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Our Man in Paris

4.5 étoiles sur 5 4 commentaires client

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Page Artiste Dexter Gordon


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Détails sur le produit

  • Album vinyle (25 février 2014)
  • Nombre de disques: 1
  • Label: Disconforme
  • ASIN : B00BWS4T92
  • Autres éditions : CD  |  Album vinyle  |  Téléchargement MP3
  • Moyenne des commentaires client : 4.5 étoiles sur 5 4 commentaires client
  • Classement des meilleures ventes d'Amazon: 190.525 en Musique (Voir les 100 premiers en Musique)
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Liste des titres

Disque : 1

  1. Scrapple From The Apple
  2. Willow Weep For Me
  3. Broadway
  4. Stairway To The Stars
  5. A Night In Tunisia


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Format: CD
Dexter Gordon accompagné du trio parisien de Bud Powell offre ici des versions enflammées de standards du Jazz, en particulier une fabuleuse version de " A Night In Tunisia". Du Jazz musclé et énergique mais non sans finesse.
Je connais ce disque depuis une bonne dizaine d' années (avant les systèmes anti-copie!) et il a toujours fait partie de mes favoris.
Indispensable à tous les amateurs de Hard-Bop.
Remarque sur ce commentaire 4 sur 5 ont trouvé cela utile. Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
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Format: CD
Il s'agit pour moi et de loin du meilleur disque de Dexter Gordon, ce géant du ténor au jeu si puissant et caractéristique. Tous les solos de cet album sont trempés dans de l'acier, à croire que sa vie parisienne le stimulait plus que d'habitude. Un must-have de Blue Note!
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Format: CD Achat vérifié
C'est une musique de jazz au saxo avec un swing d'exception, un vrai régal, tonique !
A écouter le matin. Transaction sans problème.
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Format: CD Achat vérifié
Ce disque est tres agéable, mais pas essential. Il merite quand meme l'ecoute parce qu'on retrouve Buddy Powell au piano, certes pas dans ses miellieur jours mais quandmeme swinguant. Dexter joue un saxo plein et juteux.
Attention, toutefois, mon disque etait un disque Copy Control, evitez de se faire avoir!
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Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: HASH(0x9ef7b078) étoiles sur 5 38 commentaires
54 internautes sur 55 ont trouvé ce commentaire utile 
HASH(0x9ec720e4) étoiles sur 5 Blue Note in Paris 7 août 2003
Par Michael Brad Richman - Publié sur Amazon.com
Format: CD
At first, Dexter Gordon's "Our Man in Paris" seems an unlikely choice for the RVG series, because Rudy Van Gelder didn't record it in the first place. Unlike most Blue Note albums which were recorded in Van Gelder's studios, first in Hackensack then Englewood Cliffs, New Jersey, this one was recorded in Paris (5/23/63) by Claude Ermelin, as Dexter Gordon two years earlier had traded in his New York address for France. Maybe Mr. Van Gelder thought that through remastering, he could fix the minor sound deficiencies that had plagued an otherwise perfect album. Well, the new issue does sound fantastic! This date, featuring fellow expatriates Bud Powell and Kenny Clarke, along with Pierre Michelot, was originally supposed to feature Kenny Drew on piano, and a program of all new material penned by Gordon. Powell was called in at the last minute, but he wanted to only record standards on such short notice. In classic jazz fashion, a potential disaster turned into one of the most magical performances in the Blue Note catalog. Welcome back from Paris Dex, and Rudy thanks for adding your two francs.
36 internautes sur 37 ont trouvé ce commentaire utile 
HASH(0x9ed190fc) étoiles sur 5 A be-bop reunion 22 août 2003
Par G. Schramke - Publié sur Amazon.com
Format: CD
This session is a meeting between three of the most influential musicians of the forties (Dexter, Bud Powell and Kenny Clarke as "Americans in Paris"), completed by the great french bassist Pierre Michelot. At this really happy date the musicians decided to play tunes, that go back to the time, when those guys first gigged and recorded together, like Parker's "Scrapple from the Apple". But especially about Dexter's playing it can be said, that he had modified his style during the sixties, absorbing ideas from musicians, who originally had been influenced by him (listen to some very Coltrane-ish licks on "Night in Tunisia"). Actually, Dexter once stated, that he was thrilled by that kind of mutual exchange of ideas: First he had been a main source of influence for the early John Coltrane and later, especially during the time of this recordings (1963), Dexter further developed his style using some of Coltrane's ideas. Besides the above mentioned faster tunes, I expecially like "Willow Weep for Me" with it's nice intro and that kind of blues-feeling and of course the beautiful ballad "Stairway to the Stars". Bud Powell, almost at the end of his career, still plays very inspired. Expecially during those years in Paris, Bud was at his best on encounters with other great Americans, who visited Europe or temporarly lived there.
34 internautes sur 36 ont trouvé ce commentaire utile 
HASH(0x9ede82d0) étoiles sur 5 Parisian Soul Music 2 juin 2006
Par Giuseppe C. - Publié sur Amazon.com
Format: CD Achat vérifié
I've given up trying to choose my favorite Dexter album, because it's always the one I happen to be playing. I thought I might be able to pass this one up--not close enough to the culmination of Dexter's resurgence, too late in Bud's career, too far from the Blue Note studios, too dependent on a French (or expatriate) rhythm section.

Strike all of the above. Dexter never played with "abandon," but this recording is probably as close as he comes to it. He's on fire for each of the tunes, complete and fresh phrases flowing from his horn in musical narratives containing more than the usual number of serendipitous quotes and allusions. At times it seems like no end is in sight, as the master storyteller is in Homeric, epic form. He handles the four-bar break on "Night in Tunisia" as impressively as Bird but with half the number of notes.

I wouldn't call the performances on this album superior to Dexter's "Love for Sale" (on "Go!"), "Tanya" or "King Neptune" (on "One Flight Up") or "Body and Soul" (on "The Panther"), but it's definitely in the same league and should be essential not just for fans of L.T. but for anyone who's serious about the art of improvisation.

Powell loses his place a couple of times (forgetting whether he's on the first, second or fourth chorus of a 32-bar song) but makes quick, virtually undetectable recoveries. Moreover, his fingering is precise, his melodic lines fluid and complex yet swinging. And the fact that the original recording was made by a French engineer insures that the piano, though somewhat distorted (see below), has a "realistic" or personal and natural quality distinguishing it from the usual Blue Note piano sound.

Count this one among Dexter's top 3-4 recordings, which is high praise indeed for a player as consistently brilliant as he. Dexter in Paris must be the next best thing to April in Paris. If there's a caveat, it's the quality of the audio. I was so hopeful that the "RVG Remastered Edition" would be an improvement over both the LP and preceding CD version, that I shelled out for the session for a third time. Disappointingly, Dexter's tenor still sounds compressed, compartmentalized, and even grating, and Bud's piano still carries that trace of distortion. In spite of these obstacles, the substance of this recording simply will not be denied.
20 internautes sur 23 ont trouvé ce commentaire utile 
HASH(0x9ec6c5d0) étoiles sur 5 One of Blue Note's best albums.Dex,Bud and Klook in Paris!! 28 septembre 2003
Par JEAN-MARIE JUIF - Publié sur Amazon.com
Format: CD
Here is a very very essential album.One of Blue Note's most essential records.Paris,May 23,1963: Dexter Gordon,ts,Bud Powell,p,Kenny Clarke,dms and top french jazz bass player,Pierre Michelot,the only survivor of this outstanding quartet;or Dex meets the "Three Bosses",as the Bud/Klook/Michelot trio was called.Initially,Dexter should have recorded with Kenny Drew a set of tunes of his own;but it was decided to hire Bud,who was living in Paris the last years of his very short life,and logically,Michelot and Clarke followed.The bunch of new tunes written by Dex were forgotten,and everybody chose to play standards.Bud,among several troubles,could hardly learn new things at this time;but he was a giant when he was asked to play his repertoire,and the proof is here.Put together one of the most magnificent disciples of both Pres and Bird,the most awesome pianist with Hines and Tatum,and the father of modern jazz drumming,son of Jo Jones,add one of the best french musicians on bass,and you'll get some sublime music.Here may be Dexter Gordon's most magnificent album;his Lesterian roots meet some Golson and even Rollins' and Coltrane's influences ("Night in Tunisia");
his swing is purely incredible;Kenny Clarke's drumming is simply out of this world,so simple and yet so hardly swinging;maybe the most essential jazz drumming with Jo Jones' and Sam Woodyard's.And Pierre Michelot's bass support is really a very great one.
What about the tunes ? Here are essential versions of Bird's "scrapple from the apple",Dizzy's "Night in Tunisia",here is a sublime version of the incredible Ann Ronnell's evergreen,"willow weep for me",including superb solos by Bud and Pierre,here is the old "Broadway",in which Bud salutes Basie (the final notes),here are wonderful ballads,"stairway to the stars","our love is here to stay",and finally here is a trio track by the "Three Bosses","like someone in love",one of Bud's favorites.
Listening again to this album,it seems almost incredible to me to think that this music was recorded 40 years ago.It sounds more and more younger than most of today's jazz records.Here is not only Dexter's best effort,here is one of the most essential records of the history of jazz; a mixture of classical,Kansas City oriented music (Dexter's blowing will reminds you of Lester,Hershell Evans,Illinois Jacquet,Buddy Tate) and post-bop music (shades of Golson,Trane);Kenny Clarke,one of the monuments of jazz drumming with the Father,Jo Jones,and the disciples,Woodyard,Haynes,Blakey,Elvin J.,Butler,Lenny McBrowne,Roy Brooks,Ed Thigpen,Roach,etc,Kenny Clarke is at his most magnificent playing.Here is a gem in Blue Note's amazing catalog.Something you have to listen to !!!
13 internautes sur 13 ont trouvé ce commentaire utile 
HASH(0x9edd3900) étoiles sur 5 A Stellar Rhythm Section with Dexter at his best 23 août 1998
Par Un client - Publié sur Amazon.com
Format: CD
While Dexter Gordon originally planned to play a set of his own tunes for this gig, he changed to an all-standards line up to accomodate the rhythm section, which was unfamiliar with his tunes. The section featured Bud Powell (piano), Kenny Clarke (drums), and Pierre Michelot (bass). Between Gordon's simple yet complex improvisation that falls between Bop and Swing, Powell's melodic intensity, Clarke's clever accentuation, and Michelot's flawless harmonic support, this album both cooks and simmers with Stellar improvisation and interaction: Jazz at its Best.
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