From Publishers Weekly
Two words on the cover ("a novel") are the only hint that this unusual first book is fiction and not autobiography. The unnamed narrator is a London architect who becomes involved with Chloe, a graphic designer. After about a year, Chloe leaves him for an office-mate, and, as a result, the narrator tries (unsuccessfully) to kill himself. Eventually he gets over Chloe and falls in love with someone else. The novel's action is minimal; the balance of the book is given over to the narrator's obsessive analysis of his relationship with Chloe. (There are diagrams--such as the seating chart of the Boeing 767 where they met--that are meant to illustrate various ideas with which the narrator toys.) The book was likely intended as a Barthesian look at that peculiar heart condition called love, but the overblown and pretentious writing obliterates any comparison, peppered as it is with such winking turns-of-phrase as "cartographic fascism." The author is clearly intelligent and well- read; perhaps some day he will put those assets to good literary use.
Copyright 1993 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
Copyright 1993 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
From Library Journal
Chloe and Alain meet in a plane flying from Paris to London and fall in love. Their romance lasts only about a year, and after they have parted the narrator/author uses scenes from their time together as illustrations of his philosophical anatomy of romantic love. Chapters are formed of numbered paragraphs so that the book resembles a classical philosophical disquisition, and it's on this level that it reads best. First novelist de Botton writes well--dozens of sentences glisten with aphoristic insight--but neither Chloe nor Alain really engage our interest, and their story seems too slight to support all the heavy philosophizing. Recommended only for sentimental young romantics with a penchant for philosophy, readers who thought Nicholas Baker's Vox ( LJ 11/15/91) was profound, and writing teachers who need an example of what happens when you write a novel before you have much life experience.
- Charles Michaud, Turner Free Lib., Randolph, Mass.
Copyright 1993 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
- Charles Michaud, Turner Free Lib., Randolph, Mass.
Copyright 1993 Reed Business Information, Inc. --Ce texte fait référence à une édition épuisée ou non disponible de ce titre.
