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Commentaires client les plus utiles sur Amazon.com (beta)
Amazon.com:4.4 étoiles sur 5 14 commentaires
11 internautes sur 11 ont trouvé ce commentaire utile
5.0 étoiles sur 5If You Loved the Movie, You Need this Screenplay31 décembre 2009
Par The Boleyn Girl - Publié sur Amazon.com
Format:Broché
After watching Inglourious Basterds for the fourth time in one weekend, I went out and bought its screenplay. I have to admit, it's the first screenplay I've ever read for any movie. Usually, watching the movie is good enough for me, but now I realize that screenplays can be just as good as novels. Tarantino is a master of dialogue. He really allows his characters to bring themselves to life throughout the screenplay, and here there is extra information about some of the main characters that I deeply appreciated. Of course, I can see that due to time constraints, the extra scenes couldn't be put into the movie, but they were wonderful to read. The biggest examples are probably the backstory of Sgt. Donny Donowitz (aka the Bear Jew) and also the real "origin of [Shosanna's] cinema ownership". There's also an extra Utivich scene, and some more mezmerizing hillbilly talk from Lt. Aldo Raine. If you didn't like the movie, well, this screenplay won't change your mind. It's still the same basic concept, obviously. But if you loved Inglourious Basterds like I did, then you will absolutely devour this screenplay.
5 internautes sur 6 ont trouvé ce commentaire utile
5.0 étoiles sur 5Must have for any fan of the movie12 septembre 2009
Par Montia Garcia - Publié sur Amazon.com
Format:Broché
Seriously a must have for any fan of the movie. The screenplay will answer most of your questions. There are many scenes that I find informative and entertaining that didn't make it into the movie. READ IT!
4 internautes sur 5 ont trouvé ce commentaire utile
4.0 étoiles sur 5a glorious film and screenplay23 octobre 2009
Par Trey Causey - Publié sur Amazon.com
Format:Broché|Achat authentifié par Amazon
INGLOURIOUS BASTERDS is probably Tarantino's best film since PULP FICTION, and certainly is most ambitious in terms of theme and subject matter. The ahistorical World War II drama is at once a darkly humorous revenge fantasy and a criticism of revenge fantasies as a genre. It points out the audiences' similarities to the villians whose death the audience cheers.
The script has some interesting differences from the final film. Some scenes are shorten or removed. Others play very differently because of some minor changes in dialogue or staging.
What comes through clearly, both in print and in film, is Tarantino's gift for wholly artificially, but enthralling dialogue, and his incisive feel for character and scene.