
A note about the production. This disc was recorded live to two-track analog tape. No headphones. No elaborate tweaking of the sound image. Not that I'm necessarily opposed to such procedures; it's just that this kind of stripped down auditory approach only works with players of the absolute highest accomplishment, and often falls flat unless everyone is absolutely on and into it. Thankfully, these players are, and the results more than justify the risks of such a high-wire approach. What you get is the warmth and immediacy of an intimate club date without the (often) compromised sound and annoying audience interaction.
I'm entirely taken by this spectacular disc, certainly the best from Lovano in many years, and perhaps his best ever. Do give it a listen.
12 internautes sur 12 ont trouvé ce commentaire utile 
HASH(0x9ad631a4) étoiles sur 5 Joe's for real 10 mai 2004
Par Un client - Publié sur Amazon.com
Format: CD
I'm always on the lookout for new jazz that I can play when friends are over, that I really want to listen to, but that my wife won't ask me to turn off. This collection of ballads is one of those rare albums. The echoes of Coleman Hawkins, Lester Young, Sonny Rollins, and John Coltrane create an atmosphere of soulful reverence made even more poignant by the this-is-the-real-thing-ness of Joe Lovano's complex, unvarnished tone, unsweet harmonies, and magical off-center phrasing. The title song, "I'm All for You", the only original on the album, by Lovano, epitmomizes the spirit. Built on the changes of "Body and Soul", you've heard it a hundred times before but never with this melody. And the title clues us in to where Lovano's heart is: he's rooting for us and there for us too. Hank Jones's perennially fresh piano accompaniment deepens the historical resonance, and adds joy, and warmth, and humor. Paul Motian's drumming--and cymballing!--intills the conviction, as usual, that something interesting is going on. And George Mraz's bass playing is perfect.
17 internautes sur 21 ont trouvé ce commentaire utile 
HASH(0x9ad63378) étoiles sur 5 Penetrating the Generational Gap 17 mai 2004
Par Infinite Catalyst - Publié sur Amazon.com
Format: CD
I am a 22 year-old jazz enthusiast.
In my younger years I would incessantly make fun of my father for his gargantuan jazz CD collection, his nerdy mess-organization, and his defense of his passion, "you don't have the aesthetic appreciation to understand this music." While it was all part of his sense of humor, and he was joking at least in part, there was a huge amount of truth to his facetious saying.
Jazz is like coffee, or cigarettes, or old scotch. It is an acquired taste, and every person has his or her own preferences.
However, there are generational gaps of preference. Lovano, for the most part, is straight up for the baby boomers. His sax is mellow, his tone thick and sultry, breathy and creamy. His style is patient and minimal, subtle and quaint, uneventful like a slow moving train.
The percussion in this CD reminds me of Larry Mullin with U2, definitely not sound-wise, but tempo and contribution-wise. There are no fancy fills, no snazzy high hat tricks, just plain ambient classic jazz drums. The rest of the group all plays their parts, but again, Lovano is the central attraction here.
I STILL LOVE THIS CD SOMEHOW, SOMEWAY. I DON'T KNOW, I CAN'T UNDERSTNAD WHY I DIDN'T LIKE CLAM CHOWDER UNTIL I WAS 20 . . .
Lovano draws awfully close to Pharoah Sanders in tone here. A couple songs sound like he really spent some time keeping the sound raw in the studio and not doctoring it too much. The pay-off is huge. If you like mellow, predictable, tone rich jazz, then this CD was tailored specifically for your tastes.
4 and ½ stars.
5 internautes sur 5 ont trouvé ce commentaire utile 
HASH(0x9ad639a8) étoiles sur 5 In Response to Mr. Chell 30 août 2007
Par Todd M. Stellhorn - Publié sur Amazon.com
Format: CD
Unfortunately, along with the self-superior airs of the cliche "jazz critic", the only way Mr. Chell knows of praising his jazz idols is by cutting down other musicians. It's a strange esoteric inner-world were being compared to Lee Konitz (and by implication Warne Marsh) would be seen as being a negative. The fact that Joe Lovano sounds nothing like Sonny Stitt doesn't mean he isn't a giant on the tenor, and like Dexter Gordon Mr. Lovano has a sound that is immediately recognizable. Having your own distinct sound is nothing to sneeze at, and certainly is nothing to apologize for. Just as being in possesion of a closed mind and a narrow definition of greatness in the wonderful world of jazz is nothing to be proud of. Joe Lovano will without doubt be considered one of the greats, and that is as it should be.
7 internautes sur 8 ont trouvé ce commentaire utile 
HASH(0x9ad639cc) étoiles sur 5 What modern jazz should be about 9 mars 2005
Par P. Mayfield - Publié sur Amazon.com
Format: CD
Jazz aficionados are wont to go on about the importance of innovation in the music - the "sound of surprise," as it were. And more often than not, the innovations most prized are those that go into the (now over-explored) realms of the weird and abstract. But there is another sort of creativity in jazz that is all too often ignored -- the search, not for the new, but for the true. And for an improvising artist, the most important truth is the discovery of an honest, unique voice, a sound that is distinctive, a sound that is the true expression of the musician's unique personality. Tenor saxophonist Joe Lovano is one of the few modern players in jazz whose sound is immediately recognizable and wholly original. And for that matter, stunningly beautiful too.

Much of "I'm All for You" is a reflection on the romanticism of great tenor-men of yore. The album opens with the title track, an homage to the iconic Coleman Hawkins recording of Body and Soul. Later, Lovano offers a nod to Stan Getz with "Early Autumn," the song that made Getz a star with the Woody Herman band decades before Lovano took a chair in Herman's Thundering Herd. And though the album is devoted to ballads, Lovano closes the program with one of Coltrane's most supercharged burners, "Countdown." Lovano cuts the tempo by more than half, and though the tune still isn't a ballad per se, it is so leisurely by contrast to the original, that it fits in perfectly with the relaxed atmosphere of the disc.

At the keyboard is one of the last of the true greats of jazz, Hank Jones, whose playing combines the urbanity of Teddy Wilson with the modern jazz harmonies of Thelonious Monk. Jones may not be as nimble as he once was, but his playing is more wise and wistful than ever. Worth the price of admission is a moment in Jones' solo on "Like Someone in Love" when he slips into a gentle stride that, just in the left hand alone, paints an achingly beautiful picture of the last dancers on the floor.

Lovano has a quirky and elliptical lyricism. The melodies he creates are unpredictable, but no less melodic for their unexpected turns and jogs. And then there is his tone, gauzy and soft-edged like something from a half-remembered dream. Many notes fall away with that gentle sigh Ben Webster gave phrases when he was in a boudoir frame of mine. And yet, the music never flags or grows sleepy, as Lovano's playing is always alive with the anxious, searching quality of John Coltrane's best work.

So described, the virtues in Lovano's music might seem contradictory. But such apparent contradictions have often been the energy source for the best in jazz. The great musicians of jazz's golden age created music that was at the same time intellectually serious and unabashedly beautiful. Lovano has rediscovered that creative tension - no doubt in part because of his collaboration here with Jones, who never lost it. The record is a perfect balance of new and old, of the ascetic and the romantic. "I'm All for You" is what modern jazz can, and should, be all about.
Ces commentaires ont-ils été utiles ? Dites-le-nous

Discussions entre clients

Le forum concernant ce produit
Discussion Réponses Message le plus récent
Pas de discussions pour l'instant

Posez des questions, partagez votre opinion, gagnez en compréhension
Démarrer une nouvelle discussion
Thème:
Première publication:
Aller s'identifier
 

Rechercher parmi les discussions des clients
Rechercher dans toutes les discussions Amazon
   


Rechercher des articles similaires par rubrique


Commentaires

Souhaitez-vous compléter ou améliorer les informations sur ce produit ? Ou faire modifier les images?