Ce sont les mots les plus souvent utilisés dans une autre édition de ce livre.
1959
adderley
album
another
approach
artists
band
bill
blue
came
cannonball
chambers
changes
chords
cobb
coltrane
columbia
come
cool
davis
day
down
during
end
evans
even
few
fifties
first
freddie
get
go
got
group
hear
heard
jazz
jimmy
kelly
kind
know
label
late
later
left
little
long
man
miles
modal
music
musical
musicians
new
notes
number
own
people
performance
pianist
piano
play
played
player
playing
point
producer
quintet
really
recalls
record
recorded
recording
remembers
right
scales
session
sextet
sketches
solo
song
sound
still
street
studio
style
take
tape
thing
three
time
together
townsend
track
trumpeter
tune
two
used
years
york