Book Description
At the beginning of the twenty-first century, formula-driven Hollywood blockbusters and bottom-line accounting seem to dominate the film world. In times like these can "the love of cinema" still flourish? This book shows that contemporary cinema--from Tawian and Iran to Brazil and the Baltic states--is, in fact, stunningly varied and rich. As Jonathan Rosenbaum and Adrian Martin show in this wide-ranging look at World Cinema, directors like Abbas Kiarostami, Hou Hsiao-hsien, and Tsai Ming-liang are now making extraordinary films equal to the great classics, previously unrecognized works from the past are being discovered, and new boundaries for the genre are being explored. Those who follow and share such work, as contributors from around the world demonstrate in these pages, are forming new communities that enable significant exchange between cultures at a time when other forces seem bent on keeping them isolated. Movie Mutations pronounces the art form alive, well, and continuing to developing in new and exciting directions.
About the author
Jonathan Rosenbaum is film critic for the Chicago Reader and author of Movie Wars (2002) and Dead Man (BFI Modern Classics, 2000), among many other books. Adrian Martin is film critic for The Age (Melbourne) and author of a study of Terrence Malick forthcoming from BFI Publishing.
