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O'Neills Music of Ireland (Anglais) Broché – 31 décembre 1980


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Miles Krassen a recueilli et réédité plus de 900 airs, apportant la collection célèbre à jour de capitaine Francis O'Neill de musique de danse irlandaise, aère, des gabarits, des bobines, des matelotes, et des marches.



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Amazon.com: 11 commentaires
27 internautes sur 32 ont trouvé ce commentaire utile 
Over-rated, overly-simplified settings of tunes. 23 juin 2003
Par David Levine - Publié sur Amazon.com
Format: Broché
The problem isn't only that a lot of tunes have been left out that were in the original edition offered by Daniel Collins. But Krassen has altered many tunes so that instead of presenting piping versions -- which the original offered -- we now have simplified fiddle-friendly versions. Many pipe ornaments have been lost. Krassen has lost much of the magic.
O'Neill was a piper and many of the versions of tunes he saved came from pipers. This is also true of the earlier collections of tunes from which O'Neill drew for many of his tunes, such as Ryan's Mammoth Collection. In Krassen's version a lot of the classical, 19th. Century pipery flavor has been sacrificed for "cleaner," presumably "modern" versions. This is the last edition of O'Neill's one should consider buying. I play fiddle, flute, and concertina, I've lived in Ireland for years, and have been playing Irish traditional music for over thirty years. I know this sounds terribly opinionated. But even if you play fiddle and learn from the dots you should use a tune-book closer to the source than this. Get the big yellow Collin's edition or the slim white-covered "condensed" O'Neill's collection. You'll be happier in the long run.
10 internautes sur 10 ont trouvé ce commentaire utile 
Good introduction to the tunes and style of Irish fiddling 11 septembre 2008
Par Ellery Klein - Publié sur Amazon.com
Format: Broché
Author of The Complete Idiot's Guide to Playing the Fiddle (Complete Idiot's Guide to)

This is the very first book of Irish tunes I purchased when I began playing Irish fiddle back in high school, and I found it very useful. A short primer at the beginning gives you the basic gist of how an Irish fiddler might ornament his/her tunes. In the collection itself, ornaments such as rolls, triplets and grace notes are written directly into the melodies. This allows you to get a sense of where these ornaments might go. While it doesn't contain all the tunes from the original O'Neill collections, the most commonly known tunes are here. So once you've (hopefully) moved on to learning all your tunes by ear, you'll still have a good reference volume on your shelf when you just can't for the life of you remember how "The Woman of the House" starts....
7 internautes sur 8 ont trouvé ce commentaire utile 
Concertina player 30 juillet 2007
Par CelticNatureBoy - Publié sur Amazon.com
Format: Broché
This is a fantastic resource. Many of the best arrangements are in this version. I have 4 versions of O'Neill's: Krassen, Walton's, Ryan's, and Jim O'Neill's. I use them all, but especially Krassen and Waltons. Do not believe the discouraging remarks. This is one of the best. Get them all and compare the tunes. Each has strengths and weaknesses. Taken together they give you the best of all worlds.
2 internautes sur 2 ont trouvé ce commentaire utile 
Indispensable Collection 12 mars 2011
Par Michael P. McCullough - Publié sur Amazon.com
Format: Broché
Absolutely the classic collection of Irish fiddle tunes - collected in Chicago by Irish born Chicago policeman Francis O'Neill around the turn of the century (1800s-1900s) - published in 1903. This is a revised edition. I also have an older edition (the one with the yellow cover)
1 internautes sur 1 ont trouvé ce commentaire utile 
This is the standard 15 novembre 2012
Par Joey Robichaux - Publié sur Amazon.com
Format: Broché
O'Neill's Music of Ireland sets the bar high for Celtic music lovers. O'Neill published two other books of Celtic tunes, but this collection of over 1850 tunes is his most popular (and easiest to find) work.

The standard notation transcriptions for most tunes are fairly short -- a couple of lines or so. Note that when played in sessions at the pub, typically two or three tunes are merged together ... the end of one mixing smoothly into the beginning of the next.

Also, you'll likely find if you play the transcriptions EXACTLY as written, they won't sound right. A string of eighth or sixteenth notes read as "dah-dah-dah-dah" ... but when played in the Celtic style, they should be "dah-di-dah-di" ... more of a dotted eighth followed by a sixteenth.

Many of the tunes can be found in Music of Ireland. There are many midi versions of these tunes found on the internet to help you in reading the tune. One set of samples can be found at [...] -- there are many others as well.
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