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Music and Its Secret Influence: Throughout the Ages [Format Kindle]

Cyril Scott , Desmond Scott

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Descriptions du produit

Présentation de l'éditeur

The role of music in the evolution of humanity

• Reveals how a hierarchy of initiates, evolved spiritual intelligences, and devas actively influenced the musical compositions of geniuses to transmit great truths through music

• Explores the influence of the classical composers Bach, Handel, Beethoven, Mendelssohn, Chopin, Schumann, Wagner, and Strauss--from Beethoven’s influence on the creation of psychoanalysis to Chopin’s musical influence on the emancipation of women

Composer and author Cyril Scott explores the role of music in the evolution of humanity and shows how it has pushed human evolution forward. He explains that music has a profound effect on history, morals, and culture and is a more potent force in the molding of character than religious creeds or moral philosophies. Whereas mediocre musicians reflect only their own times, inspired ones help determine the character of the future.

Exploring the works of classical composers such as Bach, Handel, Beethoven, Mendelssohn, Schumann, Chopin, Wagner, and Strauss, Scott reveals how their compositions were actively influenced by a hierarchy of initiates, evolved spiritual intelligences, and devas to make the way fertile for human spiritual evolution. Scott explains how humans are composed not only of a physical body, emotional body, and a mental body but also a sensation body that acts as the bridge between the physical realm and the hierarchy of initiates. Scott shows how the music of great composers affects not only those listening but also society as a whole--from Beethoven’s influence on the creation of psychoanalysis to Chopin’s musical influence on the emancipation of women.

Détails sur le produit

  • Format : Format Kindle
  • Taille du fichier : 469 KB
  • Nombre de pages de l'édition imprimée : 224 pages
  • Editeur : Inner Traditions; Édition : 5 (1 février 2013)
  • Vendu par : Amazon Media EU S.à r.l.
  • Langue : Anglais
  • ASIN: B00B9GFI4C
  • Synthèse vocale : Activée
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  • Word Wise: Non activé
  • Classement des meilleures ventes d'Amazon: n°338.112 dans la Boutique Kindle (Voir le Top 100 dans la Boutique Kindle)
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1 internautes sur 2 ont trouvé ce commentaire utile 
3.0 étoiles sur 5 Strange book. It's even STRANGER that anti-rock fundie preachers source this occult-leaning book 2 septembre 2014
Par Son of Flintstone - Publié sur
This volume is sourced/foot-noted in several of my "rock music is EEEVIL!" juvenile advice religious books. I managed to locate a copy of the 1958 edition, showing a 1978 read it.

Cyril Scott is a cult classical composer and his musical compositions are readily available; based on U.S. Billboard magazine his period of peak interest dates probably around 1947.

To hit the high points of Scott's philosophic eccentricity:

"Hierarchy of Great Sages, Initiates, Adepts, known as the Great White Lodge, which exercises such a mighty influence over the evolution of mankind" --pp. 30-31

"Master Koot Hoomi...resides in Shitatse." (the Himalayas, er, India or Nepal, I assume)
"His pupil, Nelsa Chaplin, a highly trained clairvoyant...who had been in close telepathic contact with Master Koot Hooti. This remarkable seeress...."
"...transport herself in spirit to the higher planes as well as to physical plane localities thousands of miles away." (p. 32)

Astral projection. "...fact of invisible thought-currents vibrating through the ether and 'picked up' by brains sufficiently sensitive...."

"For a great honour was hers: both the Master Koot Hoomi and the Master Jesus frequently overshadowed her and used her as Their medium. (It should be here mentioned that the Master Jesus is particularly interested in those occupied in the work of healing.)" (p. 34)

Akashic Records: "...past events impressed upon the ether, and only to be deciphered by highly trained clairvoyants."

Beethoven "...was the forerunner of psycho-analysis"

Devas: "For the benefit of non-theosophical readers the Devas are a graded hierarchy of incorporeal Beings ranging from the smallest nature-spirit to the loftiest archangel." (p. 87)

Spooks control the musical arts; spooks are real beings (Cyril is NOT using poetic language and allegory; for him, the Muses are real folks, folks), spooks speak to us literally, and they communicate telepathically. Good spooks make good music (and anticipated Sigmund Freud). And the other kind...

Cyril Scott wrote a book in 1933, updated 1958, about eeevil occult things, which ought to be outright blasphemed toxic poison (like Aliester Crawley, Anton Lavey, backmasking subliminal secret satanic messages, Beatles, civil rights commie conspiracies...) to the hard-right fundamentalists, but he's a psychological favorite on their side?

Why? Why? Oh, yes, I found the philosophical connection payoff that ties anti-rock (r&b)/anti-CCM eeevil skinny-dipping sun-bather Amy Grant rock beat diatribes with Cyril Scott's writings:

Jazz: pp. 142-144, ",,,which was definitely 'put through' by the Dark Forces."

Jazz. Dark Forces. Oh, my.

"The orgiastic element about its syncopated rhythm, entirely divorced from any more exalted musical content, produces a hyper-excitement of the nerves and loosened the powers of self control." "Jazz-music at its height very closely resembled the music of primitive savages."

Er, so all my Rogers & Hart, Cole Porter, Benny Goodman, Artie Shaw, Count Basie, Ella Mae Morse, Mel Torme', Andy Kirk, Thelonious Monk, Charlie Barnett, Red Nichols, Buck Clayton, Teddy Wilson, Fletcher Henderson, George & Ira Gershwin, Kay Starr, Dinah Washington, Tony Bennett, Jo Stafford (& Paul Weston) forth eeevil spirits from the ether?

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