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Mother of All Journeys (Anglais) Relié – 4 février 2007

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Descriptions du produit

Revue de presse

'The Mother of All Journeys' charmingly examines the memories of the photographer's mother and her journey from rural China to Manchester, with an intervening 20 or so years in Hong Kong. The book combines her old family snapshots with contemporary images taken by Li in all three locations. It delicately displays the poignancy of the family photograph, illustrating the gap between memory and present-day reality. We also learn much about the issues and difficulties surrounding immigration. With respect and sensitivity, photography can become a valuable form of therapy. --Martin Parr, Best photography books of 2007 - The Sunday Times

Présentation de l'éditeur

Inspired by the memories of his mother, originally told to Dinu Li as childhood bed-time stories, The Mother of All Journeys traces, through photographs and personal quotes, the story of a woman born in rural China and her escape to a new life via Hong Kong and eventually the industrial north of England. Li collaborated with his mother, using each other's recollections as starting points and comparing the actual with the images lodged in their minds. Li's photographs tease out fragmented moments in time, charting rural traditions from 1920s China and the communist ideologies of the late 1940s. Spanning two decades from the mid 50s, Li turns his attention to a Hong Kong changing from fishing village to urban metropolis. Under British administration, it was a time of sweatshops and western influence. Finally Li focuses on Britain, from the resettlement of his family there in the 70s, at a time of strikes and de-industrialisation, through to the millennium, and an era of multiculturalism and globalisation. Aided by family snapshots and Li's mother's narration, The Mother of All Journeystriggers a sense of repetition and nostalgia, invoking glimpses of the times we live in. Born in Hong Kong in 1965, Dinu Li now lives in Manchester, England. His work has been widely exhibited both in the UK as well as abroad in shows in Beijing, Shanghai, Berlin and Toronto.

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Amazon.com: 2 commentaires
A book I look through over and over again... 15 janvier 2011
Par J. Lee - Publié sur Amazon.com
Format: Relié Achat vérifié
I just came across the above review, rightly giving this book a favorable review, yet giving it only 3 stars. I do not have that much to add to the above lensculture.com review, but I DO want to say that out of my extensive collection of carefully chosen photography books, this is the one I turn to over and over again. Part of it has to do with my own obsession with my family's old snapshots, and because--like Dinu Li--my family also emigrated from Asia. I look at Mr. Li's book and it taps a well of personal emotions, even though they are not my family's snapshots that I am seeing. I have shown this book to fellow photographers and photography fans, and they, too, seem to contemplate their own family histories while looking through these hints of someone else's past and present. I hope that my 5 stars helps to bring about the well-deserved attention that this book deserves.

0 internautes sur 2 ont trouvé ce commentaire utile 
Re-constructing memories and family history through photography 4 mars 2008
Par James Casper - Publié sur Amazon.com
Format: Relié
My fingers lingered over the fabric cover as I pulled the book out of a pile. On the cover, the eyes of a family in an old black-and-white family photo peered out, superimposed on top of a modern color image of the same photo studio. Flipping through the pages I realized that this is much more than a book of random family scrapbook images. This is a deliberate re-construction of one immigrant's personal history -- and a meditation on the interplay of photography, time, distance, and memory.

The text begins: "One winter's day in 2001, I was helping my mother clean her house. I busied myself with the dusting and vacuuming, working my way through the house. By the time I got to her bedroom, I found my mother going through her belongings: family snapshots, letters, an assortment of pocket-sized calendars, old diaries, scraps of paper with dates and notes written on them. It occurred to me that although she and my father lived in a reasonably sized house, she had very few material things. Apart from half a wardrobe of clothes and shoes, it seemed that most of her treasures could fit in a biscuit tin. With so few belongings, I wondered if perhaps the things most important to her were stored inside her head?"

And so began the artist's journey: Dinu Li and his mother, side by side, piecing together recollections and places of the past with their present day realities. Like paging through their family album, we are drawn into his mother's life story as they retrace her steps from China to Hong Kong to England.

The story opens like a film. A flight over the snowy mountaintops of China. Fade into a woman gazing out a window. Gauzy curtains fall over his mother like a thin veil of dust in the rooms of her past. With time, would we even recognize the places of our past? Would we choose to keep the memory, distorted over time, of these places, or would we risk going back to question everything we think we know? Where is the truth? In the photo or in the memory? Has the photograph become our memory and the stories of our lives become built around the pages of our family photo albums?

A mix of present and past, Dinu Li combines family photos, his mother's recollections, and images of the places they revisit as they actually are now. Weathered old family photos, reproduced in their original sizes, juxtaposed against the super-saturated colors of the rooms of her past, decayed with time, keep the reader in a limbo somewhere between then and now. The recent photos tell a story of China's changing landscape over time. Just as our memory shifts so does the land around us. We have the images and the anecdotal details to imagine what her life must have been like. And we also see the life that continued in those places after she had left.

Li succeeds in recapturing the intimate story of his mother's life as she migrated from China to England, which is at the same time part of his own story. He is a first-generation Chinese-English man rediscovering, perhaps even creating, his past, through the snapshots and oral history of his mother. He tells a universal story of a daughter, a wife, and a mother, as seen through the eyes of her son. A rare story of Chinese heritage that will leave you with more questions than answers -- and perhaps encourage you to blow the dust off the pages of your own family album.

-- Colleen Leonard, contributer, LensCulture.com
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