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Girl Missing (Previously published as Peggy Sue Got Murdered): A Novel (Anglais) Broché – 25 février 2014

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Gerritsen / GIRL MISSING


An hour before her shift started, an  hour before she was even supposed to be there, they rolled the first corpse through the door.

Up until that moment, Kat Novak’s day had been going better than usual. Her car had started on the first turn of the key. Traffic had been sparse on Telegraph, and she’d hit all the green lights. She’d managed to slip into her office at five to seven, and for the next hour she could lounge guiltlessly at her desk with a jelly doughnut and today’s edition of the Albion Herald. She made a point of skipping the obituaries. Chances were she already knew all about them.

Then a gurney with a black body bag rolled past her doorway. Oh Lord, she thought. In about thirty seconds Clark was going to knock at her door, asking for favors. With a sense of dread, Kat listened to the gurney wheels grind down the hall. She heard the autopsy room doors whisk open and shut, heard the distant rumble of male voices. She counted ten seconds, fifteen. And there it was, just as she’d anticipated: the sound of Clark’s Reeboks squeaking across the linoleum floor.

He appeared in her doorway. “Morning, Kat,” he said.

She sighed. “Good morning, Clark.”

“Can you believe it? They just wheeled one in.”

“Yeah, the nerve of them.”

“It’s already seven ten,” he said. A note of pleading crept into his voice. “If you could just do me this favor . . .”

“But I’m not here.” She licked a dollop of raspberry jelly from her fingers. “Until eight o’clock, I’m nothing more than a figment of your imagination.”

“I don’t have time to process this one. Beth’s got the kids packed and ready to take off, and here I am, stuck with another Jane Doe. Have a heart.”

“This is the third time this month.”

“But I’ve got a family. They expect me to spend time with them. You’re a free agent.”

“Right. I’m a divorcee, not a temp.”

Clark shuffled into her office and leaned his ample behind against her desk. “Just this once. Beth and I, we’re having problems, you know, and I want this vacation to start off right. I’ll return the favor sometime. I promise.”

Sighing, Kat folded up the Herald. “Okay,” she said. “What’ve you got?”

Clark was already pulling off his white coat, visibly shifting to vacation mode. “Jane Doe. No obvious trauma. Another body-fluid special. Sykes and Ratchet are in there with her.”

“They bring her in?”

“Yeah. So you’ll have a decent police report to work with.”

Kat rose to her feet and brushed powdered sugar off her scrub pants. “You owe me,” she said as they headed into the hall.

“I know, I know.” He stopped at his office and grabbed his jacket—a fly fisherman’s version, complete with a zillion pockets with little feathers poking out.

“Leave a few trout for the rest of us.”

He grinned and gave her a salute. “Into the wilds of Maine I go,” he said, heading for the elevator. “See you next week.”

Feeling resigned, Kat pushed open the door to the autopsy room and went in.

The body, still sealed in its black bag, lay on the slab. Sergeant Lou Sykes and Detective Vince Ratchet, veterans of the local knife and gun club, were waiting for her. Sykes looked dapper as usual in a suit and tie—a black homicide detective who always insisted on mixing corpses with Versace. His partner, Ratchet, was, in contrast, a perpetual candidate for Slim- Fast. Ratchet was peering in fascination at a specimen jar on the shelf.

“What the hell is that?” he asked, pointing to the jar. Good old Vince; he was never afraid to sound stupid.

“That’s the right middle lobe of a lung,” Kat said.

“I would’ve guessed it was a brain.”

Sykes laughed. “That’s why she’s the doc and you’re just a dumb cop.” He straightened his tie and looked at her. “Isn’t Clark doing this one?”

Kat snapped on a pair of gloves. “Afraid I am.”

“Thought your shift started at eight.”

“Tell me about it.” She went to the slab and gazed down at the bag, feeling her usual reluctance to open the zipper, to reveal what lay beneath the black plastic. How many of these bags have I opened? she wondered. A hundred, two hundred? Each one contained its own private horror story. This was the hardest part, sliding down the zipper, unveiling the contents. Once a body was revealed, once she’d weathered the initial shock of its appearance, she could set to work with a scientist’s dispassion. But the first glimpse, the first reaction—that was always pure emotion, something over which she had no control.

“So, guys,” she said. “What’s the story here?”

Ratchet came forward and flipped open his notebook. It was like an extension of his arm, that notebook; she’d never seen him without it. “Caucasian female, no ID, age twenty to thirty. Body found four a.m. this morning, off South Lexington. No apparent trauma, no witnesses, no nothing.”

“South Lexington,” said Kat, and images of that neighborhood flashed through her mind. She knew the area too well—the streets, the back alleys, the playgrounds rimmed with barbed wire. And looming above it all, the seven buildings, as grim as twenty-story concrete headstones. “The Projects?” she asked.

“Where else?”

“Who found her?”

“City trash pickup,” said Sykes. “She was in an alley between two of the Project buildings, sort of wedged against a dumpster.”

“As if she was placed there? Or died there?”

Sykes glanced at Ratchet. “You were at the scene first. What do you say, Vince?”

“Looked to me like she died there. Just lay down, sort of curled up against the dumpster, and called it quits.”

It was time. Steeling herself for that first glimpse, Kat reached for the zipper and opened the bag. Sykes and Ratchet both took a step backward, an instinctive reaction she herself had to quell. The zipper parted and the plastic fell away to reveal the corpse.

It wasn’t bad; at least it appeared intact. Compared with some of the corpses she’d seen, this one was actually in excellent shape. The woman was a bleached blonde, about thirty, perhaps younger. Her face looked like marble, pale and cold. She was dressed in a long-sleeved purple pullover, some sort of polyester blend, a short black skirt with a patent-leather belt, black tights, and brand-new Nikes. Her only jewelry was a dime-store friendship ring and a Timex watch—still ticking. Rigor mortis had frozen her limbs into a vague semblance of a fetal position. Both fists were clenched tight, as though, in her last moment of life, they’d been caught in spasm.

Kat took a few photos, then picked up a cassette recorder and began to dictate. “Subject is a white female, blond, found in alley off South Lexington around oh four hundred . . .” Sykes and Ratchet, already knowing what would follow, took off their jackets and reached into a linen cart for some gowns—medium for Sykes, extra large for Ratchet. The gloves came next. They both knew the drill; they’d been cops for years, and partners for four months. It was an odd pairing, Kat thought, like Abbott and Costello. So far, though, it seemed to work.

She put down the cassette recorder. “Okay, guys,” she said. “On to the next step.”

The undressing. The three of them worked together to strip the corpse. Rigor mortis made it difficult; Kat had to cut away the skirt. The outer clothing was set aside. The tights and underwear were to be examined later for evidence of recent sexual contact. When at last the corpse lay naked, Kat once again reached for the camera and clicked off a few more photos for the evidence file.

It was time for the hands-on part of the job—the part you never saw on House. Occasionally, the answers fell right into place with a first look. Time of death, cause of death, mechanism and manner of death—these were the blanks that had to be filled in. A verdict of suicide or natural causes would make Sykes and Ratchet happy; a verdict of homicide would not.

This time, unfortunately, Kat could give them no quick answers.

She could make an educated guess about time of death. Livor mortis, the body’s mottling after death, was unfixed, suggesting that death was less than eight hours old, and the body temperature, using Moritz’s formula, suggested a time of death of around midnight. But the cause of death?

“Nothing definitive, guys,” she said. “Sorry.”

Sykes and Ratchet looked disappointed but not at all surprised.

“We’ll have to wait for body fluids,” she said.

“How long?”

“I’ll collect it, get it to the state lab today. But they’ve been running a few weeks behind.”

“Can’t you run a few tests here?” asked Sykes.

“I’ll screen it through gas and TL chromatography, but it won’t be specific. Definitive drug ID will have to go through the state lab.”

“All we want to know,” said Ratchet, “is whether it’s possible.”

“Homicide’s always possible.” She continued her external exam, starting with the head. No signs of trauma here; the skull felt intact, the scalp unbroken. The blond hair was tangled and dirty; obviously the woman had not washed it in days. Except for postmortem changes, she saw no marks on the torso, either. The left arm, however, drew her attention. It had a long ridge of scar tissue snaking down it toward the wrist.

“Needle tracks,” said Kat. “And a fresh puncture mark.”

“Another junkie,” Sykes said with a sigh. “There’s our cause of death. Probable OD.”

“We could run a fast analysis on her needle,” said Kat. “Where’s her kit?”

Ratchet shook his head. “Didn’t find one.”

“She must’ve had a needle. A syringe.”

“I looked,” said Ratchet. “I didn’t see any.”

“Did you find anything near the body?”

“Nothing,” said Ratchet. “No purse, no ID, nothing.”

“Who was first on the scene?”

“Patrolman. Then me.”

“So we’ve got a junkie with fresh needle marks. But no needle.”

Sykes said, “Maybe she shot up somewhere else. Wandered into the alley and died.”


Ratchet was peering at the woman’s hand. “What’s this?” he said.

“What’s what?”

“She’s got something in her hand.”

Kat looked. Sure enough, there was a tiny fleck of pink cardboard visible under the edge of her clenched fingers. It took two of them to pry the fist open. Out slid a matchbook, small and pink with raised gold lettering: l’etoile, fine nouvelle cuisine. 221 hilton avenue.

“Kind of out of her neighborhood,” Sykes remarked.

“Hey, I hear that’s a nice place,” said Ratchet. “Not that I could ever afford to eat there myself.”

Kat opened the matchbook. Inside were three unused matches. And a phone number, scrawled in fountain pen ink on the inside cover.

“Think it’s a local number?” she asked.

“Prefix would put it in Surry Heights,” said Sykes. “That’s still out of her neighborhood.”

“Well,” said Kat. “Let’s try it out and see what happens.” As Sykes and Ratchet stood by, she went to the wall phone and dialed the number. It rang, three times, four. An answering machine came on, the message spoken by a deep male voice:

“I’m not available at the moment. Please leave your name and number.”

That was all. No cute music, no witty remarks, just that terse request, and then the beep.

Kat said, “This is Dr. Novak at the Albion medical examiner’s office. Please call me back, in regard to a . . .” She paused, unwilling to reveal that she had a corpse whom he might know. Instead she said, “Please call me. It’s important,” and left her number. She hung up and looked at the two cops. “We’ll just have to wait and see who calls back. In the meantime, do you both want to stick around for the autopsy?”

It was probably the last thing the men wanted to do, but they remained stoically by the table, wincing as she stabbed various needles into the corpse, collecting blood from the femoral vein, vitreous fluid from the eye, and urine from a puncture through the lower abdominal wall. After you’ve watched a needle pierce an eyeball, a blade does not hold nearly as many horrors. Kat picked up the Henckels knife and this time neither man flinched, even as her blade sliced into the torso. Even as she snapped apart ribs and lifted off the sternum, releasing the odor of blood and offal.

Inside the chest, organs glistened.

Kat put down her knife and picked up a far more delicate scalpel. Reaching into the cavity, her gloved hands registered the neutral temperature of those organs. Neither warm like the living, nor chilled like a refrigerated corpse. As Goldilocks would have said, Not too hot, not too cold, but just right—this description suitable for a corpse that had been lying exposed on a spring night. She sliced through the great vessels, freeing the heart and lungs, which she lifted out of the chest cavity.

“These lungs feel pretty heavy,” she noted. She set them on the scale and watched as the dial confirmed her judgment.

“What would cause them to be heavy?” asked Ratchet.

She noticed the fleck of froth that had leaked from the bronchi. “There’s foamy edema. The lungs are filled with fluid.”

“Meaning what? She drowned in an alley?”

“In a sense, she did drown. But the fluid came from her own lungs. Foamy edema can be caused by any number of things.”

“Like a drug OD?” asked Sykes.

“Absolutely. This could certainly happen after an overdose of narcotics.”

She sliced open the heart, examined the chambers. Except for the soggy lungs, the organs appeared grossly normal. The coronary vessels were healthy, the liver and pancreas and intestines undiseased. Cutting open the stomach, she found no food remnants, only 20cc of bilious fluid.

“Died with an empty stomach,” said Kat.

“Look at how skinny she is,” said Sykes. “When you’re shooting crap into your veins, I’d guess eating takes second priority.”

Kat moved on to the vagina and rectum. It was one aspect of the postmortem that made her uncomfortable, but only because two men were in the room. As she inspected the external genitalia, as she inserted swabs to collect body fluids, they were watching intently, and it was more than just Jane Doe’s privacy that felt violated. “I don’t see any evidence of sexual assault,” she said.

She turned her attention to the head. Of all the parts of a corpse, the face is the most personal, and the most disturbing to contemplate. Until that moment, Kat had avoided looking at it too closely, but now she was forced to. In life, the young woman might have been pretty. Shampoo her hair, animate those facial muscles into a smile, and she probably would have caught the eye of more than a few men. But death had made her jaw droop, her mouth gape open, revealing coffee-stained teeth and a tongue dried out from exposure. It was a blank face, revealing no secrets.

Neither did her cranium provide any answers. Kat sawed open the skull, and the brain within showed no signs of hemorrhage or stroke or trauma. It was a healthy-looking brain, a young brain, and it should have given its owner many more years of service. Instead that brain, with its lifetime of memories, was dropped into a bucket of formalin. And the body—what was left of it—would go into a refrigerated drawer, dubbed with the name shared by far too many other unidentified women who had come before her.

Jane Doe.

Kat was sitting at her desk later that morning when her phone rang. She picked it up and answered: “Dr. Novak, assistant ME.”

“You left a message,” said a man. She recognized at once the voice from the answering machine. Its deep timbre was now edged with anxiety. “What’s this all about?” he demanded.

Kat at once reached for pen and paper. “Who am I speaking to?” she asked.

“You should know. You called me.”

“I just had your telephone number, not a name—”

“And how did you get my number?”

“It was written on a matchbook. The police brought a woman into the morgue this morning, and she—”

He cut in: “I’ll be right there.”

“Mister, I didn’t catch your—”

She heard the click of the receiver, then a dial tone. Jackass, she thought. What if he didn’t show up? What if he didn’t call back?

She dialed Homicide and left a message for Sykes and Ratchet: “Get yourselves back to the morgue.” Then she waited.

At noon she got a buzz on the intercom from the front desk. “There’s a Mr. Quantrell here,” said the secretary. “He says you’re expecting him. Want me to send him down?”

“I’ll meet him up there,” said Kat. “I’m on my way.”

She knew better than to just drag a civilian in off the street and take him straight down to the morgue. He would need a chance to prepare for the shock. She pulled a white lab coat over her scrub suit. The lapel had coffee stains, but it would have to do.

By the time she’d ridden up the basement elevator to the ground floor, she’d rearranged her hair into a semblance of presentability and straightened her name tag. She stepped out into the hallway. Through the glass door at the end of the corridor she could see the reception area with its couch and upholstered chairs, all in generic gray. She could also see a man pacing back and forth in front of the couch, oblivious to her approach. He was nicely dressed, and didn’t seem like the sort of man who’d be acquainted with a Jane Doe from South Lexington. His camel-hair jacket was perfectly tailored to his wide shoulders. He had a tan raincoat slung over his arm, and he was tugging at his tie as though it were strangling him.

Kat pushed the glass door open and walked in. “Mr. Quantrell?”

At once the man turned and faced her. He had wheat-colored hair, perfectly groomed, and eyes a shade she’d never seen before. Not quite blue, not quite gray, they seemed as change- able as a spring sky. He was old enough—his early forties perhaps—to have amassed a few character lines around those eyes, a few gray hairs around his temples. His jaw was set with tension.

“I’m Dr. Novak,” she said, holding out her hand. He shook it automatically, quickly, as though to get the formalities done and over with.

“Adam Quantrell,” he said. “You left that message on my answering machine.”

“Why don’t we go down to my office? You can wait there until the police—”

“You said something about a woman,” he cut in rudely. “That the police brought in a woman.” No, it wasn’t rudeness, Kat decided. He was afraid.

“It might be better to wait for Sergeant Sykes,” she said. “He can explain the situation.”

“Why don’t you explain it to me?”

“I’m just the medical examiner, Mr. Quantrell. I can’t give out information.”

The look he shot her was withering. All at once she wished she stood a little straighter, a little taller. That she didn’t feel so threatened by that gaze of his. “This Sergeant Sykes,” he said. “He’s from Homicide.”


“So there’s a question of murder.”

“I don’t want to speculate.”

“Who is she?”

“We don’t have an ID yet.”

“Then you don’t know.”


He paused. “Let me see the body.” It wasn’t a request but a command, and a desperate one at that.

Kat glanced at the door and wondered when the hell Sykes would arrive. She looked back at the man and realized that he was barely holding it together. He’s terrified. Terrified that the body lying in my refrigerated drawer is someone he knows and loves.

“That’s why you called me, isn’t it?” he said. “To find out if I can identify her?”

She nodded. “The morgue is downstairs, Mr. Quantrell. Come with me.”

He strode beside her in silence, his tanned face looking pale under the fluorescent lights. He was silent as well on the elevator ride down to the basement. She glanced up once and saw that he was staring straight ahead, as though afraid to look anywhere else, as though afraid he’d lose what control he still had.

When they stepped off the elevator, he paused, glancing around at the scuffed walls, the tired linoleum floor. Overhead was another bank of flickering fluorescent lights. The building was old, and down here in the basement you could see the decay in the chipped paint, the cracked walls; could smell it in the very air. When the whole city was in the process of decay, when every agency from social services to trash pickup was clamoring for a dwindling share of tax dollars, the ME’s office was always the last to be funded. Dead citizens, after all, do not vote.

But if Adam Quantrell took note of his surroundings, he did not comment.

“It’s down this hall,” said Kat.

Wordlessly he followed her to the cold storage room.

She paused at the door. “The body’s in here,” she said. “Are you . . . feeling up to it?”

He nodded.

She led him inside. The room was brightly lit, almost painfully so. Refrigerated drawers lined the far wall, some of them labeled with names and numbers. This time of year, the occupancy rate was running on the high side. The spring thaw, the warmer weather, brought the guns and knives out onto the street again, and these were the latest crop of victims. There were three Jane Does. Kat reached for the drawer labeled 373-4-3-A. Pausing, she glanced at Adam. “It’s not going to be pleasant.”

He swallowed. “Go ahead.”

She pulled open the drawer. It slid out noiselessly, releasing a waft of cold vapor. The body was almost formless under the shroud. Kat looked up at Adam, to see how he was holding up. It was the men who usually fainted, and the bigger they were, the harder they were to pull up off the linoleum. So far, this guy was doing okay. Grim and silent, but okay. Slowly she lifted off the shroud. Jane Doe’s alabaster-white face lay exposed.

Again, Kat looked at Adam.

He had paled slightly, but he hadn’t moved. Neither did his gaze waver from the corpse. For a solid ten seconds he stared at Jane Doe, as though trying to reconstruct her frozen features into something alive, something familiar.

At last he let out a deep breath. Only then did Kat realize the man had been holding it. He looked across at her. In an utterly calm voice, he said, “I’ve never seen this woman before in my life.”

Then he turned and walked out of the room.

Revue de presse

Praise for Tess Gerritsen
“[The author] has a knack for creating great characters and mysterious plots that seem straightforward but also dazzle with complexity and twists.”—Associated Press
“[Gerritsen] has an imagination that allows her to conjure up depths of human behavior so dark and frightening that she makes Edgar Allan Poe and H. P. Lovecraft seem like goody-two-shoes.”Chicago Tribune
“One of the most versatile voices in thriller fiction today.”—The Providence Journal

Détails sur le produit

  • Broché: 368 pages
  • Editeur : Ballantine Books; Édition : Reissue (25 février 2014)
  • Langue : Anglais
  • ISBN-10: 0345549627
  • ISBN-13: 978-0345549624
  • Dimensions du produit: 10,7 x 2,1 x 19 cm
  • Moyenne des commentaires client : 4.0 étoiles sur 5  Voir tous les commentaires (1 commentaire client)
  • Classement des meilleures ventes d'Amazon: 167.891 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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L'américaine Tess Gerritsen sait s'inspirer de son expérience de docteur en médecine pour faire frissonner ses lecteurs. Lien fatal, Au bout de la nuit et En compagnie du diable sont autant de thrillers à l'efficacité redoutable.

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Par dita59 sur 22 août 2014
Format: Broché Achat vérifié
Ce n'est pas aussi bien que la série "Rizzoli and Isles" mais c'est divertissant et léger, une très bonne lecture de vacances!
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Commentaires client les plus utiles sur (beta) 289 commentaires
57 internautes sur 58 ont trouvé ce commentaire utile 
Early Gerritsen novel rereleased, not worth picking up 13 février 2010
Par Bill Garrison - Publié sur
Format: CD Commentaire client Vine pour produit gratuit ( De quoi s'agit-il? )
Tess Gerrittsen's GIRL MISSING is an audiobook only release that is a reprint of a mid 1990s book she wrote. As the author says in the introduction, this is one of her first forays into suspense after spending a lot of years writing romance. I've read several recent Gerritsen novels, and was excited to get this book through the Amazon Vine program. Truthfully, this is a plain vanilla novel that lacks the suspense and twists and turns that highlight the author's later works.

Long time heroine Kat Novak is the medical examiner and recently divorced. A sudden slew of deaths are coming in, and Kat can't explain why they died. But, she finds a phone number in one of the dead girl's pocket. The number is Adam Quantrell's, the rich CEO of a pharmaceutical company. She suspects him at first, but soon finds that Adam is concerned his daughter Maeve is involved in drugs.

The biggest problem for me in this book is that the plot never advances past the first level. There is never a discovery that leads to a new mystery. Kat and Adam spend the entire novel trying to figure out what drug is killing the kids and where it came from.

While interesting, this novel isn't nearly as good as Gerritsen's latest thrillers. I recommend you take a pass on this one.
12 internautes sur 12 ont trouvé ce commentaire utile 
Mildly interesting mystery but too much romance... 26 janvier 2010
Par Denise Crawford - Publié sur
Format: CD Commentaire client Vine pour produit gratuit ( De quoi s'agit-il? )
It's difficult to get the gist of what this book is about from reading the fairly inaccurate product description. This was a mystery about the deaths of some young people from a new narcotic-type drug that hadn't been released to market yet. Kat Novak, the medical examiner, gets suspicious that there's more to these deaths than accidental drug overdoses.

I have read all of Tess Gerritsen's previous suspense books and even some of her early romances. It is easy to see the progression and development of her skills as author by reading them in order of publication dates. It was fairly evident that this was an earlier work, but without having seen the original printed book, Peggy Sue Got Murdered, I can't say for certain what changes and updates were made for this particular version of the novel.

This is a review of an audiobook, which I find quite a different medium than print, and tend to like and enjoy less. I found the narrator of this version to be acceptable, but some of her voices, accents and affectations did bother me somewhat -- especially the male voices. Adam sounded completely stilted most of the time and the cops were portrayed as whiny and inept (so cliche). Some of her pronunciations of medical and chemical terms were off -- perhaps some coaching should have been done prior to the recording session. I feel that it would enhance the audiobook if different voices were used for the various characters - make it much more realistic and dramatic.

As far as a story -- well this was OK. I didn't think the denouement was very exciting and the motivation for the murders was slim. The last action packed chapter again is typical of the genre -- men and women go beyond normal human capabilities to survive against incredible odds. I could have done completely without the romance part -- Tess reduced Kat Novak to a simpering fool in the face of her love for Adam and once again we have another rich knight in white armour rescue of a damsel in distress (emotional or physical -- it's all the same). I prefer my suspense thrillers to have less focus on the love interest and more on the science and the procedure. Typical forensic pathologists do not go investigate cases in the field, but we wouldn't have many thrillers to read if the authors didn't write them doing exactly that or if they left them in their labs!!

So, all in all, the book was fairly enjoyable but unremarkable. I like Tess Gerritsen's recent suspense and thriller novels so much better and still plan to buy them. But this one can be skipped or borrowed!
8 internautes sur 8 ont trouvé ce commentaire utile 
Early Tess 29 mars 2011
Par Linda Pagliuco - Publié sur
Format: Broché
Drug addicts from the projects are dying of overdoses of an unidentifiable substance. Those who run the city are not especially concerned, but medical examiner Kat Novak, who grew up in that neighborhood, is determined to find out what's going on. Adam Quantrell is the handsome, wealthy CEO of a local pharmaceutical giant, whose wild-child step daughter has been missing for some time. When Kat contacts him about the lethal drug, and tells Adam about her roots, he asks her to assist him in locating the girl.

Tess Gerritsen, known for her taut crime novels, started out writing romantic thrillers. Girl Missing is one of her earliest efforts (1994), and boy, does it show. To extend the benefit of the doubt, perhaps it's merely time that makes this book seem mundane, contrived, and predictable, and loaded with cliches. Parts of this plot are downright silly. Kat and Adam land in some extremely perilous situations, but that never stops them from jumping right back in danger, not even when Kat's home is blown up as she watches from the sidewalk (she had forgotten something in the car and went out not a moment too soon.)

Readers who enjoy romance novels with an aura of menace may find this novel satisfying, but if you're hoping for something in the way of a true thriller/police procedural, give it a miss.
4 internautes sur 4 ont trouvé ce commentaire utile 
Girl Missing 14 janvier 2010
Par Gail Rodgers - Publié sur
Format: CD Commentaire client Vine pour produit gratuit ( De quoi s'agit-il? )
This was my first experience with an audio book and after the shock of realizing that it would take over 8 hours to listen to the unabridged version of the story (I can usually read one of Gerritsen's books in 4-5 hours) I then set down to figure out what to do while listening to the CDs as my usual free time is spent reading. I didn't think I could read a book and listen to a different book at the same time. After solving the logistical problems for me, I settled down to listen to the story.

The narrator of the story did a good job with changing her voice to go with each of the characters and by the time the book was finished, I didn't usually need to be reminded verbally as to who was talking. Other than the narrator, there is no sounds on the CDs so this is not like an experience of listening to a TV show with all the background noises.

This was Tess Gerritsen's bridge work between writing romantic fiction and suspense books. I'm glad that she made the break from romantic fiction as I doubt she would have ever become as well known as a writer and the world is much better off for having her suspense novels than romantic drivel. As I am only familiar with her suspense works, I am happy to say she did a good job with this story. The story appeared well thought out and was an enjoyable tale. As usual she brings her background as an MD into the story which is the story of a medical examiner who sees a developing trend with the cause of death some drug addicts and is concerned that there is a bad batch of a new drug out on the streets. She proceeds to have her car destroyed and her house bombed as she follows the leads and finds that no one is talking about or even caring that these people are dying as they are just `street people' and it is an election year.

I find it difficult to judge how well constructed the book's text was without actually having read it and hopefully those that are more used to audio books can envision that. I can say though, that it seemed to me to be up to Gerritsen's usual standards and although her regular series characters are not in the book, for those who love her books, they should enjoy this one that regrettably is not being published in text form here in the USA.
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Sooooo bad 8 octobre 2012
Par Libs19AG - Publié sur
Format: Broché
Can I give 0 stars? This was absolutely brutal...I could not believe Tess Gerritsen wrote it..I really like her Isles and Rizzoli material. Don't waste your money. It is AWFUL!!!!!!!!! Poor writing, poor story...poor attempt to create a love affair type secenario that just makes you cringe...i only read to the end because i paid 8 euro for it...I'd like a refund!
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