From Library Journal
Avid art collectors and philanthropists Eli and Edythe Broad have assembled a diverse collection of work from big names in contemporary art, as revealed by this book, published in conjunction with a Los Angeles County Museum of Art exhibition drawn from their collections. An interview with the Broads, disclosing their approach to collecting for both investment and edification, is followed by four contextual essays by prominent curators and academics, each punctuated by extensive sections of color plates. Since the Broads collected widely in the work of Cy Twombly, Roy Lichtenstein, Cindy Sherman, Jean-Michel Basquiat, Anselm Kiefer, and many others, the writers are able to outline several strains of recent art history without straying from the collection at hand. But the essays are incidental in comparison to the full-page reproductions on heavy stock, which will entice those curious about the above-mentioned artists, as well as about Californians Ed Ruscha and Sharon Lockhardt. A checklist of works further defines the exhibition. This is a much more complete overview of this important collection than Compassion and Protest: Recent Social and Political Art from Eli Broad Family Foundation (Abbeville, 1991), a thematic work that focused on 18 artists from the 1980s. Recommended for contemporary art collections. Carolyn Kuebler, "Library Journal"
Copyright 2001 Reed Business Information, Inc.
Copyright 2001 Reed Business Information, Inc.
Book Description
Published to accompany an exhibition at the Los Angeles County Museum of Art, Jasper Johns to Jeff Koons presents contemporary art from the private collections of Eli and Edythe Broad, which are among the most important in the world. Featuring works by 22 significant artists, including Andy Warhol, Roy Lichtenstein, Ed Ruscha, Jean-Michel Basquiat, and Cindy Sherman, this handsome volume addresses major movements such as American Neo-Dada and Pop, and German Neo-Expressionism, as well as art of the 1980s and current works from California.
An interview with the Broads and scholarly texts addressing important aspects of the collections situate the 160 full-color plates in art-historical context.
