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The Inner Game of Music (Anglais) Relié – 21 février 1986

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Descriptions du produit

Présentation de l'éditeur

By the best-selling co-author of Inner Tennis, here's a book designed to help  musicians overcome obstacles, help improve  concentration, and reduce nervousness, allowing them to  reach new levels of performing excellence and  musical artistry.

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Détails sur le produit

  • Relié: 240 pages
  • Editeur : Doubleday; Édition : 1 (21 février 1986)
  • Langue : Anglais
  • ISBN-10: 0385231261
  • ISBN-13: 978-0385231268
  • Dimensions du produit: 14,7 x 2,1 x 21,7 cm
  • Moyenne des commentaires client : 4.0 étoiles sur 5  Voir tous les commentaires (2 commentaires client)
  • Classement des meilleures ventes d'Amazon: 78.529 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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Wolfgang Amadeus Mozart, of course, was a prodigy. Lire la première page
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2 internautes sur 2 ont trouvé ce commentaire utile  Par Un client le 21 avril 2005
Format: Broché
Un livre magnifique, utile à tous les musiciens qui veulent améliorer leur performance artistique mais aussi un guide indispensable pour les autres moments de la vie...
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Par Sean le 1 décembre 2013
Format: Broché Achat vérifié
For me it was not life-changing as most people say. But a good book indeed and not pricy at all, must buy if your a musician.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 96 commentaires
128 internautes sur 134 ont trouvé ce commentaire utile 
Vital Read for Aspiring Performers 10 juillet 2004
Par L. Ku - Publié sur Amazon.com
Format: Relié
Former principal bassist of the Cincinnati Symphony, Barry Green has created what has to be one of the most important books on musical psychology ever written. As a young clarinetist myself, I've found this read to help me change from one who frets over my auditions and solos to becoming a confident musician in front of others.
Green begins by discussing what makes up a good performance. He invented the formula P = p - i, where P is the level of the performance, p is the potential of the performer, and i is the level of mental interference during the performance. He explains how to decrease the amount of i in order to bring the level of P as close as possible to p.
Green then digs further into his ideas by introducing to two "selves". Quoted, "Self 1 is our interference. It contains our concepts about how things should be, our judgments and associations. It is particularly fond of the words 'should' and 'should not' and often sees things in terms of what 'could have been. Self 2 is the vast reservoir of potential within each one of us. It contains our natural talents and abilities, and is a virtually unlimited resource that we can tap and develope. Left to its own devices it performs with gracefulness and ease." Green goes own to give advice and excercises on how to ignore the interference of self 1 during performance and how to let self 2 work uninterupted.
Over the next chapters, Green goes into more technical and complicated details, while teaching us the powers of awareness, will, and trust. These three chapters are loaded with useful excercises, and most of them have the least do with music, at least directly. But they all tie in somewhere. Green also writes of 'Letting Go', a chapter all about how to 'become' the music while playing, rather than looking at it from a technical aspect.
Later, there's a particularly good chapter on how to, not perform but, listen to music. It explains why sometimes we don't feel moved by the music, and then gives relevant solutions to enjoying the performance.
Green chooses to end the book by not recapping all the techniques he have taught, but instead by writting several chapters on realizing how big a gift music is, and how to appreciate it to the fullest extent.
Reading this book is a potentially life changing experience. I urge all of you to give it a try...even if you are already a capable performer.
99 internautes sur 106 ont trouvé ce commentaire utile 
Unexpected benefits of this book!!! 5 décembre 2002
Par Kevin Schoening - Publié sur Amazon.com
Format: Relié
I bought this book on the recommendation of a friend. He thought it would improve my guitar playing. What I noticed almost immediately, within the excercizes is actually a methodolgy for dealing with attention deficit disorder! I have had ADD since before there was a diagnosis for it and the methods in this book are not only helping me with music but are also having a profound affect on other areas of my life. I don't think it was the author's intent to help in this regard, but this "inner game" method has far reaching implications....Thank you!!!...
75 internautes sur 82 ont trouvé ce commentaire utile 
Heightened levels of confidence, creativity and enjoyment 4 avril 2000
Par CharIes Mingus@aol.com - Publié sur Amazon.com
Format: Relié
The book's themes are universal and can be applied to anyone at any stage of musical development. The book helps you to focus more on making music and connecting emotionally with it. It also allows you to eliminate those internal demons which plague people's abilities. You can put the book's methods into practice almost immediately and at the same time spend a lifetime studying and absorbing the techniques at your own pace. Be prepared to abandon conventional methods of learning and really tap into your full potential.
35 internautes sur 37 ont trouvé ce commentaire utile 
The Tennis Book is Better, Even for Musicians 19 décembre 2010
Par R. R. Costas Jr. - Publié sur Amazon.com
Format: Relié Achat vérifié
I literally read the Inner Game of Tennis right before I read this book. I was fascinated and felt it had immediate effects on my playing. I thought it'd be an appropriate Christmas gift for my drum teacher who, without knowing it, uses a similar approach and had never heard of the book. While looking for it on Amazon, I noticed they had The Inner Game of Music and, after reading some of the glowing reviews, I decided to buy that one instead as it seemed more relevant. I bought a copy for me and my teacher. After reading most of it, I ordered the Tennis one for my teacher as his gift. I just thought the Tennis one's concepts are better explained and more sensical in a way that can be applied to any discipline, including music. Clearly Mr. Green is a string-instrument player (bass) and tends to play mostly in a classical setting and I think the book will have special appeal to similar musicians. I play a few instruments, but drums are my main instrument and I just didn't see much to help me there that I didn't get from the Tennis version in a more effective manner. In particular, I need to work on my improvisation skills and I thought this book would especially help me in that regard. It didn't. The Improvisation chapter is one of the last, and one of the weakest in my opinion. This book is heavy on examples and exercises that I find difficult to get a benefit from as an adult. I'm pretty well-rounded and educated in my musical tastes and experiences and the information on why people enjoy or don't enjoy some or all music seemed a little elementary and little-related to what I think the "Inner Game" franchise is about.
39 internautes sur 42 ont trouvé ce commentaire utile 
Well developed techniques for musicians 3 août 2002
Par Un client - Publié sur Amazon.com
Format: Relié
Using Timothy Gallwey's "Inner Game" techniques, Barry Green has provided here an excellent resource for musicians who feel that they practice adequately, but still lack a "certain something" in their music. Mr. Green leads the reader through a series of examples and techniques that combat nervousness, a lack of emotion, and many other problems that most musicians face. Although I am a rather well versed saxophonist, I tended to get nervous before many of my performances and auditions, and the techniques of the "Inner Game" have helped me to combat that. My practice time is now more effective, and my performances are better because of this book. Some may feel that the only shorcoming in this book is that Green discusses too many varying techniques, but in actuality they are all similar in philosophy and practice, and they all lead the performer to greater chances of success.
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