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Kid Face a été ajouté à votre Panier
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Kid Face

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Page Artiste Samantha Crain

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Produits fréquemment achetés ensemble

Kid Face + You [Understood] + Songs in the Night
Prix pour les trois: EUR 47,38

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Détails sur le produit

  • Album vinyle (20 janvier 2014)
  • Nombre de disques: 1
  • Label: Full Time Hobby
  • Autres éditions : CD  |  Album vinyle  |  Téléchargement MP3
  • Moyenne des commentaires client : 4.5 étoiles sur 5  Voir tous les commentaires (2 commentaires client)
  • Classement des meilleures ventes d'Amazon: 349.194 en Musique (Voir les 100 premiers en Musique)
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1. Never going back
2. Taught to lie
3. Paint
4. For the miner
5. The pattern has changed
6. Churchill
7. Kid face
8. Somewhere all the time
9. Ax
10. Sand paintings
11. We've been found

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1 internautes sur 1 ont trouvé ce commentaire utile  Par CAILLE Pascal le 17 février 2014
Format: CD Achat vérifié
Belle voix et harmonie sympathique.
Belles compositions, originales.
J'apprécie beaucoup.
J'ai un faible pour le morceau "For the miner". Très inspiré.
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Format: CD Achat vérifié
Cette voix cassée/timbre magnifique nous transporte dans son univers folk ! Une jeune artiste à écouter :)
Cet album "Kid Face" inclue un titre que j'affectionne particulièrement "somewhere all the time" . De plus, cet album contient des chansons bonus !
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 12 commentaires
4 internautes sur 4 ont trouvé ce commentaire utile 
Without Pretension and Histrionics 26 février 2013
Par B. Hirschman - Publié sur Amazon.com
Achat vérifié
"The pattern has changed
Not over time, but a shift in the ground"
-S. Crain (The pattern has changed)

Samantha Crain is a fictional writer turned singer-songwriter from Oklahoma. This is her third LP (plus an EP) and it's an Alt-country/Americana/Indie-rock hybrid. My impression is that country and folk seem to be where her "natural" tendencies lie. Instrumentally and vocally, her previous works are very, very catchy -She understands well how to craft a powerful hook! On 'Kid Face', the instrumental composition strives for a warm and endearingly melodic informing of the narrative. The LP's overarching frame of mind is one of thoughtful considerations as well as true-to-everyday-life sincerity and "sensibility" rather than the predictable singer-songwriter fare of cataloging life's disappointments followed briskly by a floral monologue of indignation and/or melancholy. That she somehow maintains her disposition toward thoughtfulness and sincerity, despite doing a fair amount of "cataloging" herself, is as welcomed as it is innovative.

S. Crain harbors the "proper" writer's tendency to (1) frames lyrics as stories and (2) paint a contextual portrait. She has commented on how this is largely an autobiographic work though she isn't always the center of attention or does she spend all her time musing about the catastrophes of life. Everyday themes, but more importantly everyday imagery, abound. She's even homespun (that I say to flatter) when she does speak directly to her anguish. Track 5's lyrics bear this out, "Cleaning the sink because I can't think of nothing to do/I'm going to shows and counting my toes and crying over you". The LP's most common themes are of wandering and searching -literally, allegorically, personally and interpersonally. She is also found of phrasing questions. It seems that no matter what she is going on about, Ms. Crain's lyric's have an easily discernable trajectory of reflection, reconciliation, and maturation. It's as if she is using the experiences of self to work through to the other side of self. The net result of all this is that she never becomes mired in the mud of self-without-end. She's just trying to find her way and, as she makes this clear on a few tracks, hopes that others in her life will find their way as well -Lot's of good vibes all around. In my opinion, the Neil Young'ish track 4 is this LP's confluence-moment for all her many gifts and tendencies. Long story short, this LP is a tale of how modest and articulate folks from Oklahoma go about achieving insight and, I sincerely hope, peace.
3 internautes sur 3 ont trouvé ce commentaire utile 
Mixed Reactions 4 avril 2013
Par Bill - Publié sur Amazon.com
Format: CD Achat vérifié
Crain's compositions are set well, good acoustic backing, although there is too much channel separation of instruments on some of the tunes. Given the folk-blues traditions, her music has the virtue of not sounding imitative, sometimes even memorable lines. The lyrics are full, progressive, showing a narrative poet who has turned to music. Samantha Crain's voice is quite unique, hard to describe, limited in range, but full with good phrasing and modulation.
1 internautes sur 1 ont trouvé ce commentaire utile 
beautiful and good 29 juillet 2014
Par Walter F. Rice - Publié sur Amazon.com
Format: CD Achat vérifié
I find Samantha Crain exhilarating . Her originality has genius interlaced inside of it. It is the type that breaks through barriers. I grew up listening to Bod Dylan in the 1960's, he broke down barriers the most in his era. The many musical worlds he reached into, explored and added so much to, were refreshing, beautiful and good. Dylan did not dominate and homogenate music. He was the challenger. By 1963 or 1964 folk music had opened up, and by 1970 we had experienced 8 unforgettable years of his music and music had crossed over in so many directions.. I cannot tell you that Samantha Crain will have anywhere at all the influence or even the shadow of the success of a Dylan. I can only tell you she is good, refreshing, and beautiful, and in so many ways that should matter. The Europeans must have noticed. She has been touring Western Europe for months, from Scandinavia, Britain, Ireland, Germany and France. My impression is she is. unknown to most Americans and her following is mainly regional in America. I hope she finally gets the acceptance I believe she deserves.

I discovered her just a few years ago because I was exploring American Indian music and musicians. I hope and even pray that her ancestry does not limit her appeal here. I can only think it may. American bigotry is not only centered in the slaves from Africa. It first started with the annihilation of Indian villages and their inhabitants, and of whole Indian tribes. After the Revolution the Native people, the Indians had no standing American court or any foreign court either.. It led to continued mass murders, forced and manipulated removal of the natives from all of their lands, and after the remnants had surrendered, forced destruction of their languages, traditions and a forced separation from children from their children, an attempt at genocide, a level below the genocide that had been waged, genocide of the mind. I do not believe that such things are in the past and are like water under the bridge.. There is, there must be a confession, an apology, and making up, which is not just rhetorical, but physical, You may not like what I just wrote, but I will not surrender my senses to ignorance. There are a good number of good scholarly books that tell the story, and maybe you should read some of them.

Samantha, I know you have not sung much about your origins, and I do not blame you for it. People do different things at different What I just wrote I would not have just a few years ago. Samantha, I love your music, there is good music in all of your albums, but Kid Face is a breakthrough.
2 internautes sur 2 ont trouvé ce commentaire utile 
Samantha 22 avril 2013
Par Ray M., Trevino - Publié sur Amazon.com
Achat vérifié
Her voice is amazing. I always listen.It's all natural no electronic voice fixer. Love it. I will buy all her music.
1 internautes sur 1 ont trouvé ce commentaire utile 
The best yet... 12 mars 2013
Par Jared - Publié sur Amazon.com
Format: CD
I've been listening to Samantha Crain since an NPR interview with her I heard about 3 years ago. You (Understood), Songs in the Night, and The Confiscation have been part of my rotation ever since. The polish of this album (Kid Face) is fantastic. I think Samantha has found a great way to meld some of the more adventurous sounds of her previous albums with a focus on tight, emotional song structure. See her live if you have a chance, it's an excellent show.
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