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Page Artiste João Gilberto


Détails sur le produit

  • CD (5 janvier 2000)
  • Nombre de disques: 1
  • Label: Verve
  • ASIN : B00004KDC0
  • Autres versions : Téléchargement MP3
  • Moyenne des commentaires client : 4.5 étoiles sur 5 4 commentaires client
  • Classement des meilleures ventes d'Amazon: 59.935 en Musique (Voir les 100 premiers en Musique)
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Descriptions du produit

JOAO VOZ E VIOLAO


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Par Un client le 17 mai 2004
Format: CD
Cet album est une merveille. On croirait avoir Joao Gilberto qui nous souffle de magnifiques bossas dans l'oreille, là, tout près... Tout seul avec sa guitare, avec laquelle il fait des arrangements très doux et subtils, dans un climat intimiste au possible, on pourrait s'endormir avec toutes les nuits. A écouter absolument si vous n'êtes pas insensible aux charmes de la bossa.
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Format: CD Achat vérifié
Quel maestro! Tout est juste, équilibré, poétique, musical, parfait. Une douceur extrême, une ambiance qui nous enchante, une musique qui atteint notre âme: nostalgique et puissante, pleine et pourtant tellement simple. Regardez la couverture: on vous invite à vous taire et à écouter. Je vous l'assure, vous pouvez le faire en toute confiance et entrer dans l'intimité la plus totale avec ce grand maître.
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Par CAHLIREV TOP 500 COMMENTATEURS le 27 septembre 2012
Format: CD Achat vérifié
SANS RENIER LE SUPERBE GUITARISTE GENIAL DE BOSSA QU'EST JOAO GILBERTO CET ALBUM SANS ETRE BIEN SUR MAUVAIS QUI FUT ENREGISTRE EN 2000 EST BIEN LOIN DU NIVEAU D'AUTRES ALBUMS DU BRESILIEN ...STAN GETZ TU NOUS MANQUES ...
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Format: CD Achat vérifié
Une voix célèbre à juste titre.
Que du plaisir à l'écoute.
Enregistrement de bonne qualité.
Simplement parfait.
Que du plaisir à l'écoute.
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9cb92504) étoiles sur 5 29 commentaires
31 internautes sur 33 ont trouvé ce commentaire utile 
HASH(0x9cb98f48) étoiles sur 5 The Godfather of Bossa Nova 15 juin 2000
Par Amazon Customer - Publié sur Amazon.com
Format: CD
Antonio Carlos Jobim is probably the most recognizable bossa nova figure, but without João Gilberto, there would be no bossa nova (as had been said by the late Jobim himself). Gilberto was the one who originated the guitar rhythm, and used the laid-back vocals. This new CD is just what the title says--voice and guitar. I have heard complaints about the CD: it barely totals 30 minutes, there are only 4 songs that he hasn't recorded before, and his voice and presentation are a little too laid-back, almost weak. But if you're a big bossa nova fan, I can't see any reason not to add this to your collection--João is still the voice of bossa nova music. It's also great to hear him singing the Caetano Veloso songs on this CD.
23 internautes sur 24 ont trouvé ce commentaire utile 
HASH(0x9cb9c36c) étoiles sur 5 Still Going Strong 26 juillet 2000
Par Kurt Harding - Publié sur Amazon.com
Format: CD Achat vérifié
I haven't heard anything new in a long time from Joao Gilberto and so am delighted that he has released this selection of Bossa Nova standards featuring just his voice and guitar. Thirty-five years have passed since the heyday of the genre and Gilberto's voice is just as it ever was. I had to laugh when I read one review that said it sounded cool in Portuguese but lyrically banal when translated into English. Well, this is Brazilian pop, and most pop music in any language tends not to be deep. But compare this pop with its contemporary American counterpart and I'll take the Brazilian every time. Joao is smooth, relaxed, and soothing here and thus is the perfect thing to listen to while sitting on your patio with your morning coffee watching the sun come up. My favorite cuts are Voce Vai Ver, Chega de Saudade, and the all-time classic Desafinado. If you are a Bossa Nova fan, this album deserves a place in your collection. The CD may be short, but it sure is sweet.
17 internautes sur 17 ont trouvé ce commentaire utile 
HASH(0x9cb9c174) étoiles sur 5 Joao as meant to be heard 30 octobre 2000
Par E. Barteldes - Publié sur Amazon.com
Format: CD
Music, as all other arts, has creators, imitators and developers. Of the second category there is little to say; they basically jump the wagon and profit whatever they can from the creator, while the developer tries his best to make the original creation grow further. In Brazil, samba had been around for ages, but it took the genius of Bahia-born João Gilberto to develop the local beat and blend it with elements of cool jazz, thus creating a whole new style, Bossa Nova, which swept the planet during the late fifties and early sixties, and still influences a great number of musicians, from Charlie Byrd and Stan Getz in their time to George Michael and Tuck & Patty nowadays.
Pray silence now, for the man who created the whole thing, with the support of Antonio Carlos Jobim (who ,against his own will took the credit for himself), Vinicius de Morais and others has just released a new studio album, eight years after 1992's "João" and three after the live "Eu Sei Que Vou Te Amar" (all titles, are, by the way, available in the U.S.). And this time, alas, he plays by himself. Just the man, his guitar and his voice, and no audience sounds.
The album, properly titled "Joao Voz e Violao (Joao, Voice and Guitar )opens with Caetano Veloso-penned "Desde Que O Samba É Samba" (Ever Since Samba Was Samba). Veloso,also a son of Bahia, wrote the song in 1993 as a tribute to samba and Bossa-Nova. In João Gilberto's voice, the the lyric is taken to a whole new dimension:
A tristeza é senhora/ Desde que o samba é samba é assim/ A lágrima clara sobre a pele escura A chuva fria que cai lá fora Solidão apavora Tudo demorando em ser tão ruim Mas há uma coisa no tanto agora em mim Cantando mando a tristeza embora...
(Sadness is dominant/Ever since samba was samba it has been like that/the clear tear over the dark skin/The cold rain falling on the outside/Solitude is frightening/Bad things taking so long/ But there is something inside me/By singing I send sadness away...)
Caetano Veloso,who produced the album, is an innovator in his own right; he was the co-founder of of yet another wave in Brazilian popular music which blended Bossa Nova and other elements of Brazilian sounds with the influence of late sixties psychedelics and came up, in 1968, with a whole new sound, labeled "tropicalism." With time,he became more and more refined in his songwriting, and João Gilberto's influence became more and more evident in his work, to the point of recording a rare Gilberto composition, "Você Esteve Com Meu Bem?" (Have You Been With My Sweetheart?", never recorded by its composer) in his 1996 "Fina Estampa En Vivo". Veloso and Gilberto are friends, and the latter was instrumental in Veloso's return from his politically enforced exile after three years in Europe.
The album also contains two classics which are present on virtually every Bossa Nova or João Gilberto collection: Desafinado (Off-Key) and Chega de Saudade, which are both Tom Jobim co-compositions. The first was present in 1964's quadruple Grammy award winner Getz/Gilberto. The second one is considered by music historians the song that, in 1959, started the whole Bossa Nova wave. In this album, the songs are performed like Gilberto does onstage these days, with no accompaniment. I believe the singer and Veloso decided to re-make the two songs (specially "Chega de Saudade")in order to have a "proper" studio versions, since the earlier ones, recorded years ago, where too much in the musical format of the time, and Gilberto's guitar playing was not very well heard. There are, of course, the live version, but the applause somewhat damages the recording, specially when you're dealing with a very subtle vocalist and guitarist.
The other tracks are equally interesting. My personal favorite is "Não Vou Para Casa"(I'm not Going Home), a humorous samba in which the singer is urged to go back home, but refuses to return "before the sun rises". Very good are also Tom Jobim's "Você Vai Ver"(You'll See) and another Veloso composition, "Coração Vagabundo"(Vagabond Heart). The only bad thing about the CD is that is is too short for the price; it has merely 35 minutes, which gives the listener a feeling of dissatisfaction as the album ends.
The cover of the album shows a girl with her finger on her lips,requesting silence. It is a direct message to the public of Credicard Hall in São Paulo that booed Joao Gilberto during his 1999 performance, when, ever the perfectionist, complained of excessive feedback from the sound system. He reacted by showing his tongue to the public and left Caetano Veloso, who was also performing that night, alone on stage to finish the show. One can be almost sure that the idea for the cover came from Veloso.
One fact that gives this CD great importance is the fact that many of the original Bossa Nova players are no longer in this world. Stan Getz passed away in 1991, Jobim in 1994, Vinicius de Morais in 1980 and Charlie Byrd left us recently. Of course they left us countless recordings of their music, but fresh work from them is very rare, as João Gilberto himself rarely does studio work. The album, yes, is short, but it is a very good addition to the collection of a listener of good music. A fine wine will go well with the album.
A splendid time is guaranteed for all.
16 internautes sur 18 ont trouvé ce commentaire utile 
HASH(0x9cb9c774) étoiles sur 5 the intimacy of "Getz/Gilberto" - Joao's peaceful solo 15 juillet 2000
Par rash67 - Publié sur Amazon.com
Format: CD
Joao Gilberto, Stan Getz, Tom Jobim, and Astrud Gilberto et. al. created the blockbuster Verve album "Getz/Gilberto", the second largest selling Jazz Album of all time. It popularized Bossa Nova/ Samba, and stayed on top of the rock,pop AND jazz charts for months in '64.
Of the talented principals, only Joao is still with us, Stan and Tom are gone.
In this CD, he recaptures the inner peace and intimacy which I first heard on "Getz/Gilberto". If you could listen to "Getz /Gilberto" and listen only to Joao, this would be that record. "Joao Voz e Viola" is solo, just guitar and voice, as the name implies, without the other parts.
I almost prefer to listen to the melifluous Portuguese and imagine what the words might mean without reading the translation (which sort of renders the tunes more banal and less ethereal) but that's a very minor criticism.
Joao speaks to us from his heart, deep within a place of inner serenity, and sometimes wistful sadness. After a long stressful day, put on Joao and let him take away your cares. Listen with your lover.
4 & 1/2 stars = a great recording and a great performance, finally available at a good price. This could get 5 stars if more people could hear it!
11 internautes sur 12 ont trouvé ce commentaire utile 
HASH(0x9cb9c7e0) étoiles sur 5 So here we are, forty years later... 29 août 2000
Par Paul Richter - Publié sur Amazon.com
Format: CD
If there's one thing you can say about Joao Gilberto, it's that he has a style, an original and distinctive one, and he sticks with it. Four decades after he launched bossa nova with his recordings of "Chega de Saudade" and "Desafinado", he can re-record them, and the only difference is the age in his voice.
And he somehow gets away with it. Or people let him get away with it.
If you're familiar with those original classics or even his later works, "Voz e Violao" will unfortunately sound like the same old stuff, perhaps even -- do I dare say it? -- a tired rehash of his material. At times he seems to plod his way through the songs, singing the lyrics twice through for lack of anything better to do, while at the same time sounding rushed as if to end the recording session as quickly as possible. (And at little more than thirty minutes total playing time, he seems to have succeeded there.)
On the other hand, these very same things give his performances an edgy feel that's interesting at times. Gilberto's style of "pulling the song one way and the guitar the other", as Tom Jobim described it, is nearly at the breaking point, with voice and guitar seemingly leapfrogging each other at times. And while some musicians would give up on a song when they can no longer reach the high notes, on "Voce Vai Ver" Gilberto just jumps down an octave in the middle of a phrase, twisting the melody in a new way.
For material, he chooses three Jobim standards, two Caetano Veloso favorites, a Gilberto Gil song, and a handful of others.
For the bossa nova fan, any release by Joao is a must, and I'll never tire of his singing "Chega de Saudade", whether it's the 1958 version or the 1999 version. But I'll still stick to my treasured copy of "The Legendary Joao Gilberto".
Of course you're new to Joao or to bossa nova, "Voz e Violao" is a great place to start, then work your way upstream. In this case, the water from the source is the sweetest of all.
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