Live Flesh [Anglais] [Poche]

"Live Flesh" is not the usual crime mystery/thriller. It is, however, a thrilling psychological study of a rapist, Victor Jenner, who suffers from chorea, a disease of the nervous system marked by involuntary, jerky movements of the arms, legs, and/or face. Sometimes this illness is called "live flesh." Victor also has a severe phobia of tortoises, along with a multitude of other neuroses. Throughout the novel, he feels a need for psychiatric treatment, but never follows through. Typically, he blames the system for not providing him with therapy. He does understand that he has serious problems, though, and more often than not knows the difference between right and wrong. The inimitable Ruth Rendell thoroughly explores Jenner's motives, secrets, and complex emotions. She paints a chilling portrait of a man doomed by violence he cannot control. This is obviously much more a book driven by characters, and their development, than by action. The heart of "Live Flesh" lies in the complexity of Victor Jenner's personality and how he interacts with others, two characters in particular. These people are all steeped in a web of consequences stemming from one single event, a gunshot, which alters their lives forever.

Victor Jenner was convicted of shooting a young police officer in the lower back and permanently crippling him. He had been holding a young woman hostage in her bedroom, after breaking and entering her home, while escaping from the scene of an attempted rape. David Fleetwood, the officer, had been trying to gain the woman's release. Victor was not tried for the attempted rape, or the numerous other acts of sexual violence he had successfully committed. The police probably had no idea he was responsible for the crimes. After ten years Jenner is released early, for good behavior. He has serious problems adjusting to life after incarceration. But then, he always had problems adjusting. His irrational thought processes cause him to blame everyone but himself for the events leading up to the shooting. Underneath, however, he feels tremendous guilt for giving in to his irresistible urges which cause so much harm to others. The author allows the reader to enter Jenner's mind, his very thoughts, throughout the novel. He constantly constructs false scenarios which absolve him of guilt. Primary among his rationalizations is that if David Fleetwood had not taunted him by saying that the gun was a fake, a replica, then he wouldn't have had to fire it in order to prove that it was real. Other rationalizations include: if the girl hadn't screamed, then he wouldn't have had to hold her hostage; and if his uncle hadn't owned a gun, which he had easy access to, he never would have had it in his possession. Victor is also firmly convinced that he is incapable of restraining himself because of the chorea, which acts up when he is stressed. He believes that his behavior is as blameless and uncontrollable as the involuntary twitching which torments him.

The plot takes an unusual twist when Victor looks to meet the man he maimed, now wheelchair bound. His delusions allow him to think that, for the first time in his life, he has found true friendship. I must say that I really empathized with Victor, right up until the conclusion - which is a stunning one. His crimes are heinous, but so is the life he has to live with himself. I don't absolve him. I just feel terribly sorry for him - which is all Ms. Rendell's doing. Her characters are rich and so believable. And her narrative is spellbinding. This is a brilliant analysis and portrayal of a deranged man.
JANA

Ruth Rendell books are the scariest there are - not because of blood, gore and mutilation, but because they expose the infinitely greater menace of mental trauma. The number of Hannibal Lecter's in the general population is small - the greater threat comes from the more 'unremarkable' people, like Victor Jenner, this book's main character.

Victor has just been released from prison for shooting and crippling a young policeman. Coping with the changed world without and terrifying rages and phobias within, Victor is resentful, totally amoral, and feels he is entitled to whatever he can get - or take. Unbeknowst to the police, he is also guilty of a number of violent rapes, for which he has never been charged. The 'normal' side he can present to his social workers and employers is countered by the crashing and tortured screaming that others hear coming from his room, and he hears within his head.

Envious of the public admiration for his victim David, whose stoic acceptance of his paralysis has won him high regard and accolades, Victor can't stop himself making contact. To his surprise, David and his girlfriend Clare welcome him, assuming his motives are benign - that he, also, is trying to make sense of how the incident has affected his life. Victor manages to act normally long enough for them to become 'friends', but the tension of his scheming, David's skepticism and Clare's naive belief in Victor make you feel something awful is just around the corner. Away from his friends, all sorts of things in Victor's mind are starting to surface, and go out of control...

Ruth Rendell never writes a bad book, and this is one of her more original plots, no normal whodunnit. From the first pages Victor's incipient violence is so well portrayed, yet what happens is still a complete surprise. Rehabilitation of violent offenders, and their integration back into society, is a very low priority of governments today. The thought that there are people like Victor on the streets around us is all the more worrying for probably being true. A discomforting and somewhat disturbing story.

The tramuatized and psychotic, yet lovable Victor gets out of jail after 10 years and stuggles to control his maddness in the London society. Ruth Rendell's style lets you enter Victor's world, where all his past and present experiences (which are mostly objectionable) are real. Read LIVE FLESH if you really want to escape. This is one of the best Ruth Rendell's.