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Love Love a été ajouté à votre Panier
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Love Love Import

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Page Artiste Julian Priester

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Détails sur le produit

  • CD (26 septembre 2005)
  • Nombre de disques: 1
  • Format : Import
  • Label: Ecm Records
  • ASIN : B0009WWHH8
  • Autres versions : Téléchargement MP3
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: 181.821 en Musique (Voir les 100 premiers en Musique)
  •  Souhaitez-vous compléter ou améliorer les informations sur ce produit ? Ou faire modifier les images?

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Titre Durée Prix
  1. Prologue / Love, Love19:25Album uniquement
  2. Images / Eternal Worlds / Epilogue18:24Album uniquement

Descriptions du produit

Registrato giugno e settembre 1973 Julian Priester, trombone, corno, whistle flute, percussioni, synthesizers; Pat Gleeson, synthesizers, sequencer; Hadley Caliman, flauto, sassofoni, clarinetto basso; Bayete Umbra Zindiko, pianoforte; Nimbo Henry Franklin, Ron McClure, basso

Commentaires en ligne

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Commentaires client les plus utiles

0 internautes sur 1 ont trouvé ce commentaire utile  Par wazoo le 22 mai 2014
Format: CD Achat vérifié
Vous aimez Hancock période "mwandishi"? alors foncez!!!!!!!!!!!! Rien que le groove impair de l'ex-première face peut rendre fou plus d'un bidouilleur electro à la mode...........
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Amazon.com: 6 commentaires
18 internautes sur 21 ont trouvé ce commentaire utile 
Must have of the genre 26 décembre 2005
Par ZAHZAH - Publié sur Amazon.com
Format: CD
Mwandishi? Crossings? Love, Love!! Yes! Pepo Mtoto Julian Priester's album sounds REALLY GOOD on this CD release. ANYBODY who has collected Mwandishi, Crossings or Sextant MUST** MUST hear "Love, Love"!! You get Priester's visionary take during this all too short electronic/acoustic era of post jazz. A sideman in Herbie Hancock's ground breaking, mind blowing "Sextet", Priester was one of three horn players with the Hancock group MOST DIRECTLY DESCENDANT FROM MILES DAVIS. After Miles, but before the Super Funk of the Headhunters is the momentary supernova flash that "Love,Love" is a part of. This work is one of the rare few venturing into worlds of non-commercial, pure exploration music of the time. In "Love, Love" you get Patrick Gleeson's otherworldly Emu sythesized orchestration and colorations, Hadley Caliman's "off center" reed playing (feeling very much like Bennie Maupin... are you sure it's not Bennie?) and of course, Priester's inspired, trimphant moments of clarity, proclomation and arrivial. Add a few other nice suprises, among which are Bill Conner's extended guitar solo, Eric Gravett's drumming, and the spirited piano of Umbra Zindiko. On "Love,Love", Pepo Mtoto lays back when it's grooving, absorbs and focuses the energy at the point of meltdown, then climbs upon and stands shining atop a glorious cachophony of sound and wonder. "Love, Love" is rare and wonderful. Listen to the samples (and of the referenced works, too!)
5 internautes sur 5 ont trouvé ce commentaire utile 
Mwandishi lives!! 11 septembre 2009
Par Groupzero - Publié sur Amazon.com
Format: CD Achat vérifié
Wow. Just wow. I'm a huge fan of Herbie Hancock's Mwandishi-era band, and yet I never knew this album existed until a few weeks ago! It's essentially an Mwandishi album without Herbie Hancock, and -- dare I say it? -- in some ways it's better than "Crossings" or "Sextant." If you love those thrilling days of the early Seventies when jazz fusion was groundbreaking and challenging, if you love "Bitches Brew" and early Weather Report, and especially if you're a fan of Mwandishi, this album will rocket you straight to heaven. Somebody please tell me there's more music out there like this!
12 internautes sur 16 ont trouvé ce commentaire utile 
Jazzman, Louisville, Ky 15 septembre 2005
Par James K. Stewart - Publié sur Amazon.com
Format: CD
Julian Priester had released a number of recordings as a leader over the years in acoustic settings, along with
an extended stay in famed bandleader Sun Ra's ensemble, as well as playing in Herbie Hancock's controversial
"Mwandishi" band before he led and recorded his 1973 ECM electronic/cosmic lp "Love, Love". In the December
1974 issue of Canadian jazz magazine CODA (now gone), the cover story was about jazz trombonist/composer
Priester, which contained an extensive article and interview with him, in which he discussed the recent demise
of Hancock's "Mwandishi" band, to which he'd belonged for over three years. In the extended interview, Julian
also talked about where he wanted to go with his own music since "Mwandishi", along with the challenges and
problems with getting a major record label to release the recent music he had recorded on what would become
"Love, Love". He said, "I'm pretty much working with the same concept. Staying in San Francisco, playing with
alot of musicians, and taking my tape around to the record companies. I'm talking with Warner Bros., Columbia,
Fantasy-Prestige, Polydor...everyone seems interested, although it's too early to tell. I'm looking for a company
that is willing to invest in an artist, that will let the artist build and develop an audience. Maybe I'll get lucky or
something. I hope I get my record out, because then I'll be competing. I'll be one trombone out there against all
the trumpets and saxes. So...If you see my album, buy it. I want a whole lot of people to buy it." It did not take
long for Manfred Eicher, from ECM Records, to hear something special, indeed, with Priester's recording which he
acquired and later released in 1974. Recorded in 1973 at Different Fur Music in San Francisco, "Love, Love" is an
astounding, spacey, and heavily electronic work, produced by Priester, with legendary, ex-"Mwandishi" member
and synth wizard Dr. Patrick Gleeson (who plays on "Love, Love", as well). It was recorded shortly after the last
album the Mwandishi band recorded in 1972, "Sextant" (on Columbia). The "Mwandishi" group had released three
outer-worldly albums into uncharted space over a three year span, & "Love, Love" continued in that same mode,
only this time, Julian was producer, leader, & composer of the entire album - a stunning achievement on his ECM
debut. Brilliantly recorded and engineered at the legendary Different Fur Music Studio (owned by Gleeson), "Love,
Love", with it's extended funky vamps and free improvisational playing, became a classic mid-70's ECM release. I
wore out several vinyl copies of this, as I played it so much. I FIRST heard the side-long title-track very late one
night on the classic 70's jazz radio show "The Best of All Possible Worlds" with Harry Abraham on Rochester, NY's
WHAM 1180 AM station & it really hooked me - went out and got a copy the next day. It's so deep, atmospheric,
and beautiful. Patrick Gleeson played a major role with the sound effects on "Love, Love", just as he did with the
last two "Mwandishi" recordings. Along with Priester on trombone, post-horn, synthesizers, flute, and percussion,
Patrick Gleeson performs on Moog III, Oberheim sequencer and synthesizers, the late Hadley Caliman is on flute,
soprano/tenor saxophones and bass clarinet, David Johnson is on flute and soprano sax, Ron McClure's on fender
bass, and Henry Franklin is on fender and acoustic bass, as well. Bayete Umbra Zindiko is extraordinary on fender
rhodes and acoustic piano along with Clavinet D-6. His vibrant, extended acoustic piano work on "Eternal Worlds",
in particular, is amazing & inspired. Leon Chancler performs on drums, along with Eric Gravatt on drums & congas,
while ECM artist Bill Connors plays in outer space on electric guitar. A legendary mid-70's ECM classic that sounds
better than ever now on cd. My well-preserved German vinyl copy of "Love, Love" can now take a rest. A brilliant,
timeless masterpiece from a long-gone era. Thanks, Manfred.

P.S. For another fabulous release by Priester on ECM, check
out his other (and only) ECM date as a leader, "Polarization",
from 1977. Much more laid back and serene than "Love, Love",
but no less beautiful. It's one of the most gorgeous sounding
ECM releases I've ever heard - very, very haunting. Not yet
available on cd, but the vinyl edition can still be found.
3 internautes sur 4 ont trouvé ce commentaire utile 
A True Gem 31 juillet 2006
Par Ronald C. White - Publié sur Amazon.com
Format: CD Achat vérifié
Fusion? Electronica? A jazz classic? All three I think. This music is hard to label. A combo of funky space jazz is the best that i can think of. Way ahead of its time(1974). A true gem emerges at the right time.
1 internautes sur 1 ont trouvé ce commentaire utile 
Julian Priester 27 janvier 2009
Par Robert Lyons - Publié sur Amazon.com
Format: CD Achat vérifié
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