Amazon.com
Yann Martel's imaginative and unforgettable Life of Pi is a magical reading experience, an endless blue expanse of storytelling about adventure, survival, and ultimately, faith. The precocious son of a zookeeper, 16-year-old Pi Patel is raised in Pondicherry, India, where he tries on various faiths for size, attracting "religions the way a dog attracts fleas." Planning a move to Canada, his father packs up the family and their menagerie and they hitch a ride on an enormous freighter. After a harrowing shipwreck, Pi finds himself adrift in the Pacific Ocean, trapped on a 26-foot lifeboat with a wounded zebra, a spotted hyena, a seasick orangutan, and a 450-pound Bengal tiger named Richard Parker ("His head was the size and color of the lifebuoy, with teeth"). It sounds like a colorful setup, but these wild beasts don't burst into song as if co-starring in an anthropomorphized Disney feature. After much gore and infighting, Pi and Richard Parker remain the boat's sole passengers, drifting for 227 days through shark-infested waters while fighting hunger, the elements, and an overactive imagination. In rich, hallucinatory passages, Pi recounts the harrowing journey as the days blur together, elegantly cataloging the endless passage of time and his struggles to survive: "It is pointless to say that this or that night was the worst of my life. I have so many bad nights to choose from that I've made none the champion."
An award winner in Canada, Life of Pi, Yann Martel's second novel, should prove to be a breakout book in the U.S. At one point in his journey, Pi recounts, "My greatest wish--other than salvation--was to have a book. A long book with a never-ending story. One that I could read again and again, with new eyes and fresh understanding each time." It's safe to say that the fabulous, fablelike Life of Pi is such a book. --Brad Thomas Parsons --Ce texte fait référence à lédition Relié .
From Publishers Weekly
A fabulous romp through an imagination by turns ecstatic, cunning, despairing and resilient, this novel is an impressive achievement "a story that will make you believe in God," as one character says. The peripatetic Pi (ne the much-taunted Piscine) Patel spends a beguiling boyhood in Pondicherry, India, as the son of a zookeeper. Growing up beside the wild beasts, Pi gathers an encyclopedic knowledge of the animal world. His curious mind also makes the leap from his native Hinduism to Christianity and Islam, all three of which he practices with joyous abandon. In his 16th year, Pi sets sail with his family and some of their menagerie to start a new life in Canada. Halfway to Midway Island, the ship sinks into the Pacific, leaving Pi stranded on a life raft with a hyena, an orangutan, an injured zebra and a 450-pound Bengal tiger named Richard Parker. After the beast dispatches the others, Pi is left to survive for 227 days with his large feline companion on the 26-foot-long raft, using all his knowledge, wits and faith to keep himself alive. The scenes flow together effortlessly, and the sharp observations of the young narrator keep the tale brisk and engaging. Martel's potentially unbelievable plot line soon demolishes the reader's defenses, cleverly set up by events of young Pi's life that almost naturally lead to his biggest ordeal. This richly patterned work, Martel's second novel, won Canada's 2001 Hugh MacLennan Prize for Fiction. In it, Martel displays the clever voice and tremendous storytelling skills of an emerging master.
Copyright 2002 Cahners Business Information, Inc. --Ce texte fait référence à lédition Relié .
Copyright 2002 Cahners Business Information, Inc. --Ce texte fait référence à lédition Relié .
From Library Journal
Named for a swimming pool in Paris the Piscine Molitor "Pi" Patel begins this extraordinary tale as a teenager in India, where his father is a zoo keeper. Deciding to immigrate to Canada, his father sells off most of the zoo animals, electing to bring a few along with the family on their voyage to their new home. But after only a few days out at sea, their rickety vessel encounters a storm. After crew members toss Pi overboard into one of the lifeboats, the ship capsizes. Not long after, to his horror, Pi is joined by Richard Parker, an acquaintance who manages to hoist himself onto the lifeboat from the roiling sea. You would think anyone in Pi's dire straits would welcome the company, but Richard Parker happens to be a 450-pound Bengal tiger. It is hard to imagine a fate more desperate than Pi's: "I was alone and orphaned, in the middle of the Pacific, hanging on to an oar, an adult tiger in front of me, sharks beneath me, a storm raging about me." At first Pi plots to kill Richard Parker. Then he becomes convinced that the tiger's survival is absolutely essential to his own. In this harrowing yet inspiring tale, Martel demonstrates skills so well honed that the story appears to tell itself without drawing attention to the writing. This second novel by the Spanish-born, award-winning author of Self, who now lives in Canada, is highly recommended for all fiction as well as animal and adventure collections. Edward Cone, New York
Copyright 2002 Cahners Business Information, Inc. --Ce texte fait référence à lédition Relié .
Copyright 2002 Cahners Business Information, Inc. --Ce texte fait référence à lédition Relié .
From The New Yorker
An impassioned defense of zoos, a death-defying trans-Pacific sea adventure à la "Kon-Tiki," and a hilarious shaggy-dog story starring a four-hundred-and-fifty-pound Bengal tiger named Richard Parker: this audacious novel manages to be all of these as it tells the improbable survivor's tale of Pi Patel, a young Indian fellow named for a swimming pool (his full first name is Piscine) who endures seven months in a lifeboat with only a hungry, outsized feline for company. This breezily aphoristic, unapologetically twee saga of man and cat is a convincing hands-on, how-to guide for dealing with what Pi calls, with typically understated brio, "major lifeboat pests."
Copyright © 2005 The New Yorker --Ce texte fait référence à l'édition Broché .
Copyright © 2005 The New Yorker --Ce texte fait référence à l'édition Broché .
From AudioFile
Adrift on the wide Pacific in a 26-foot lifeboat should prove challenge enough, but to survive with a royal Bengal tiger for sole companion stretches belief. Nonetheless, 16-year-old Pi Patel, son of a zookeeper from Pondicherry, India, manages it for 227 days by taming not only the tiger, but his own wild imagination and whipping both into service. Martel uses two narrators for his mad tale: Pi reading his journal and what appears to be an objective neighbor some years later. The neighbor's narrative, read by Alexander Marshall, is brief and wooden, but necessary to contrast with Pi's wildly implausible adventure. Jeff Woodman reads Pi's journal and the bulk of the story. His range is astounding. He is at once the salty French cook, two oddly paired Japanese investigators, a Catholic priest, a Muslim imam, and of course the irrepressible Pi, each with his own distinctive accent. Woodman reads with an almost childlike delicacy and simplicity that lend credibility to the wisdom implicit in this fanciful tale. Both story and reading delight on every level. P.E.F. Winner of AudioFile Earphones Award © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine
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Booklist
Pi Patel, a young man from India, tells how he was shipwrecked and stranded in a lifeboat with a Bengal tiger for 227 days. This outlandish story is only the core of a deceptively complex three-part novel about, ultimately, memory as a narrative and about how we choose truths. Unlike other authors who use shifting chronologies and unreliable narrators, Martel frequently achieves something deeper than technical gimmickry. Pi, regardless of what actually happened to him, earns our trust as a narrator and a character, and makes good, in his way, on the promise in the last sentence of part one--that is, just before the tiger saga--"This story has a happy ending." If Martel's strange, touching novel seems a fable without quite a moral, or a parable without quite a metaphor, it still succeeds on its own terms. Oh, the promise in the entertaining "Author's Note" that this is a "story that will make you believe in God" is perhaps excessive, but there is much in it that verifies Martel's talent and humanist vision. Will Hickman
Copyright © American Library Association. All rights reserved --Ce texte fait référence à lédition Relié .
Copyright © American Library Association. All rights reserved --Ce texte fait référence à lédition Relié .
The Toronto Globe and Mail
"Pi is Martel's triumph. He is understated and ironic, utterly believable and pure . . ."
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Salon, August 1, 2002
"Beautifully fantastical and spirited."
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The New York Times Book Review, July 7, 2002
"... could renew your faith in the ability of novelists to invest even the most outrageous scenario with plausible life."
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Charlotte Innes, The Nation, Aug 19 2002
"If this century produces a classic work of survival literature, Martel is surelly a contender."
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Publishers Weekly, Publishers Weekly, Apr 8 2002
"Martel displays the clever voice and tremendous storytelling skills of an emergging master."
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Review
"Yann Martel's Life of Pi (Canongate) is another reminder of the largely unsung excellence of the Canongate list. The fiercely independent Scottish outfit remains an outpost of rare quality and distinction, and this exceptional understated novel is certainly a worthy addition to its output.... It would not be out of place on a Booker shortlist." -- From The Bookseller
?In the end, Life of Pi may not, as its teller promises, persuade readers to believe in God, but it makes a fine argument for the divinity of good art.? -- Noel Rieder, The Gazette (Montreal)
?Martel?s latest literary offering, Life of Pi, is an exquisitely crafted tale that could be described as a castaway adventure story cum allegory.? -- The Gazette (Montreal)
?Life of Pi?is about many things -- religion, zoology, fear -- but most of all, it?s about sheer tenacity. Martel has created a funny, wise and highliy original look at what it means to be human.? -- Chatelaine
?In many ways, Life of Pi is a good old-fashioned boy?s book full of survival, cannibalism, horror, math and zoology. An impressive marriage of The Jungle Book with Lord of the Flies, it?s the harrowing coming of age tale of a boy who survives for over a year in a lifeboat with a zebra, an organgutan, an hyena and a Bengal tiger.? -- The Montreal Mirror
?A good story can make you see, understand and believe, and Martel is a very good storyteller. Martel displays an impresive knowledge of language, history, religion and literature, and his writing is filled with details and insights.? -- The Canadian Press
?[Life of Pi] has a buoyant, exotic, insistence reminiscent of Edgar Allen Poe?s most Gothic fiction?Oddities abound and the storytelling is first-rate. Yann Martel has written a novel full of grisly reality, outlandish plot, inventive setting and thought-provoking questions about the value and purpose of fiction. This novel should float.? -- The Edmonton Journal
?I guarantee that you will not be able to put this book down. It is a realistic, gripping story of survival at sea. On one level, the book is a suspenseful adventure story, a demonstration of how extreme need alters a man?s character?. On another level, this is a profound meditation on the role of religion in human life and the nature of animals, wild and human. His language?is vivid and striking. His imagination if powerful, his range enormous, his capacity for persuasion almost limitless. I predict that Yann Martel will develop into one of Canada?s great writers." -- The Hamilton Spectator
?[M]artel?s writing is so original you might think he wants you to read as if, like a perfect snowflake, no other book had ever had this form?. In Pi one gleans that faith -- one of the most ephemeral emotions, yet crucial whenever life is one the line -- is rooted in the will to live. In any event, when Pi does come to the end of his journey, he has it.? -- National Post
?[A]stounding and beautiful?The book is a pleasure not only for the subtleties of its philosophy but also for its ingenious and surprising story. Martel is a confident, heartfelt artist, and his imagination is cared for in a writing style that is both unmistakable and marvelously reserved. The ending of Life of Pi?is a show of such sophisticated genius that I could scarcely keep my eyes in my head as I read it.? -- The Vancouver Sun
"A fabulous romp through an imagination by turns ecstatic, cunning, despairing and resilient, this novel is an impressive achievement -- "a story that will make you believe in God," as one character says.... This richly patterned work, Martel's second novel, won Canada's 2001 Hugh MacLennan Prize for Fiction . In it, Martel displays the clever voice and tremendous storytelling skills of an emerging master.
FYI: Booksellers would be wise to advise readers to browse through Martel's introductory note. His captivating honesty about the genesis of his story is almost worth the price of the book itself." -- Publisher's Weekly --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
?In the end, Life of Pi may not, as its teller promises, persuade readers to believe in God, but it makes a fine argument for the divinity of good art.? -- Noel Rieder, The Gazette (Montreal)
?Martel?s latest literary offering, Life of Pi, is an exquisitely crafted tale that could be described as a castaway adventure story cum allegory.? -- The Gazette (Montreal)
?Life of Pi?is about many things -- religion, zoology, fear -- but most of all, it?s about sheer tenacity. Martel has created a funny, wise and highliy original look at what it means to be human.? -- Chatelaine
?In many ways, Life of Pi is a good old-fashioned boy?s book full of survival, cannibalism, horror, math and zoology. An impressive marriage of The Jungle Book with Lord of the Flies, it?s the harrowing coming of age tale of a boy who survives for over a year in a lifeboat with a zebra, an organgutan, an hyena and a Bengal tiger.? -- The Montreal Mirror
?A good story can make you see, understand and believe, and Martel is a very good storyteller. Martel displays an impresive knowledge of language, history, religion and literature, and his writing is filled with details and insights.? -- The Canadian Press
?[Life of Pi] has a buoyant, exotic, insistence reminiscent of Edgar Allen Poe?s most Gothic fiction?Oddities abound and the storytelling is first-rate. Yann Martel has written a novel full of grisly reality, outlandish plot, inventive setting and thought-provoking questions about the value and purpose of fiction. This novel should float.? -- The Edmonton Journal
?I guarantee that you will not be able to put this book down. It is a realistic, gripping story of survival at sea. On one level, the book is a suspenseful adventure story, a demonstration of how extreme need alters a man?s character?. On another level, this is a profound meditation on the role of religion in human life and the nature of animals, wild and human. His language?is vivid and striking. His imagination if powerful, his range enormous, his capacity for persuasion almost limitless. I predict that Yann Martel will develop into one of Canada?s great writers." -- The Hamilton Spectator
?[M]artel?s writing is so original you might think he wants you to read as if, like a perfect snowflake, no other book had ever had this form?. In Pi one gleans that faith -- one of the most ephemeral emotions, yet crucial whenever life is one the line -- is rooted in the will to live. In any event, when Pi does come to the end of his journey, he has it.? -- National Post
?[A]stounding and beautiful?The book is a pleasure not only for the subtleties of its philosophy but also for its ingenious and surprising story. Martel is a confident, heartfelt artist, and his imagination is cared for in a writing style that is both unmistakable and marvelously reserved. The ending of Life of Pi?is a show of such sophisticated genius that I could scarcely keep my eyes in my head as I read it.? -- The Vancouver Sun
"A fabulous romp through an imagination by turns ecstatic, cunning, despairing and resilient, this novel is an impressive achievement -- "a story that will make you believe in God," as one character says.... This richly patterned work, Martel's second novel, won Canada's 2001 Hugh MacLennan Prize for Fiction . In it, Martel displays the clever voice and tremendous storytelling skills of an emerging master.
FYI: Booksellers would be wise to advise readers to browse through Martel's introductory note. His captivating honesty about the genesis of his story is almost worth the price of the book itself." -- Publisher's Weekly --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Book Description
The son of a zookeeper, Pi Patel has an encyclopedic knowledge of animal behavior and a fervent love of stories. When Pi is sixteen, his family emigrates from India to North America aboard a Japanese cargo ship, along with their zoo animals bound for new homes.
The ship sinks. Pi finds himself alone in a lifeboat, his only companions a hyena, an orangutan, a wounded zebra, and Richard Parker, a 450-pound Bengal tiger. Soon the tiger has dispatched all but Pi, whose fear, knowledge, and cunning allow him to coexist with Richard Parker for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his story and press him to tell them "the truth." After hours of coercion, Pi tells a second story, a story much less fantastical, much more conventional--but is it more true?
--Ce texte fait référence à l'édition Broché .
The ship sinks. Pi finds himself alone in a lifeboat, his only companions a hyena, an orangutan, a wounded zebra, and Richard Parker, a 450-pound Bengal tiger. Soon the tiger has dispatched all but Pi, whose fear, knowledge, and cunning allow him to coexist with Richard Parker for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his story and press him to tell them "the truth." After hours of coercion, Pi tells a second story, a story much less fantastical, much more conventional--but is it more true?
--Ce texte fait référence à l'édition Broché .
Back Cover copy
"Yann Martel's Life of Pi (Canongate) is another reminder of the largely unsung excellence of the Canongate list. The fiercely independent Scottish outfit remains an outpost of rare quality and distinction, and this exceptional understated novel is certainly a worthy addition to its output.... It would not be out of place on a Booker shortlist." -- From The Bookseller
“In the end, Life of Pi may not, as its teller promises, persuade readers to believe in God, but it makes a fine argument for the divinity of good art.” -- Noel Rieder, The Gazette (Montreal)
“Martel’s latest literary offering, Life of Pi, is an exquisitely crafted tale that could be described as a castaway adventure story cum allegory.” -- The Gazette (Montreal)
“Life of Pi…is about many things — religion, zoology, fear — but most of all, it’s about sheer tenacity. Martel has created a funny, wise and highliy original look at what it means to be human.” -- Chatelaine
“In many ways, Life of Pi is a good old-fashioned boy’s book full of survival, cannibalism, horror, math and zoology. An impressive marriage of The Jungle Book with Lord of the Flies, it’s the harrowing coming of age tale of a boy who survives for over a year in a lifeboat with a zebra, an organgutan, an hyena and a Bengal tiger.” -- The Montreal Mirror
“A good story can make you see, understand and believe, and Martel is a very good storyteller. Martel displays an impresive knowledge of language, history, religion and literature, and his writing is filled with details and insights.” -- The Canadian Press
“[Life of Pi] has a buoyant, exotic, insistence reminiscent of Edgar Allen Poe’s most Gothic fiction…Oddities abound and the storytelling is first-rate. Yann Martel has written a novel full of grisly reality, outlandish plot, inventive setting and thought-provoking questions about the value and purpose of fiction. This novel should float.” -- The Edmonton Journal
“I guarantee that you will not be able to put this book down. It is a realistic, gripping story of survival at sea. On one level, the book is a suspenseful adventure story, a demonstration of how extreme need alters a man’s character…. On another level, this is a profound meditation on the role of religion in human life and the nature of animals, wild and human. His language…is vivid and striking. His imagination if powerful, his range enormous, his capacity for persuasion almost limitless. I predict that Yann Martel will develop into one of Canada’s great writers." -- The Hamilton Spectator
“[M]artel’s writing is so original you might think he wants you to read as if, like a perfect snowflake, no other book had ever had this form…. In Pi one gleans that faith — one of the most ephemeral emotions, yet crucial whenever life is one the line — is rooted in the will to live. In any event, when Pi does come to the end of his journey, he has it.” -- National Post
“[A]stounding and beautiful…The book is a pleasure not only for the subtleties of its philosophy but also for its ingenious and surprising story. Martel is a confident, heartfelt artist, and his imagination is cared for in a writing style that is both unmistakable and marvelously reserved. The ending of Life of Pi…is a show of such sophisticated genius that I could scarcely keep my eyes in my head as I read it.” -- The Vancouver Sun
"A fabulous romp through an imagination by turns ecstatic, cunning, despairing and resilient, this novel is an impressive achievement -- "a story that will make you believe in God," as one character says.... This richly patterned work, Martel's second novel, won Canada's 2001 Hugh MacLennan Prize for Fiction . In it, Martel displays the clever voice and tremendous storytelling skills of an emerging master.
FYI: Booksellers would be wise to advise readers to browse through Martel's introductory note. His captivating honesty about the genesis of his story is almost worth the price of the book itself." -- Publisher's Weekly
“In the end, Life of Pi may not, as its teller promises, persuade readers to believe in God, but it makes a fine argument for the divinity of good art.” -- Noel Rieder, The Gazette (Montreal)
“Martel’s latest literary offering, Life of Pi, is an exquisitely crafted tale that could be described as a castaway adventure story cum allegory.” -- The Gazette (Montreal)
“Life of Pi…is about many things — religion, zoology, fear — but most of all, it’s about sheer tenacity. Martel has created a funny, wise and highliy original look at what it means to be human.” -- Chatelaine
“In many ways, Life of Pi is a good old-fashioned boy’s book full of survival, cannibalism, horror, math and zoology. An impressive marriage of The Jungle Book with Lord of the Flies, it’s the harrowing coming of age tale of a boy who survives for over a year in a lifeboat with a zebra, an organgutan, an hyena and a Bengal tiger.” -- The Montreal Mirror
“A good story can make you see, understand and believe, and Martel is a very good storyteller. Martel displays an impresive knowledge of language, history, religion and literature, and his writing is filled with details and insights.” -- The Canadian Press
“[Life of Pi] has a buoyant, exotic, insistence reminiscent of Edgar Allen Poe’s most Gothic fiction…Oddities abound and the storytelling is first-rate. Yann Martel has written a novel full of grisly reality, outlandish plot, inventive setting and thought-provoking questions about the value and purpose of fiction. This novel should float.” -- The Edmonton Journal
“I guarantee that you will not be able to put this book down. It is a realistic, gripping story of survival at sea. On one level, the book is a suspenseful adventure story, a demonstration of how extreme need alters a man’s character…. On another level, this is a profound meditation on the role of religion in human life and the nature of animals, wild and human. His language…is vivid and striking. His imagination if powerful, his range enormous, his capacity for persuasion almost limitless. I predict that Yann Martel will develop into one of Canada’s great writers." -- The Hamilton Spectator
“[M]artel’s writing is so original you might think he wants you to read as if, like a perfect snowflake, no other book had ever had this form…. In Pi one gleans that faith — one of the most ephemeral emotions, yet crucial whenever life is one the line — is rooted in the will to live. In any event, when Pi does come to the end of his journey, he has it.” -- National Post
“[A]stounding and beautiful…The book is a pleasure not only for the subtleties of its philosophy but also for its ingenious and surprising story. Martel is a confident, heartfelt artist, and his imagination is cared for in a writing style that is both unmistakable and marvelously reserved. The ending of Life of Pi…is a show of such sophisticated genius that I could scarcely keep my eyes in my head as I read it.” -- The Vancouver Sun
"A fabulous romp through an imagination by turns ecstatic, cunning, despairing and resilient, this novel is an impressive achievement -- "a story that will make you believe in God," as one character says.... This richly patterned work, Martel's second novel, won Canada's 2001 Hugh MacLennan Prize for Fiction . In it, Martel displays the clever voice and tremendous storytelling skills of an emerging master.
FYI: Booksellers would be wise to advise readers to browse through Martel's introductory note. His captivating honesty about the genesis of his story is almost worth the price of the book itself." -- Publisher's Weekly
About the author
Yann Martel was born in Spain in 1963 of peripatetic Canadian parents. He grew up in Alaska, British Columbia, Costa Rica, France, Ontario and Mexico, and has continued travelling as an adult, spending time in Iran, Turkey and India. After studying philosophy at Trent University and while doing various odd jobs -- tree planting, dishwashing, working as a security guard -- he began to write. He is the prize-winning author of The Facts Behind the Helsinki Roccamatios, a collection of short stories, and of Self, a novel, both of them published internationally.
His latest book, Life of Pi, won the 2002 Man Booker Prize, shortlisted for the Governor’s General Award and is an international bestseller. He has been living from his writing since the age of 27. He divides his time between yoga, writing and volunteering in a palliative care unit.
Yann Martel lives in Montreal. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
His latest book, Life of Pi, won the 2002 Man Booker Prize, shortlisted for the Governor’s General Award and is an international bestseller. He has been living from his writing since the age of 27. He divides his time between yoga, writing and volunteering in a palliative care unit.
Yann Martel lives in Montreal. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.