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Mozart: Coronation Mass ; Exsultate, jubilate; Vesperae Solennes
 
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Mozart: Coronation Mass ; Exsultate, jubilate; Vesperae Solennes

29 août 1996 | Format : MP3

EUR 9,99 (TVA incluse le cas échéant)
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Détails sur le produit

  • Date de sortie d'origine : 1 janvier 1994
  • Date de sortie: 29 août 1996
  • Label: Universal Music Division Decca Records France
  • Copyright: (C) 1994 Deutsche Grammophon GmbH, Hamburg
  • Métadonnées requises par les maisons de disque: les métadonnées des fichiers musicaux contiennent un identifiant unique d’achat. En savoir plus.
  • Durée totale: 1:07:45
  • Genres:
  • ASIN: B0025CZVR8
  • Moyenne des commentaires client : 5.0 étoiles sur 5 2 commentaires client
  • Classement des meilleures ventes d'Amazon: 26.348 en Albums (Voir les 100 premiers en Albums)

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Format: CD Achat vérifié
Si une messe du couronnement doit être emplie de gaieté et de solennité, celle-ci l'est vraiment.
Car ici tout est musique, bohneur et foi.
Barbara Bonney est divine ( boulversant Agnus Dei ) et fort bien encadrée par des voix toutes au diapason.
T.Pinnock est au mieux de son art sans aucun maniérisme et avec verve.
L'exultate vaut celui que j'aime tant de Teresa Stich-Randall (plus classique) et les Vêpres sont majestueuses.
Quelle émotion!!!
Remarque sur ce commentaire 5 personnes ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Par Henrard COMMENTATEUR DU HALL D'HONNEURTOP 50 COMMENTATEURS le 25 mai 2015
Format: CD
Ce disque est intéressant à plus d'un titre. Bien sur parce qu'il contient la très belle Messe du couronnement, oeuvre "phare" de la musique religieuse de Mozart avec son "Requiem" et sa "Grande messe";

Mais également parce qu'il est complété par deux autres oeuvres moins connues mais qui possèdent un indéniable charme : le charmant motet "exultate jubilate" et les "vêpres d'un confesseur".

Voila donc un panorama particulièrement riche de la musique sacrée de Mozart.

L'interprétation de ces oeuvres par Pinnock ne souffre pas vraiment de reproches, même si individuellement on peut lui préférer d'autres gravures : ainsi pour la "messe du couronnement j'aurais une préférence pour la version Hogwood Messe Du Couronnement, peut être plus aérienne, ainsi que sa version du "exultate" Exultate Jubilate

Pourtant, pas son homogénéité, la tenue impeccable de l'ensemble, voila une très belle acquisition pour les amoureux de Mozart dans une interprétation dite baroque.
Remarque sur ce commentaire Une personne a trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9a360c6c) étoiles sur 5 17 commentaires
48 internautes sur 50 ont trouvé ce commentaire utile 
HASH(0x9a4e0a44) étoiles sur 5 A great disc 17 décembre 1999
Par J. Buxton - Publié sur Amazon.com
Format: CD
Barbara Bonney is the star of this disc. Her "Exsultate Jubilate" is the most beautiful, unprententious version I've heard. What I've always admired about her is her pure tone, and this recording is no exception. Even though she sings gloriously, she doesn't show off at the expense of Mozart's music. The English Concert's playing is intelligent and stylish as we've come to expect from them. Also, if you're unfamiliar with the Solemn Vespers of the Confessor, this piece is a real treat for choral music lovers. It is done very well here too.
16 internautes sur 17 ont trouvé ce commentaire utile 
HASH(0x9a4af870) étoiles sur 5 a voice teacher and early music fan 3 mars 2007
Par George Peabody - Publié sur Amazon.com
Format: CD
SO SAD THAT YOU LEFT THIS WORLD SO YOUNG; WHAT SONGS YOU MUST HAVE LEFT UNSUNG.
Franz Joseph Haydn said of W.A. Mozart(1756-1791) to Leopold Mozart (his father):"I tell you before God and as an honest man, your son is the greatest composer I know in person or by name, he has taste, and in addition to that, the greatest knowledge of composition."

Between 1770 and 1773, Mozart made several visits to Italy which influenced him greatly in his writing of Church Music, for he encountered the music of Palestrina and Allegri et al , a tradition which extended back to those composers, but also included concerted church music in the modern or 'rococo' style. This style with its instrumental 'sinfonias' and florid vocal writing alternating with sober, seemingly archaic movements in the strict style was a mixture of austere and decorative settings and is very much alive in Mozart's Salzburg church music, notably the Vesper Psalms.

Mozart completed the Mass in C major,K317, in January, 1779. Many long-standing but probably erroneous explanations of the nickname 'Coronation Mass' have been put forth, but in fact, there is no real evidence for any of these ideas, so we don't know why, but it doesn't matter at all to us who love his music.

In his last two years at Salzburg Mozart wrote his 2 Vesper Cycles, one of which is 'Vesperae solennes de confessore' K339, in 1780; the liturgical texts are Psalms 109 to 112, Psalm 116 and the Magnificat canticle, each of these 6 parts ending with the doxology.

The Italian operatic tradition held mostly at bay in the Salzburg Masses and vespers had earliler poured forth at its most undiluted in the solo motet 'Exsultate, jubilate', K165. It was composed in 1773, and must surely rank as the most popular of Mozart's vocal work.

What an incredible genius this man was, and will forever be in the eyes of history; I always wonder what else would have come forth from this 'marvel'!?

For the most part, I do like the singing on this disc; especially the Choir, but Trevor Pinnock is a reliable name in the field of music, so one can trust what he puts together. His tempos suit me as does the overall interpretation of Mozart. The soloists are good; my preference is for the Soprano (Barbara Bonney); her rendition of 'Laudate Dominum' is superb. in fact , memorable. It's all enjoyable and well-done!
12 internautes sur 12 ont trouvé ce commentaire utile 
HASH(0x9a4abf6c) étoiles sur 5 A Mozart Mass with a Difference. Buy It. 19 août 2006
Par B. Marold - Publié sur Amazon.com
Format: CD
The 'Coronation Mass' or 'Mass in C major K. 317' by Wolfgang Amadeus Mozart is just a bit different from the half dozen of Mozart's other masses I've been listening to lately. It is certainly at the other end of the spectrum from the great and famous 'Requiem' or 'unfinished' Mass, so famous from the end of the movie 'Amadeus'. This stands to reason, as the Coronation Mass is a celebration, while the Requiem is a funeral.

The CD is rounded out with two pieces of liturgical music Mozart did for the Archbishop of Salzburg, who happened to like his Masses and other church music to be short. That's why Mozart's masses finish up within 45 minutes while Bach's grand masses run for close to two hours or more.

If you aren't necessarily set on owning a performance of every single Mozart mass, this is a good bookend to your copy (probably more than one) of the 'Requiem'.

While the period instruments used in this performance are nice, I feel no big difference between it and Mozart done with a 20th century ensemble.
4 internautes sur 4 ont trouvé ce commentaire utile 
HASH(0x9a4af240) étoiles sur 5 Glorious Mozart 2 novembre 2015
Par Huntley Haverstock - Publié sur Amazon.com
Format: CD
Trevor Pinnock's English Concert (as of 2015 directed by Harry Bicket) is one of the world's premier baroque chamber orchestras. Pinnock's cycle of Mozart symphonies, while still somewhat dry and cool (a common issue with period performances of these works), it was still a significant leap forward from Hogwood's somewhat sour, perfunctory sounding set with the AAM, and this record, which features three choral masterpieces by the Salzburg Wunderkind, is another feather in Pinnock's cap as a first rate period instrument interpreter of Mozart.

What makes this recording stand out is the remarkable level of detail and intensity that Pinnock is able to draw from his players, choir, and soloists. Unlike his traversal of the Mozart symphonies, Pinnock is able to evince much of the power and the glory of this music without any loss of detail or refinement. While period instrument Mozart still has its drawbacks (sour, weak sounding strings, too-prominent timpani and brass among them), the period approach seems to work much better in Mozart's liturgical and sacred works. Here, Pinnock succeeds in bringing out Mozart's joyous, bouyant, and bold sound. But unlike other original instrument maestros, Pinnock doesn't sound too rough around the edges. He tunes his band to 440 (much higher - and sweeter - than the typical period band tunings) and allows his players occasional use of vibrato as ornamentation or to round off the edge of a note. These decidedly non-dogmatic decisions are crucial to achieving Pinnock's signature sound: transparent, bold, powerful, yet also beautiful.

As for the soloists, Barbara Bonney is, as one might expect, outstanding in this music. She is truly a treasure and was born to sing Mozart. Her light, pure Galant style is exactly what Mozart intended, and her account of the "Exsultate Jubilate" is one of the finest I've heard, pure and angelic in tone. Catherine Wyn Rogers, Jamie McDougall and Stephen Gadd each give wonderful, articulate performances as well. The parts are sung clearly, with a pure 'bel canto' technique that does not weigh down the proceedings. These are the voices of angels - light, free, and joyous.

The English Concert Choir also deserves special mention here for their layered, kaleidoscopic performance. Their dynamic range is an awe inspiring thing to behold. Well balanced with the English Concert instruments, the Choir simply soars in K.339, imparting multi-dimensionality on this, one of Mozart's more underrated choral masterworks.

It is important to note that each of these works - K.317, K.165, and K.339 - is spiritual music through and through. And the evidence is very clear that Mozart was himself a believer. He wanted this music to inspire us, to lift us closer to God. Alas, some historically informed (and indeed Modern instrument) performances of religious music tend toward the cold and clinical; happily, Pinnock and the English Concert imbue this music with the warmth and, yes, spirituality that is so often lacking in period performances. That said, you don't need to be a believer to be lifted off the ground by great performances such as these. Mozart's music, in the right hands, is transcendent.

Captured in stunning 4D audio, these performances should be part of the foundation of any Mozart library.
10 internautes sur 12 ont trouvé ce commentaire utile 
HASH(0x9a33d3f0) étoiles sur 5 Beautiful Mozart Choral Compositions 27 octobre 2005
Par Ruth Harvey - Publié sur Amazon.com
Format: CD
This is a beautiful recording. Very clear, an excellent choir and wonderful Mozart compositions. I would recommend this CD to any lover of classical choral music.
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