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Palace of Desire: Cairo Trilogy (2) [Anglais] [Broché]

Naguib Mahfouz
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Description de l'ouvrage

1 décembre 1991
The second volume of the highly acclaimed Cairo Trilogy from the winner of the Nobel Prize for Literature. Filled with compelling drama, earthy humor, and remarkable insight, Palace Of Desire is the unforgettable story of the violent clash between ideals and realities, dreams and desires.

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Palace of Desire: Cairo  Trilogy (2) + Sugar Street: The Cairo Trilogy, Volume 3
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1

AL-SAYYID AHMAD Abd al-Jawad closed the door behind him and crossed the courtyard of his house by the pale light of the stars. His step was lethargic, and his walking stick sank into the dusty earth whenever he leaned on it wearily. He felt on fire and craved cold water so he could wash his face, head, and neck and escape, if only briefly, from the July heat and from the inferno in his belly and head. Cheered by the thought of cool water, he smiled. When he entered the door leading to the stairway, he could see a faint light coming from above. It flowed along the wall, revealing the motion of the hand that held the lamp. He climbed the steps with one hand on the railing and the other on his stick. Its successive taps had long ago acquired a special rhythm, which identified him as easily as his features. Amina was visible at the head of the stairs with the lamp in her hand. On reaching her, he stopped to regain his breath, for his chest was heaving. Then he greeted her in his customary way: "Good evening."

Preceding him with the lamp, Amina murmured, "Good evening, sir."

Once inside his room he rushed to the sofa and collapsed. Letting go of his stick and taking off his fez, he threw his head back and stretched out his legs. The sides of his cloak fell open, and the caftan underneath rode up to reveal the legs of his long underwear tucked into his socks. He shut his eyes and wiped his forehead, cheeks, and neck with a handkerchief.

After placing the lamp on a table, Amina waited for him to rise so she could help remove his clothes. She looked at him with anxious concern. She wished she had the courage to ask him not to stay out so late — now that his health could no longer shrug off excesses — but she did not know how to express her sad thoughts.

A few minutes passed before he opened his eyes. Then he extracted the gold watch from his caftan and took off his diamond ring to place them both in his fez. When he stood up to remove his cloak and caftan with Amina's assistance, his body seemed as tall, broad, and full as ever, although the hair at his temples had been assailed by gray. When he was putting his head in the neck of his white house shirt, a smile suddenly go the better of him. He remember how Mr. Ali Abd al-Rahim had vomited at their party that evening and had apologized for his weakness, attributing it to an upset stomach. They had all singled out their friend, upbraiding him and asserting that he could no longer tolerate alcohol, for only a special kind of man could keep on drinking to the end of his life, and so forth. He remembered he anger and vehemence of Mr. Ali in defending himself against this suspicion. How amazing that some people lent importance to such trivial matters. . . . But if it were not important, then why had he himself boasted in the merry hubbub that he could drink a whole tavern of wine without ill effects?

He sat down again and lifted his feet so that his wife could take off his shoes and socks. Then she disappeared briefly, returning with a basin and a pitcher.
She poured the water for him while he washed his face and neck and rinsed out his mouth. Afterwards he sat with his legs folded beneath him, enjoying the gentle breeze flowing between the latticed balcony and the window overlooking the courtyard.

"What an atrocious summer we're having this year!"

Pulling the pallet out from under the bed and sitting cross-legged at his feet, Amina replied, "May our Lord be gracious to us." She sighed and continued: "The whole world's a blazing pyre, especially the oven room. The roof terrace is the only place you can breathe in summer — once the sun has set."

She sat there as usual, but time had changed her. She had grown thin, and her face seemed longer, if only because her cheeks were hollow. The locks of hair that escaped from her scarf were turning gray and made her seem older than she was. The beauty spot on her cheek had grown slightly larger. In addition to their customary look of submission, her eyes now revealed a mournful absent-mindedness. Her anguish over the changes that had befallen her was considerable, although at first she had welcomed them as an expression of her grief. Then she had begun to wonder anxiously if she might not need her health to get through the remainder of her life. Yes. . .  and the others needed her to be healthy too, but how could everything be put back the way it was before? And she was older, if not old enough to warrant such a transformation. Still, her age had to make a difference.

Night after night she had stood on the balcony observing the street through the wooden grille. What she could see of the street had not altered, but change had crept through her.

The voice of the waiter at the coffeehouse echoed through their silent room. She smiled and stole a glance at al-Sayyid Ahmad.

She dearly loved this street, which stayed awake all night keeping her heart company. It was a friend but ignorant of the heart that loved it through the shutters of the enclosed balcony. Its features filled her mind, and its evening inhabitants were live voices inhabiting her ears — like this waiter who never stopped talking, the person with the hoarse voice who commented on the events of the day without getting tired or annoyed, the man with the nervous voice trying his luck at cards with the seven of diamonds and the jack, and the father of Haniya —the little girl with whooping cough — who night after night would reply when asked about her, "Our Lord will be able to cure her." Oh . . . the balcony seemed to be her special corner of the coffeehouse. Memories of the street paraded before her imagination while her eyes remained fixed on the man's head, which was leaning against the back of the sofa.  When the flow of remembered images stopped, she concentrated her attention on her husband. She noticed that the sides of his face were bright red, the way she had grown accustomed to seeing them of late when he returned home. She was uncomfortable about it and asked him apprehensively, "Sir, are you well?"

He held his head up and muttered, "Well, praise God." Then he added, "But the weather is atrocious."

Clear raisin liqueur was the best drink in summer. That was what they had repeatedly told him, but he could not stand it. For him it was whiskey or nothing. Thus every day he had to put up with summer hangovers, and it was a ferocious summer. He had really laughed hard that evening. He had laughed until the veins of his neck were sore. But what had all the laughter been about? He could hardly remember. There seemed to be nothing to relate or repeat. Yet the atmosphere of their party had been charged with such a sympathetic electricity that a touch had sufficed to set off a flash. The moment Mr. Ibrahim al-Far said, "Alexandria set sail from Sa'd Zaghlul Pasha today heading for Paris," reversing his words, they had all burst out laughing, since they considered that remark an exquisite example of a slip of the tongue caused by intoxication.

They had been quick to add, "He will continue negotiating until he regains his health, when he will set sail for the invitation in response to the London he received from" or "He will receive Ramsay MacDonald from the independence of the agreement" and "He will return with Egypt for independence." They had begun to discuss the anticipated negotiations, larding their comment with whatever jests they saw fit.

Vast as his world of friends was, it really boiled down to three: Muhammad Iffat, Ali Abd al-Rahim, and Ibahim al-Far. Cold he imagine the world's existence without them? The way their faces lit up with genuine joy when they saw him made him happier than anything else could. His dreamy eyes met Amina's inquisitive ones. As though to remind her of something extremely important, he said, "Tomorrow."

With a beaming face she replied, "How could I forget?"

He did not attempt to conceal his pride when he commented, "It's said that the baccalaureate results were awful this year."

She smiled once more to share in his pride and said, "May our Lord make his efforts successful and let us live long enough to see him obtain his degree."

"Did you go to Sugar Street today?" he asked.

"Yes," she replied, "and I invited everyone. They'll all come except the old lady, who excused herself because she's so tired. Her two sons will congratulate Kamal on her behalf."

Gesturing toward his cloak with his chin, al-Sayyid Ahmad said, "Today Shaykh Mutawalli Abd al-Samad brought me amulets for the children of Khadija and Aisha. His wish for me was: 'God willing, I'll make you amulets for your grandchildren's children.'"

Shaking his head, he smiled and continued, "Nothing's impossible for God. Shaykh Mutawalli himself is like iron even though he's in his eighties."

"May our Lord grant you health and strength."

He reflected for a time while he counted on his fingers. Then he observed, "If my father had lived, may God be compassionate to him, he would not have been much older than the shaykh."

"May God have mercy on all those who have departed this life."

Silence reigned until the impact of the reference to the dead had dissipated. As though remembering something important, the man said, "Zaynab's gotten engaged!"

Amina's eyes grew wide. She raised her head and asked, "Really?"

"Yes, Muhammad Iffat told me tonight."

"Who is it?"

"A civil servant named Muhammad Hasan, who is head of the records office in the Ministry of Education."

She commented despondently, "It sounds as though he's advanced in years."

"Not at all," he objected. "He's in his thirties, thirty-five, thirty-six, forty at the most." He continued sarcastically, "She tried her luck with young men and failed. I mean young men with no backbone. Let her try her luck with mature men."

Amina said sorrowfully, "Yasin would have been better for her, if only because of their son."

Al-Sayyid Ahmad shared her opinion, which he had defended for a long ti... --Ce texte fait référence à l'édition Broché .

Revue de presse

"A masterpiece" (The Times)

"A magnificent, Tolstoyan saga... unmissable" (Cosmopolitan)

"Shamelessly entertaining" (Guardian)

"An engrossing work, whose author can take his place alongside any European master you care to name" (The Sunday Times)

"Teeming with life and contention... it promises riches" (Independent) --Ce texte fait référence à l'édition Broché .

Détails sur le produit

  • Broché: 432 pages
  • Editeur : Anchor; Édition : Reprint (1 décembre 1991)
  • Langue : Anglais
  • ISBN-10: 0385264682
  • ISBN-13: 978-0385264686
  • Dimensions du produit: 2,4 x 15,2 x 23,5 cm
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (2 commentaires client)
  • Classement des meilleures ventes d'Amazon: 683.663 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
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5.0 étoiles sur 5 Second part of "The Cairo Trilogy" 9 mai 2005
Par HORAK
Format:Broché
In the second volume of "The Cairo Trilogy", we follow the progress of Al-Sayyid Ahmad Abd al-Jawad's family after the death of Fahmy in a riot against the British. After more than one year, Al-Sayyid Ahmad resumes his visits to Jalila and Zubayda. The later is to become his private mistress on a houseboat on the Nile and later Yasin's wife! Kamal is now seventeen and to Al-Sayyid Ahmad's disappointment he intends to enrol at the Teachers College. His father would wish him to become a civil servant or an engineer but Kamal is more interested in literature and philosophy. He is indeed becoming an adult and his relation with his mother Amina is changing. He feels that he has nothing much to tell her except "meaningless chatter". Another disappointment for Kamal is his love for Aïda who never quite reciprocates his feelings for her.
What makes the second volume interesting is the evolution of the Egyptian society, the rules of which begin to relax as the country inexorably adopts more Western values. These values are difficult to accept for conservative people like those of Al-Sayyid Ahmad's generation. It appears that the family values suffer most from such a modernisation and in this respect Yasin is a good example with his three marriages. Like in the first volume, the reader can expect the highest literary standards in "Palace Of Desire" by one of the greatest writers of the 20th century.
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1 internautes sur 1 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Excellent series 17 mai 2009
Format:Broché
Naguib Mahfouz's writing is addictive, and the second book in this series is just as much a page-turner as the first. It gives such an intimate look into Egyptian family life and society, and a sense of the struggles and frustrations during the political turmoil of the 20th century. This book has a lot of inner-dialog, detailing the thoughts of Fahmy as life around him is changing fast. But the father, Al-Sayyid Ahmad Abd al-Jawad is the center of the story and still such an intriguing character. Highly recommend this series.
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Amazon.com: 4.4 étoiles sur 5  27 commentaires
17 internautes sur 17 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 One man's family . . . 17 janvier 2006
Par Ronald Scheer - Publié sur Amazon.com
Format:Broché
Although published as a trilogy, Mahfouz' story of a Cairo family was originally written as a single novel. "Palace of Desire" is one-third out of roughly the middle of it. The time is now the 1920s, and the focus is chiefly on three characters, the father, Al-Sayyid Ahmad, and his two sons, Yasin and Kamal. Desire as a theme runs strongly through the entire trilogy, and it emerges here in three very different ways. The older man feels the beginnings of age interfere with his extramarital dalliances and his life of nightly good fellowship with friends and female company. The older of his two sons is a heedless Don Juan, bored with his wives soon after he marries them. The younger son experiences his first true love and is tormented night and day, first by her teasing interest in him and then in the discovery of her real feelings. Meanwhile, there is a kind of high comedy in the ongoing conflicts between the father's two daughters and their mother-in-law.

Mahfouz also explores class differences in this part of his story, where Kamal, the younger son, is introduced through a school friend to a wealthy, westernized family. His coming of age, loss of innocence, and discovery of a world very different from the sheltered life he has known make this part of the story especially poignant. References to the changing political climate in post-WWI Egypt reflect the theme of national independence from British dominance that Mahfouz has followed from the beginning of the trilogy. Altogether, Mahfouz' family saga, with its interwoven threads of related storylines is a joy to read.
21 internautes sur 25 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 Unique window into Arabic culture and Arabic weltanschauung. 18 mars 2002
Par David J. Gannon - Publié sur Amazon.com
Format:Broché
I do consulting in the refining and petrochemical industries and have, as a result, struck up several friendships with Arabs and Arab-Americans working in those facilities. Once I asked several acquaintances if there were are well-regarded Arab writers with good English translations available that could help me as an American better understand the modern Arab experience and worldview. Several recommended The Cairo trilogy (Palace Walk, Palace of Desire, Sugar Street) by Naguib Mahfouz. It covers a time period that would provide an excellent overview into 20th century Arab experience both politically and socially, especially vis-à-vis Arab/Western interaction. It is a family saga and therefore provides a good view of modern Arab family life and the affects modernization has had on it. It's urban setting and action would be more familiar to Americans than a more rural tale. The books are written from a genuinely Arabic sensibility language-wise-a sensibility not overly degraded by translation. And, finally, it would be a "less difficult" introduction to Arabic culture than other possibilities.
It should be noted that "less difficult" is not that same as "easy" or "easier". This marks an important distinction, one underscored by these books. Arabic language, society and sensibilities are colored much more by nuances and multiple permutations on a few basic themes than is true in Western society.
Naguib Mahfouz is a Nobel Prize-winning Egyptian novelist who adeptly and adroitly captures these nuances and evokes a genuine feel for-if not true understanding of-their intrinsic roots within the Arabic weltanschauung.
Clearly, based on the reviews to date for this book, there are many who have difficulty with this dynamic. These are the folks who probably are unable to split hairs and see the distinction between "less difficult" and "easier". If you are that sort of person I have to say quite honestly that you are going to be both frustrated and bored by this book or any of the series.
If you are the sort who relishes a challenge, truly wants to try to get a feel for and understand Arabic social and political views and don't mind putting a bit of effort into that undertaking, you will find reading any or all of these books a rewarding experience indeed.
8 internautes sur 8 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Worthy of the Nobel Prize 14 janvier 2006
Par Matthew Krichman - Publié sur Amazon.com
Format:Broché
It's tough to think of Palace of Desire as a stand-alone book. It wouldn't make any sense outside of the context of the trilogy that it's a part of. A reader would be lost if he simply picked this off the shelf and started reading without having read Palace Walk. And likewise, you would feel unsatisfied if you stopped at the end of this book instead of continuing on with the final installment of the trilogy.

Of course, no one (least of all the author) would argue that point. This was all meant to be one book from the start, and that's pretty obvious. But since there aren't all that many people out there with the patience to read an eleven-hundred-page book....well, that's why this is three books and not one huge one.

Part two of the trilogy is just as fascinating as part one. Each of the characters is up to his same old tricks. Yasin is getting married, and divorced, and married again, and still visiting prostitutes - sometimes the same ones that his dad is visiting. Kamal is enrolling in the Teachers' School, against his father's wishes, and starting to lose his faith in religion as he learns more about science, philosophy, and the world around him. And throughout it all, Egypt is portrayed as a country very much in transition. The traditional elements of society are precariously juxtaposed against the liberal forces of change. And this inevitably causes sparks to fly.

It's easy to see why Mahfouz was awarded the Nobel Prize. He's more than just a great writer; he's also an eloquent voice speaking on behalf of a fascinating country in a fascinating time.
11 internautes sur 12 ont trouvé ce commentaire utile 
5.0 étoiles sur 5 The best of three and all 12 juin 1999
Par Ahmet E. Gumrukcuoglu - Publié sur Amazon.com
Format:Broché
A marvellous sequel to "Palace Walk". It's a book about love, religion, despair, love, life and love once more. Moreover, the Kamal character gives signs of young Mahfouz who passed first half of his life unmarried. The best and most disturbing Mahfouz novel I've ever read.
12 internautes sur 14 ont trouvé ce commentaire utile 
4.0 étoiles sur 5 Enter through the imagination 10 mai 2002
Par sally a mcnall - Publié sur Amazon.com
Format:Broché
As a college teacher trying to help American students to understand why we are not universally popular in the Middle East, I have found that fiction works better than any number of cogent analyses of Shariah or Militant Fundatmentalism. What is required--and this is really no surprise--is an honest effort to enter the minds and hearts of a culture not our own. The novels of Mahfouz are absolutely invaluable, and particularly this centerpiece of the trilogy, in which modernization (i.e., the encroachment of Western values, the reaction against them, the struggle for a Western-style nation state: all these are illuminated on these pages.
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