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Love in Excess; Or, the Fatal Enquiry [Anglais] [Broché]

Eliza Haywood , David Oakleaf

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Description de l'ouvrage

15 juin 2000 1551113678 978-1551113678 New edition
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
--Ce texte fait référence à l'édition Broché .

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Amazon.com: 3.1 étoiles sur 5  10 commentaires
38 internautes sur 42 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 One of the Best Novels of the 18th (or any) century 10 mars 1999
Par Un client - Publié sur Amazon.com
Format:Broché|Achat vérifié
If you like Jane Austen, you'll really like Love In Excess. It is both a humorous and exciting tale of loves lost, gained, regained, and unconsummated. The diversity of characters really makes this book intriguing. You never know who will do or say what , and if you think you do, you'll be wrong. What will be surprising to readers of Austen or Burney is the amount of control the female characters have over their own fate. In a Burney novel, for example, events tend to happen to the female characters rather than the character shaping the events. This isn't the case with Love In Excess. The women in this novel are very much active in their own circumstances, whether for good or ill. Love in Excess deserves your attention. In the first half of the eighteenth century the only novel to out sell it was Daniel Defoe's Robinson Crusoe, which suggests to me that scholars should give it more attention for its importance in the development of the English novel. Regardless, scholarly reader or escapist will enjoy this book.
21 internautes sur 23 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 The first novelist & very much misunderstood 5 novembre 2003
Par David Vinson - Publié sur Amazon.com
Format:Broché
It's a shame that Richardson gets credit for being the first novelist--Haywood wrote "Love in Excess" twenty years prior to "Pamela"!!! And frankly, I think "Love in Excess" is not only a much better novel in terms of its craft and general use of language, it is also much more entertaining--which was the aim of many early novels anyway.
"Love in Excess" is a bawdy, surprisingly complex romp. What you have, I think, are morally ambiguous characters; some are just flat-out amoral; and the fun and playful thing about EH is that she treats her characters as consistent, moral creatures, yet they are far from it. Indeed, for those that read EH as simply a romance writer, they're missing out on a wealth of sarcasm, satire, and humor. EH knew she was creating despicable people; she wanted to point out the absurdities of courtly love; and by writing in a tone that is seemingly serious, she is also testing her audience. Even though this was the first novel, Haywood understood how to write both to the masses and to her peers. In other words, "Love in Excess" is multi-functional and sets a standard for those like Richardson to follow--who, hypocritically, I'd imagine, would deny her influence and dismiss her talents because of her gender. It's wild that Haywood is hardly known: she's a master writer, a brilliant social commentator, and in possession of a tremendous analytical mind. I admire her very much.
13 internautes sur 15 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Not for Austen fans necessarily, but a good read 7 mai 2000
Par Un client - Publié sur Amazon.com
Format:Broché
Austen fans would be advised to read Haywood's History of Miss Betsy Thoughtless, not Love in Excess, which is a much earlier "novel" following the fortunes of a male protagonist through a series of increasingly bizarre romantic twists and tangles. It's a fast read and quite enjoyable, but be prepared for some serious nuttiness.
6 internautes sur 6 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Could have been trashier 13 octobre 2005
Par Zafiro Blue - Publié sur Amazon.com
Format:Broché
It seems everyone always wants to pinpoint the "first novel." It's not Pamela, it's Love in Excess. It's Love in Excess, it's Gulliver's Travels. It's not Gulliver's Travel's, it's Oroonoko.

Actually, the first novel is probably Gargantua and Pantagruel by Rabelais. Or Don Quixote. Either way, it's not in English. And when it comes down to it, it doesn't really matter. Love in Excess (and the others around it) should be judged on its own merit, not in chronological/"novelistic" relation to other supposed "first novels."

So, judged on its own merit, is Love in Excess any good?

Well, first of all, it's highly theatrical, in multiple senses of the word. Eliza Haywood was a successful actress and the novel is dedicated to a big former stage star of the day. (It'd be like a book being dedicated to Julia Roberts today.) The novel is composed in three highly-differentiable parts - they seem like they could be three acts in a play. The characters are often easily placed into types - one could imagine one person playing three of characters of the same type (e.g., the deceitful woman) that each appear in a separate part/act.

Love in Excess is, fundamentally, about exactly that - what happens when too much "love" is shooting around everywhere. Love, lust - whatever. Haywood delves deeply into what love is, and it's a very different notion than what we have.

Probably few people today read Love in Excess for its plot, but the story is worth it - convoluted, ridiculous, at points hilarious, full of outrageous coincidences, trashy, and by the standards of the day surely damn near pornographic. The syntax takes a little getting used to, but the book flows well as it goes on.

The main fault of Love in Excess to the modern reader, though, is that it's not saucy *enough.* Compared with romance novels (that phrase was once oxymoronic, but I think it makes sense even in relation to Love in Excess) today, you're left with a bit of the "That's it?" feeling.

(Still, by the standards of the day...)
3 internautes sur 3 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 "I rave - I burn - I am mad with wild desires" 22 janvier 2011
Par Patto - Publié sur Amazon.com
Format:Broché
So laments out one of Eliza's Haywood's love-crazed heroines in LOVE IN EXCESS.

Don't read this book unless you can enter fully into the amatory spirit of the early eighteenth century! You'll be expected to shudder at the power of passion, tremble when a man tempts a virtuous woman - and sympathize with fainting fits, jealous ravings and the short fuses of duel-happy cavaliers.

Eliza Haywood burst upon the London literary scene with LOVE IN EXCESS in 1719, the same year Defoe published ROBINSON CRUSOE. Both novels created a sensation.

Haywood's plot centers around Count D'elmont, a young war hero whose great charm and personal beauty cause one woman after another to pursue him. He himself is immune to sentiment and marries purely for money. Too late, he encounters a young woman who makes him burn with love.

Various other ladies and gentlemen in the Count's circle fall prey to love and furnish the reader with heart-pounding adventures. Shocking things happen, including murders, suicides, abductions and betrayals of trust.

Haywood maintains that her characters can't be blamed for their excesses. Love is a misfortune like poverty or sickness and "absolutely controls the will."

I was inspired to re-read Haywood's first novel after finishing her last novel, THE HISTORY OF JEMMY AND JENNY JESSAMY. Reading these books in succession is fascinating, because Haywood does a complete turnaround between 1719 and 1753. Her hot-blooded lovers give way to calm and utterly rational lovers. Haywood wrote for a living and had to update her product to satisfy the changing literary marketplace.

LOVE IN EXCESS is a must-read for fans of Eliza Haywood. Others, of course, might find it excessive.

I definitely recommend the Broadview edition. I loved the lively introduction, with its infectious enthusiasm and deep scholarship.
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