From Publishers Weekly
Skilled historians have a way of making the past seem more vivid than the present, and Wills (whose Lincoln at Gettysburg won a Pulitzer) is no exception. His new book is part of National Geographic's series devoted to travel writing (other titles include Oliver Sacks on Oaxaca and A.M. Homes on L.A.), though it doesn't quite feel like it belongs. Wills is far nimbler at describing the hurdles Thomas Jefferson faced while constructing the "academical village" of his dreams, the University of Virginia, than he is at imparting any real sense of what a visit to the finished product is like. Jefferson employed a fair amount of diplomatic and legislative trickery along the project's course-fending off competition from the burgeoning College of William and Mary (his alma mater), deflecting criticism over not having a chapel or professor of divinity, and enlisting the advice of such esteemed fellow architects as Benjamin Latrobe. Describing these various tasks is by far Wills's strongest gift, and he's wise to devote as much of the book to them as he does. (An early chapter describing the central buildings one by one, while well reasoned, feels a bit obligatory.) Visitors to the Charlottesville campus may not glean much in the way of practical information from Wills's tour of the university, but they'll have a much deeper appreciation for how it got there.
Copyright 2002 Reed Business Information, Inc.
The New York Times Book Review, December 15, 2002
It is impossible to visit Virginia too often.... Visitors can do no better than to explore it with this book.
Book Description
In Charlottesville, Virginia, at the University of Virginia, there is todaybeneath the irregular rhythms of modern student comings and goingsa severely rhythmic expression of the Enlightenment, a philosophy concretized in brick and timber. The play of one architectural element into another is meant to express the interconnectedness of all knowledge. It is Jeffersons last but not his least achievement, and one of the three things that he put on his own tombstone to be remembered by.
In important ways, this architectural complex is a better expression of Jeffersons mind than is his home on the hill overlooking the campus. Chance had a great deal to do with the way Monticello grew up over the years. But everything in the universitys structure was planned, to the last detaila meticulous ordering that is both romantic and quixotic. It is a place of study that itself repays study, and makes on lost world of the 18th century only half lost after all.