From Publishers Weekly
Helfer and DuBurke tell the story of Malcolm X's short life—his meeting with Dr. Martin Luther King Jr., the two leaders describing the opposite ideological ends of the fight for civil rights; and his eventual assassination by other members of the Nation of Islam (NOI)—in narration and detailed b&white drawings, sharp as photographs in a newspaper. The portrait is frank and at times unflattering, pointing out the inconsistencies in Malcolm X's own autobiography. From his slow slide into the criminal—moving from hustler to dealer to the head of a ring of thieves for which he was finally sent to prison—to his jailhouse conversion to Islam, Helfer and DuBurke don't shy from any part of their subject's life. Unfortunately, as the story gets into the complicated dynamics within the NOI and Malcolm X's eventual break from the group, the narrative becomes tangled. The same drawings that make Malcolm X's youth so vivid can't portray the political in-fighting with the same clarity, giving instead a glance at the last few years of his life. Nevertheless, Helfer and DuBurke have created an evocative and studied look at not only Malcolm X but the racial conflict that defined and shaped him. (Nov.)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 10 Up–This brief novelization opens with a dramatic image of Malcolm posing with a rifle, highlighting the conflict that defined his short life. The story begins shortly before his death, and the sense of tension established by his looming assassination is maintained throughout the book. Those already familiar with Malcolm X's autobiography will find a compelling retelling of his life, and those new to the subject will be introduced to a whirlwind tour of mid-20th-century history through the eyes of an influential figure in the Civil Rights Movement. The defining moments of Malcolm's life are presented here in a condensed format–his upbringing in the Midwest, his rowdy teenage years as a hustler in Boston and Harlem, and his time in prison, leading ultimately to his public life as a member of the Nation of Islam and the Black Muslim movement in the 1960s. The black-and-white illustrations give shape to the figures depicted through the use of shadows and high-contrast silhouettes. Many of the drawings have the quality of photographs that have been repeatedly photocopied until fine details disappear, lending a documentary feel to the imagery.–Heidi Dolamore, San Mateo County Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
