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Only God Forgives a été ajouté à votre Panier
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Only God Forgives Import

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Page Artiste Cliff Martinez

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Produits fréquemment achetés ensemble

  • Only God Forgives
  • +
  • Drive (Bande Originale du Film)
Prix total: EUR 52,89
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Détails sur le produit

  • Album vinyle (16 juillet 2013)
  • Nombre de disques: 1
  • Format : Import
  • Label: Mis
  • ASIN : B00COQU04O
  • Autres versions : CD  |  Téléchargement MP3
  • Moyenne des commentaires client : 3.3 étoiles sur 5  Voir tous les commentaires (3 commentaires client)
  • Classement des meilleures ventes d'Amazon: 140.189 en Musique (Voir les 100 premiers en Musique)
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Format: CD Achat vérifié
Cette BO est très intéressante à écouter car elle remet tout de suite dans l'univers du film! Pour ma part j'adore la piste 9 qui a un côté mélodieux des années 80 au synthé. Je regrette tout de même que beaucoup de pistes se ressemblent dans le rythme et la conception.
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Format: Téléchargement MP3 Achat vérifié
Très bonne bande originale qui permet de se remémorer l'excellent film de NWR ! A découvrir absolument après celle de Drive.
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Par taken1401 le 19 décembre 2013
Format: Téléchargement MP3 Achat vérifié
Excellent thèmes de musique du film, superbe composition de Cliff Martinez ... ... .... .... ... .... ... ... ....
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 11 commentaires
8 internautes sur 8 ont trouvé ce commentaire utile 
Cliff Martinez does it again 17 juillet 2013
Par Terrence Aybar - Publié sur Amazon.com
Achat vérifié
Regardless of what you've heard from people who either loved or hated the film in their reviews, one thing remains certain. Nearly every review comments on the film's music, calling it one of the single best things about the film.

If you liked composer Cliff Martinez's work on Nicholas Winding Refn's "Drive", then I'm sure that you'll love what he's done with the score for "Only God Forgives", the second (and hopefully not the last) Refn/ Ryan Gosling collaboration. The music is dark and foreboding, equal parts electronica and orchestral painted in shades of general easiness. As of this writing, the film has not been released stateside but I can attest that the music goes perfect with the visuals we've seen so far in the trailers and photos made available. Many of the tracks have an appropriate sounding Asian flair to them, perfect to accompany one's travels through the neon lit streets of Thailand at night, where anything or anyone can be around any corner or behind any doorway. There are parts of the score where horns are employed, helping to establish a common link to old school film scores like Bernard Hermann's "Taxi Driver" and
noir films from back in the day.

In fact, I'd put this one right up there with Trent Reznor and Atticus Ross's score for "The Girl With the Dragon Tattoo", one of my absolute favorite scores of the last five years. Both share a sparse but undeniable presence and help create a palpable sense of dread and doom. There are also a couple of karaoke style songs here to add to the mix, a couple of which you've probably already heard in the trailer. This review reflects the deluxe version of the soundtrack, which has an extra six songs including a dynamite remix of the track, "Bride of Chang" by Mac Quayle (the original is also included). The deluxe version is definitely the one to get.

If you like dark, moody stuff then by all means, pick this up. I highly doubt you'll regret it.
3 internautes sur 3 ont trouvé ce commentaire utile 
Only God Forgives 18 juillet 2013
Par C. Loescher - Publié sur Amazon.com
Format: CD Achat vérifié
While Cliff Martinez is no stranger to psychologically and emotionally heavy film scoring, his recent works Arbitrage and The Company You Keep have been angled more towards the withdrawn or despondent end of the musical spectrum. 2011's Contagion and Drive remain Martinez's most bleak and morose scores in the last ten years, favoring oppressive, almost apocalyptic themes atop the tried-and-true atmosphere for which Martinez is known. Fitting, therefore, that Drive director Nicolas Winding Refn again chose Martinez to score his next project, this year's Only God Forgives. A dark tale of vengeance set in the harsh Bangkok underground, the narrative of Only God Forgives prompted Martinez to revert to the scathing, austere environment displayed on the score for Refn's Drive and its sonic cousin Contagion. Along the way, Martinez introduces some interesting and uncharacteristic qualities that lend Only God Forgives its own musical identity.

Second track "Ask Him Why He Killed My Brother" begins to unveil the score's primary musical theme, as an eerie, mysterious, and dreamy wash of keyboard receives a tonal injection of Thai influence, almost immediately granting the score a harrowing and alien vibe. "Chang and Sword" is ultimately where the theme shines, however, containing shaky feedback hearkening back to Contagion layered with Martinez's trademark echoing guitar effects, along with a pulsing melody that reminds slightly of the less perturbing moments of Clint Mansell's Requiem for a Dream. Later cues "Take It Off" and "Leave My Son in Peace" develop the theme further, the former layering it with heavy yet hollow ambient feedback, and the latter with quick rhythmic percussion funneling into astral, hypnotic guitar motes. Finally, on "Bride of Chang," Martinez thrusts forward the primary motif with insistence, allowing the guitar to take the foreground with the same alien-sounding effects before being yanked back with a lush and forceful organ melody.

More tumultuous elements also present themselves on the album, at some times pushing Only God Forgives close to the horror film score realm. "Do as Thou Will" piles low, stifling and dreadful horns atop one another, bringing to mind the tactile and onerous nature of Jason Graves's Tomb Raider and some of the droning passages of Akira Yamaoka's Silent Hill compositions, before being drenched by the often-reappearing gothic taste of the aforementioned organ. "More Hands" offers a disturbing and discordant string/bass combination before melting into a nervous and no less affecting din. The monolithic eight-minute "Ladies Close Your Eyes" powerfully encapsulates the more malevolent nature of the score, immediately assaulting with dissonant feedback and low, disturbing bass, resembling an aural drop into a dark, deserted hell a la David Julyan's The Descent, complete with harrowing noise effects and pummeling drums cascading over panic-stricken strings before coming to rest upon the more reserved Martinez-style mysticism of prior tracks.

The remainder of the score actually contains the most impassioned work of all. "Chang Vision" weaves a string-based tapestry with wavering volume before entering ambient keyboard territory, a soothing track illuminated by an aura of anxiety. "Sister Part I," actually composed by M83's Anthony Gonzalez (but performed by Martinez), is right at home and on par with Martinez's delicate material on Arbitrage and The Company You Keep, containing simple, drifting and melancholic Tangerine Dream-style synth, a track whose pale gloom is overshadowed only by its murky beauty. "Wanna Fight," however, takes top honors as the album's best tune, an electronic synth track immediately recalling the magnificence of Brad Fiedel's The Terminator and recent outings like Power Glove's score for Far Cry 3: Blood Dragon; its loud opening foray simmers to the background twice, each time given a rest in favor of Martinez's guitar or heavy-handed organ.

Only God Forgives is Cliff Martinez's return to form, not in the literal sense, but in the darker thematic sense last explored with Drive and Contagion. A wading in the forlorn waters of Solaris, Arbitrage, and The Company You Keep this is not, but Only God Forgives will manage to satisfy many a Martinez fan as it meanders back and forth between those works' brooding ambient-style passages and more disconcerting material both rancorous and ethnically-tinged. Only God Forgives is yet another confident and accomplished entry in Cliff Martinez's musical catalog.
4 internautes sur 5 ont trouvé ce commentaire utile 
Only God Forgives - Original Soundtrack 17 juillet 2013
Par JMM - Publié sur Amazon.com
As a fan of Cliff Martinez the film composer, I anxiously awaited his next collaboration with director Nicolas Winding Refn (the two worked on "Drive" previously). The music for "Only God Forgives" provides a wonderful ambiance and atmosphere to the film. It's one of those low-key scores where the music does its job, but not in a way that calls attention to itself. I recommend this soundtrack, but would advise you to sample it first to make sure it's compatible with your personal taste.

[1] Only God Forgives
[15] Bride of Chang
[16] Wanna Fight

*Please Note: There are two versions of this album - the regular edition has 17 tracks, and the Deluxe edition has 23 tracks. I'd recommend the Deluxe edition, because I think the six bonus tracks are high quality and worth owning.

If you like this album, here are some past movie scores by Cliff Martinez that I think you'll also enjoy:
Contagion: Original Motion Picture Soundtrack
Drive (Original Motion Picture Soundtrack)
The Company You Keep [+digital booklet]
1 internautes sur 1 ont trouvé ce commentaire utile 
Immediately after seeing the film in the theater... 23 septembre 2013
Par T. Hunter - Publié sur Amazon.com
Format: CD Achat vérifié
I knew that I wanted to buy the soundtrack as soon as I got home! It doesn't disappoint! If you liked the movie at all... you'll love the soundtrack. Even better than the Drive soundtrack.
Intense soundtrack 5 mai 2014
Par Travis Johnson - Publié sur Amazon.com
Format: Album vinyle Achat vérifié
Well put together, I really enjoyed having the karaoke track on here. I wasn't sure what I was getting into, but thoroughly enjoyed this album in the end.
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