From Publishers Weekly
Of Sergio Leone (1929–1989) and his legendary spaghetti westerns, director Martin Scorsese says, "he created a new genre... a major departure for Italian cinema." Frayling's history of Leone's life and work is a testament to that creation, an all-encompassing and carefully compiled book for fans and students. Besides telling the story of Leone's rise (in 1964, he made A Fistful of Dollars on $200,000 and some leftover film stock), the book contains interviews with composer Ennio Morricone, star Clint Eastwood and Leone himself. Morricone explains that he wrote musical scores for Leone's films without a script, drawing only on the story and Leone's take on the characters. Eastwood defines Leone's westerns as operatic, and great movie villain Lee Van Cleef reveals that he turned down a role in the now classic and critically revered Once Upon a Time in the West because he didn't like the way it was written. Along with intriguing comments by writers and directors, and an essay by Leone about his idol, John Ford, this work provides visually arresting production stills, lobby cards, pictorial source sketches, costume and set designs and posters. This is a work of scholarship and depth on the Italian western and the man who pioneered it. (July)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Booklist
Sergio Leone had directed some dozen movies before his death in 1989, yet, almost entirely because of his five westerns, made between 1964 and 1971, constituting his take on an American cinematic mythology, his reputation remains lofty to this day. His second feature, A Fistful of Dollars, a violent yet humorous low-budget affair based on Kurosawa's samurai film yojimbo, became a runaway smash and launched the "spaghetti western" and the superstardom of erstwhile second-rate TV cowboy Clint Eastwood. Fistful's two sequels were even more popular, but the ambitious Once upon a Time in the West (1968) flopped when first released in studio-butchered form (later restored, it is now considered Leone's masterpiece). This book, which accompanies a Leone exhibition at the Museum of the American West (Los Angeles), offers essays on his westerns; a wealth of photos and posters; interviews with Leone, Eastwood, and others, including the director's indispensable musical collaborator, Ennio Morricone; and Leone's essay on John Ford, the only other director, perhaps, who marked the western genre as indelibly as did Leone. Gordon Flagg
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Copyright © American Library Association. All rights reserved
