From Publishers Weekly
The calendar art of Maxfield Parrish (1870-1966) and his covers for Collier's , Ladies' Home Journal and other magazines in the early decades of the century look increasingly campy now. Featuring 145 color plates and 30 photographs, this snazzy showcase of Parrish's art will please fans and collectors. Gilbert, founder and director of the Maxfield Parrish Museum in Plainfield, N.H., admires the ambitious scope of Parrish's murals Florentine Fete and The Pied Piper, the dazzling tonalities of his book illustrations, the magical flavor of his children's pictures, and the dignity and beauty of his paintings of the American Southwest. Also reproduced are prints, landscapes, ads and paintings of New England farms and houses. Gilbert devotes a chapter to Parrish's technique, reprints several of his witty letters and discusses his extramarital affair with live-in companion and model Susan Lewin.
Copyright 1992 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Copyright 1992 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Book Description
Now in its third edition, THE MASTERWORKS stands as the authoritative collection of Parrish’s best works. Compiled by long-time Parrish expert and curator Alma Gilbert, THE MASTERWORKS brings together the most popular, most important, and most fanciful of Parrish’s paintings. Here you’ll find the glorious Dinkey Bird, the extensive Florentine Fete murals, the amazing Interlude, and the sublime Daybreak, which sold for a record $4.25 million at a Sotheby’s auction in 1996. Also included are some of Parrish’s lesser-known works, through which we see the development of the artist’s style and technique. Through historical analysis, contemporary news clippings, and letters from the artist himself, we get to know the genius behind the artwork. Updated with all the current Parrish scholarship, this new edition of THE MASTERWORKS continues the grand tradition of celebrating Parrish’s work and bringing his oeuvre to the public.
