On the second day of January, windswept and bright, a half-blood Seminole named Sammy Tigertail dumped a dead body in the Lostmans River. The water temperature was fifty-nine degrees, too nippy for sharks or alligators.
But maybe not for crabs, thought Sammy Tigertail.
Watching the corpse sink, he pondered the foolishness of white men. This one had called himself Wilson when he arrived on the Big Cypress reservation, reeking of alcohol and demanding an airboat ride. He spoke of ringing in the New Year at the Hard Rock Hotel and Casino, which was owned by the Seminole tribe on eighty-six acres between Miami and Fort Lauderdale. Wilson told Sammy Tigertail that he’d been sorely disappointed not to find a single Indian at the casino, and that after a full night of drinking, hot babes and seven-card stud he’d driven all the way out to Big Cypress just to get himself photographed with a genuine Seminole.
“Some dumbass bet me a hundred bucks I couldn’t find one,” Wilson said, slinging a flabby arm around Sammy Tigertail, “but here you are, brother. Hey, where can I buy one of them cardboard cameras?”
Sammy Tigertail directed Wilson toward a convenience store. The man returned with a throwaway Kodak, a bag of beef jerky and a six-pack. Mercifully, the airboat engine was so loud that it drowned out most of Wilson’s life story. Sammy Tigertail heard enough to learn that the man was from the greater Milwaukee area, and that for a living he sold trolling motors to walleye fishermen.
Ten minutes into the ride, Wilson’s cheeks turned pink from the chill and his bloodshot eyes started leaking and his shoulders hunched with the shakes. Sammy Tigertail stopped the airboat and offered him hot coffee from a thermos.
“How ’b-b-bout that picture you promised?” Wilson asked.
Sammy Tigertail patiently stood beside him as the man extended one arm, aiming the camera back at them. Sammy Tigertail was wearing a fleece zip-up from Patagonia, a woolen navy watch cap from L.L. Bean and heavy khakis from Eddie Bauer, none of which would be considered traditional Seminole garb. Wilson asked Sammy Tigertail if he had one of those brightly beaded jackets and maybe a pair of deerskin moccasins. The Indian said no.
Wilson instructed him not to smile and snapped a couple of pictures. Afterward, Sammy Tigertail cranked up the airboat and set out to finish the swamp tour at the highest-possible speed. Because of the cold weather there was practically no wildlife to be observed, but Wilson didn’t seem to mind. He’d gotten what he came for. Squinting against the wind, he gnawed a stick of dried beef and sipped on a warm Heineken.
Sammy Tigertail took a shortcut through a prairie of tall saw grass, which flattened under the airboat’s bow as neatly as wheat fields beneath a combine. Without warning, Wilson arose from his seat and dropped the beer bottle, spraying the deck. As Sammy Tigertail backed off the throttle, he saw Wilson begin to wobble and snatch at his own throat. Sammy Tigertail thought the man was gagging on a chunk of jerky, but in fact he was trying to remove from his doughy neck a small banded water snake that had sailed out of the parting reeds.
The creature was harmless, but evidently Wilson was in no condition to be surprised by a flying reptile. He dropped stone-dead of a heart attack before his Seminole guide could get the boat stopped.
The first thing that Sammy Tigertail did was lift the little snake off the lifeless tourist and release it into the marsh. Then he took Wilson’s left wrist and groped for a pulse. Sammy Tigertail felt obliged to unbutton the man’s shirt and pound on his marbled chest for several minutes. The Indian elected to forgo mouth-to-mouth contact, as there obviously was no point; Wilson was as cold to the touch as a bullfrog’s belly.
In his pockets the Seminole found the disposable camera, $645 cash, a wallet, keys to a rented Chrysler, a cellular phone, two marijuana joints, three condoms and a business card from the Blue Dolphin Escort Service. Sammy Tigertail put back everything, including the cash. Then he took out his own cell phone and called his uncle Tommy, who advised him to remove the dead white man from the reservation as soon as possible.
In the absence of more specific instructions, Sammy Tigertail wrongly assumed that his uncle meant for him to dispose permanently of Wilson, not merely transport him to a neutral location. Sammy Tigertail feared that he would be held responsible for the tourist’s death, and that the tribal authorities wouldn’t be able to protect him from the zeal of Collier County prosecutors, not one of whom was a Native American.
So Sammy Tigertail ran the airboat back to the dock and carried Wilson’s body to the rental car. No one was there to witness the transfer, but any neutral observer—especially one downwind of Wilson’s boozy stink—would have concluded that he was a large sloppy drunk who’d passed out on the swamp tour.
Having positioned the corpse upright in the backseat, Sammy Tigertail drove directly to Everglades City, in the heart of the Ten Thousand Islands. There he purchased four anchors and borrowed a crab boat and headed for a snook hole he knew on the Lostmans River.
Now a single coppery bubble marked the spot where the dead man had sunk. Sammy Tigertail stared into the turbid brown water feeling gloomy and disgusted. It had been his first day working the airboat concession, and Wilson had been his first customer.
His last, too.
After returning the crab boat, he called his uncle Tommy to say he was going away for a while. He said he wasn’t spiritually equipped to deal with tourists.
“Boy, you can’t hide from the white world,” his uncle told him. “I know because I tried.”
“Do we own the Blue Dolphin Escort Service?” asked Sammy Tigertail.
“Nothing would surprise me,” said his uncle. ...
At about the same time, in a trailer not far from the fishing docks, a boy named Fry looked up from his dinner plate and asked, “What is this crap?”
It was not an unreasonable question.
“Salisbury steak,” Honey Santana said. “It tastes better than it looks.”
“Did you get fired again?”
“No, I quit,” Honey said. “Now hush up and eat.”
As her son well knew, she resorted to frozen dinners only when she was out of work.
“What happened this time?” he asked.
“You remember Aunt Rachel’s Chihuahua? Yum-Yum Boy?”
“The one that got killed, right? Trying to hump a raccoon.”
“Yeah, well, that’s what Mr. Piejack is like,” Honey said, “only bigger.”
She took a small bite of the tough gray meat. It was gruesome but she managed a smile.
Fry shrugged. “So, did he make a move or what?”
“You could say that.”
Mr. Piejack was the owner of the fish market, and he’d been sniffing after Honey for months. He was married and had numerous other unsavory qualities.
“You know those little wooden mallets we sell at the register?” Honey said.
Fry nodded. “For cracking stone-crab claws.”
“Right. That’s what I whacked him with.”
“Where do you think?”
As Fry pushed away from the table, Honey hurried to explain.
“He grabbed my breast. That’s why I did it.”
Her son looked up. “For real? You’re not making this up?”
“My right breast, I swear to God.” Honey solemnly entwined her hands over the object of Mr. Piejack’s lust.
“What an a-hole,” Fry said.
“Totally. After I hit him, he started rolling on the floor, moaning and whining, so I grabbed a slab of tuna out of the cooler and shoved it down his pants. You know, to keep the swelling down.”
“What kind of tuna?”
“Yellowfin,” Honey said. “Sushi-grade.”
Fry grinned. “He’ll throw it back on the ice and sell it to some snowbird.”
“That’s gross,” Honey said.
“How much you wanna bet?”
“Hey, I could fix us some soup.” She got up and scraped the Salisbury steaks into the garbage can. “Minestrone or cream of tomato?”
“Whatever.” Fry scooted his chair back to the table. Sometimes he believed that his mother was on the verge of losing her mind, and sometimes he believed that she was the sanest person he’d ever met.
“Now what, Mom?”
“You know my friend Bonnie? She’s doing these ecotours where she takes tourists kayaking out to Cormorant Key,” Honey said. “She says it’s a ton of fun and the money’s pretty good, too. Anyway, driving home from Marco this afternoon I noticed a string of bright yellow kayaks crossing the bay, and I thought: What a heavenly way to spend the day, paddling in the sunshine through the mangroves!”
“Kayaks,” Fry said skeptically. “Is this the same Bonnie with the solar-powered sewing machine?”
“You sound like your ex-father.”
“He’s not my ex-father, he’s your ex-husband. Anyway, what’d I say wrong?”
“Oh, just the look on your face.” Honey took the soup pot off the stove. “What was I supposed to do, Fry? The man squeezed my boob. Did he deserve to be clobbered with a crab hammer in the testicles, or did he not?”
“How much does a kayak cost?”
Honey set two bowls on the table. “I’m not sure, but we’ll need at least two or three, for st...
Revue de presse
–Clayton Moore, Rocky Mountain News
“A big-hearted and deeply funny book . . . All of Carl Hiaasen’s obsessions are on full-tilt boogie.”
–Adam Woog, Seattle Times
“A whole lot ‘Survivor,’ a little bit ‘The Tempest,’ with a pinch of Laurel and Hardy . . . Hiaasen is always good for a number of laugh-aloud scenes and lines . . . His ear is pitch-perfect. The dialogue sings in Nature Girl.”
–Alan Michael Parker, Atlanta Journal-Constitution
“Hiaasen once again makes the case that life in his backyard really is more absurd than in ours . . . Nature Girl deserves the laughs it will get, from sea to shining sea.”
–Jane H. Furse, New York Daily News
“A breeze of a read, full of the usual Hiaasen whimsy.”
–Cary Darling, Fort Worth Star-Telegram
“Hiaasen’s arch potboilers, pitched in the low latitudes of Florida and the lower strata of human evolution, revolve around a few solid observations about the species: in a fallen world, damaged people will sometimes do noble things; and heels will always be heels. Hiaasen’s campfire voice, perpetually amused by the resourcefulness with which his characters reaffirm his opinion of human nature, provides a core of truthiness . . . [His] wasteland is as retributive as Cormac McCarthy’s, but funnier . . . Honey is a classic Woman in Jep, of the sort Hollywood seems to have abandoned . . . Hiaasen’s pacing is impeccable, and the scenes follow one another like Lay’s potato chips . . . I purred warmly through the novels’ twists and further twists . . . An entertaining ride.”
–John Leland, New York Times Book Review
“Hiaasen isn’t just Florida’s sharpest satirist–he’s one of the few funny writers left in the whole country . . . I think of him as a national treasure [and] I have yet to be disappointed. Nature Girl, Hiaasen’s latest, keeps his string going in fine fashion . . . Hiaasen is not just a good comic writer. He’s just a good writer.”
–Malcolm Jones, Newsweek
“Just sit back and watch as Carl Hiaasen, with his customary flourish, spins a glittering magic wheel and comes up with another set of characters only he could create . . . The book is an island romp.”
–Carolyn See, Washington Post Book World
“When he’s in good form, Hiaasen, like Elmore Leonard, shouldn’t be missed. Nature Girl is one of his better efforts . . . As usual, Hiaasen throws his colorful characters into an increasingly frenetic mix, and the fun lies in watching how, or if, they’ll manage to extricate themselves. One reason Nature Girl works so well is the fact that much of the action is confined to a single island, allowing the characters to intermingle and weave in and out of view.”
–David Lazarus, San Francisco Chronicle
“Winter reading needn’t be without comic hijinks . . . Nature Girl is a hilarious romp through the Everglades led by a bipolar divorced mom named Honey Santana, who cooks up a baroque plan to get back at a rude telephone solicitor.”
–Jonathan Miles, Men’s Journal
“As depicted by the deft pen of Carl Hiaasen, ecoterrorism is not only justified, it’s hilarious . . . He’s at it again in his distinctive, madcap style . . . [A] breakneck narrative.”
–Clea Simon, Boston Globe
“Hilarious . . . A lifelong resident of the Sunshine State, [Hiaasen’s] novels have always addressed the state’s ecological and social ills with scathing satire, ironic comeuppance and an ever-evolving sensibility . . . Everybody’s airport-reading favorite flies high again.”
–Dan Lopez, Time Out New York
“Zapped during dinner by a telemarketer peddling Florida ‘ranchettes,’ Honey Santana doesn’t just go postal, she devises a get-even scheme of demented brilliance . . . in the kind of Floridian follies on which Hiaasen owns the franchise . . . The writing is never less than amusing.”
–Pam Lambert, People
“Using his trademark dry, wry humor, Hiaasen shows how bad behavior tears the fabric of society . . . Nature Girl is typical Hiaasen, with a brisk story overflowing with satire, wisecracks and the fear of what society is becoming. The cast is one of his most accessible . . The main characters are as real as your next-door neighbors–with a few quirks . . . Highly entertaining.”
–Oline Cogdill, South Florida Sun-Sentinel
“Old fans and newcomers alike should delight in Hiaasen’s eleventh novel, another hilarious Florida romp [with an] engaging and diverse screwball cast . . . Hiaasen’s humorous touches and his all-too-human characters carry the book to its satisfying close.”