Amazon.co.uk
The Oxford Companion to Western Art is an immensely impressive and exhaustive reference guide to Western art, from Abstract Art to Emile Zola. It contains over 2,600 entries, including detailed information on over 1,700 artists from the classical period to the late 20th century, as well as 49 special feature articles on topics such as Colour, Perspective, and Drawing, plus key movements such as Renaissance and Cubism. The editor, Hugh Brigstocke and his team of over a hundred internationally renowned art historians, have radically overhauled Harold Osborne's Oxford Companion to Art, first published in 1970. Brigstocke has focused specifically on Western art, covering painting, sculpture, and the graphic arts produced by "all cultures speaking a European language". Architecture and non-Western art are not included, which allows for greater scope on newer subjects. The Companion is aimed at those who would like to "look for biographical details about artists and to need contextual information on patronage, collecting, and changing aspects of taste". The entries are detailed but accessible, and supplemented by 48 pages of colour illustrations (although for a book of this scope more pictures would have been helpful). Particularly valuable are the more indefinable entries on major cities, museums, and movements, and the incorporation of new developments within art history, such as expanded entries on patronage, collecting, medieval illuminations, Baroque art, and more recent developments within modern art. Both its scholarship and presentation will ensure that The Oxford Companion to Western Art will be an indispensable reference book on Western art for many years to come. --Jerry Brotton
From Library Journal
A partial successor to the 1970 Oxford Companion to Art, this title limits itself to European-language cultures, dropping architecture and non-Western subjects. The 2600 signed entries generally range in length from 100 to 1000-plus words (and are occasionally longer), and they include artist, historian, theorist, and patron biographies as well as entries on institutions, cities and museums, styles, movements, and art historical theory and methodology. Most entries have at least one bibliographical reference and are longer than those in The Oxford Dictionary of Art (LJ 9/15/97), which includes 3000 entries but otherwise appears comparable to this title in scope. Reflecting the methodological growth of art history and changes in topics of study since the first title was published, this book offers more coverage of the Baroque, manuscript illumination, and 19th- and 20th-century art. Established living artists are included. Editor Brigstocke, a Paul Mellon Research Fellow at the British School in Rome, included unchanged some of the technical and aesthetic essays by Harold Osborne, editor of the 1970 title, but this is essentially a new work. Most of the 100 contributors are British, which slightly colors the selections and some of the entries, and the plates are "tasters" not related to specific entries. As with any work of this scope, there are inevitable omissions and occasional errors of fact, but this title essentially accomplishes its goals and is recommended for all collections looking for an in-depth work on Western art. Jack Perry Brown, Art Inst. of Chicago Libs.
Copyright 2001 Reed Business Information, Inc.
Copyright 2001 Reed Business Information, Inc.
