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Music for Chameleons [Anglais] [Broché]

Truman Capote

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Description de l'ouvrage

29 mars 1994 Vintage International
In these gems of reportage Truman Capote takes true stories and real people and renders then with the stylistic brio we expect from great fiction. Here we encounter an exquisitely preserved Creole aristocrat sipping absinthe in her Martinique salon; an enigmatic killer who sends his victims announcements of their forthcoming demise; and a proper Connecticut householder with a ruinous obsession for a twelve-year-old girl he has never met. And we meet Capote himself, who, whether he is smoking with his cleaning lady or trading sexual gossip with Marilyn Monroe, remainds one of the most elegant, malicious, yet compassionate writers to train his eye on the social fauna of our time.

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Descriptions du produit

Revue de presse

"An incomparable stylist and entertainer...clean and cool...[with a] superb, near-perfect pitch with dialogue." --The New York Times Book Review

"Everything is displayed in this book: insights and recollections of the famous and the obscure; old jokes and fresh wit...These stories and vingettes will endure." --New Republic

Biographie de l'auteur

Truman Capote was a native of New Orleans, where he was born on September 30, 1924. His first novel, Other Voices, Other Rooms, was an international literary success when first published in 1948, and accorded the author a prominent place among the writers of America's postwar generation. He sustained this position subsequently with short-story collections (A Tree of Night, among others), novels and novellas (The Grass Harp and Breakfast at Tiffany's), some of the best travel writing of our time (Local Color), profiles and reportage that appeared originally in The New Yorker (The Duke in His Domain and The Muses Are Heard), a true-crime masterpiece (In Cold Blood), several short memiors about his childhood in the South (A Christmas Memory, The Thanksgiving Visitor, and One Christmas), two plays (The Grass Harp and House of Flowers and two films (Beat the devil and The Innocents).

Mr. Capote twice won the O.Henry Memorial Short Story Prize and was a member of the National Institute of Arts and Letters. He died in August 1984, shortly before his sixtieth birthday.

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Amazon.com: 4.5 étoiles sur 5  38 commentaires
25 internautes sur 26 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Whether true or imagined, he tells a good story 29 septembre 2004
Par Reader Col - Publié sur Amazon.com
Format:Broché
I see much skepticism in the other reviews of this book about Capote's trustworthiness in representing a story as truth or fiction, but I have to say that I was able to put my own judgment about those matters aside, and enjoy the highly entertaining way in which he writes. Was the conversation with Marilyn Monroe real, partly real, or totally an invention of what others have said was a drug-addled mind - who cares? We will never truly know, and that is the beauty of it. Both parties have departed this earth; both are regarded somewhat mythically, and I do not believe that Capote was doing anything other than attempting to entertain, which he does in a sensational, shocking, but addictively readable way. I have to confess that there were only a few of the "fictional" stories at the beginning that I truly enjoyed, but I was thoroughly entertained by the short pieces - episodes with Truman Capote and his unusual band of friends and acquaintances - in the latter third of this book. The central story of the Handcarved Coffins had much that anyone attempting to discredit factually would likely have fun with. I have not researched the story, so do not know if it was indeed a factual series of murders, or merely presented as such by Capote. I was not concerned with that, either here, or when I read In Cold Blood, by the same author. That piece was obviously more of a factual account, a highly publicised crime, but written in enjoyable prose. Handcarved Coffins was so much more compellingly written than much in the "detective" genre (which I try to avoid) today. Capote had a talent for storytelling that I have only recently discovered, but have quickly grown to appreciate.
36 internautes sur 41 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 This must be Capote at his best 4 octobre 2003
Par Hilde Bygdevoll - Publié sur Amazon.com
Format:Broché
From each country I visit, I buy a book as a souvenir. While on interrail this summer, I stumbled over the "Music for Chameleons" in Prague. I have not read a lot of Capote, but nevertheless, this must be Capote at his best.

His writing is simple and direct, yet beautiful and elegant. In a way, his economic writing style reminds me of Hemingway. Eloquent, with not one word out of place. "Music for Chameleons" had my attention from the preface to the very last page. The author has this amazing ability to grab the reader's attention and hold on to it. When reading this book, I was a part of it. I was there; I could feel the emotions of each of the characters in the different stories.

The book contains several short stories and one non-fiction novel. I don't normally like short stories, but after reading this book, I am now a great fan of short stories. At least Capote's short stories. They are extraordinary! My favorite among these stories is the story of his dope-smoking cleaning lady. A truly wicked story. The longer piece in this book, the novel, "Handcarved Coffins", is about his investigation of a murder case in Kansas. Great mystery, many details, and I read the whole story in one sitting.

"Music for Chameleons" is one of the most enjoyable books I've ever read and I read it in 50 page gulps. A compelling read. Highly recommended!

10 internautes sur 10 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 New Writings by Capote 10 juillet 1999
Par Un client - Publié sur Amazon.com
Format:Broché
This book cleverly displays Capote's most interesting short fiction works and a finely crafted true murder story entitled "Handcarved Coffins." Capote once again shows how illustrative his words and phrasings can be from the author's only book dedicated completely to his short works.
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