From Library Journal
These two works press beyond the boundaries of conventional scholarship to explore the alternative world view offered by Maya culture. Brennan, an artist and longtime student of prehistoric rock inspirations throughout North America and Mexico, examines the hand signs shown in Maya glyphs and art work in search of an interpretation of the Maya system of writing, which has long interested interested and puzzled scholars He contends that the Maya used a sophisticated gesture language similar to that of the Plains Indian groups of North America. Many useful illustrations and compelling examples support Brennan's theory. While the conclusions drawn are equal parts scholarship and hypothesis, this thorough and detailed study of the relationships among writing, art, symbolism, and meaning fascinates. The Maya Long Count calendar, a complex system for measuring time, was developed around 2000 years ago, possibly at the pre-Maya site of Izapa in southern Mexico. Jenkins, an independent researcher, presents a wealth of information about Maya astronomy, mythology, and caledrics in support of his analysis of the Long Count calendar end-date, scheduled to occur on December 21, 2012. Providing evidence that the end-date corresponds with a rare alignment of our solar system, Jenkins contends that the Maya were aware of this celestial event and believed that it portended a dramatic rebirth for humanity. Good illustrations, maps, and an extensive bibliography complement this detailed work. Ultimately, however, Jenkins' well-researched and interesting interpretation remains speculative. [For more on Maya culture, see Linda Schele and Jorge Perez de Lara's Hidden Faces of the Maya, reviewed on p. 87.?Ed.]?Elizabeth Salt, Otterbein Coll. Lib., Westeville, P.L.
-?Elizabeth Salt, Otterbein Coll. Lib., Westeville, P.L.
Copyright 1998 Reed Business Information, Inc.
-?Elizabeth Salt, Otterbein Coll. Lib., Westeville, P.L.
Copyright 1998 Reed Business Information, Inc.
Independent Publisher
Maya Cosmogenesis 2012 belongs to the growing corpus of end-of-millennium books. Jenkins explores why the Maya calendar ends on 13.0.0.0.0 (December 21, 2012), and notes that this enddate marks a rare alignment of our solar system with the Galactic Center. This date marks the end of the "long count" of the Maya calendar, which will then revert back to zero, as Mayan time is cyclical rather than linear. The author then switches to an Aztec myth, writing that this enddate will open the way for celestial demons to pour out of the sky to devour mankind. While he feels this myth can be interpreted either metaphorically or literally, in either case a new world age will begin. One manifestation of this new world age will be that "our basic assumptions and foundational values will be exposed, and we will have the opportunity to embrace values long since driven under the surface of our collective consciousness." Interesting as an end-of-millennium narrative, the text follows a formulaic pattern: the author, a North American male leaves the US to travel on a personal quest to "remote" and "dangerous" spots; listens "carefully to the wind whisper messages of a far off time"; understands the ways of exotic Others because he is "unfettered by the limitations of scholardom." Difficult to follow, backed by dubious scholarship, it is easy to dismiss Maya Cosmogenesis 2012. The author takes information from Hawaiian, Hopi, and contemporary Siberian ethnography to explain Mayan culture 2,000 years past. Too much jargon and a confusing outline make this work a frustrating read. However, the appendices are more coherent and accessible.
