undrgrnd Cliquez ici Toys KDP nav-sa-clothing-shoes nav-sa-clothing-shoes Cloud Drive Photos cliquez_ici nav_egg15_2 Cliquez ici Acheter Fire Acheter Kindle Paperwhite cliquez_ici Jeux Vidéo Gifts
Pet Sematary (English Edition) et plus d'un million d'autres livres sont disponibles pour le Kindle d'Amazon. En savoir plus
EUR 7,58
  • Tous les prix incluent la TVA.
En stock.
Expédié et vendu par Amazon. Emballage cadeau disponible.
Quantité :1
Pet Sematary a été ajouté à votre Panier
Vous l'avez déjà ?
Repliez vers l'arrière Repliez vers l'avant
Ecoutez Lecture en cours... Interrompu   Vous écoutez un extrait de l'édition audio Audible
En savoir plus
Voir les 3 images

Pet Sematary (Anglais) Poche – 1 février 2001

2 commentaires client

Voir les formats et éditions Masquer les autres formats et éditions
Prix Amazon
Neuf à partir de Occasion à partir de
Format Kindle
"Veuillez réessayer"
"Veuillez réessayer"
EUR 62,19
"Veuillez réessayer"
EUR 7,58
EUR 5,60 EUR 1,49
"Veuillez réessayer"
EUR 18,96
"Veuillez réessayer"
EUR 32,96 EUR 29,42

Idées cadeaux Livres Idées cadeaux Livres

Idées cadeaux Livres
Retrouvez toutes nos idées cadeaux dans notre Boutique Livres de Noël.

Offres spéciales et liens associés

Produits fréquemment achetés ensemble

  • Pet Sematary
  • +
  • 'Salem's Lot
  • +
  • Carrie
Prix total: EUR 22,71
Acheter les articles sélectionnés ensemble

Descriptions du produit


Chapter One

Louis Creed, who had lost his father at three and who had never known a grandfather, never expected to find a father as he entered his middle age, but that was exactly what happened...although he called this man a friend, as a grown man must do when he finds the man who should have been his father relatively late in life. He met this man on the evening he and his wife and his two children moved into the big white frame house in Ludlow. Winston Churchill moved in with them. Church was his daughter Eileen's cat.

The search committee at the university had moved slowly, the hunt for a house within commuting distance of the university had been hair-raising, and by the time they neared the place where he believed the house to be -- all the landmarks are right...like the astrological signs the night before Caesar was assassinated, Louis thought morbidly -- they were all tired and tense and on edge. Gage was cutting teeth and fussed almost ceaselessly. He would not sleep, no matter how much Rachel sang to him. She offered him the breast even though it was off his schedule. Gage knew his dining schedule as well as she -- better, maybe -- and he promptly bit her with his new teeth. Rachel, still not entirely sure about this move to Maine from Chicago, where she had lived her whole life, burst into tears. Eileen promptly joined her. In the back of the station wagon, Church continued to pace restlessly as he had done for the last three days it had taken them to drive here from Chicago. His yowling from the cat kennel had been bad, but his restless pacing after they finally gave up and set him free in the car had been almost as unnerving.

Louis himself felt a little like crying. A wild but not unattractive idea suddenly came to him: He would suggest that they go back to Bangor for something to eat while they waited for the moving van, and when his three hostages to fortune got out, he would floor the accelerator and drive away without so much as a look back, foot to the mat, the wagon's huge four-barrel carburetor gobbling expensive gasoline. He would drive south, all the way to Orlando, Florida, where he would get a job at Disney World as a medic, under a new name. But before he hit the turnpike -- big old 95 southbound -- he would stop by the side of the road and put the fucking cat out too.

Then they rounded a final curve, and there was the house that only he had seen up until now. He had flown out and looked at each of the seven possibles they had picked from photos once the position at the University of Maine was solidly his, and this was the one he had chosen: a big old New England colonial (but newly sided and insulated; the heating costs, while horrible enough, were not out of line in terms of consumption), three big rooms downstairs, four more up, a long shed that might be converted to more rooms later on -- all of it surrounded by a luxuriant sprawl of lawn, lushly green even in this August heat.

Beyond the house was a large field for the children to play in, and beyond the field were woods that went on damn near forever. The property abutted state lands, the realtor had explained, and there would be no development in the foreseeable future. The remains of the Micmac Indian tribe had laid claim to nearly eight thousand acres in Ludlow and in the towns east of Ludlow, and the complicated litigation, involving the federal government as well as that of the state, might stretch into the next century.

Rachel stopped crying abruptly. She sat up. "Is that -- "

"That's it," Louis said. He felt apprehensive -- no, he felt scared. In fact he felt terrified. He had mortgaged twelve years of their lives for this; it wouldn't be paid off until Eileen was seventeen.

He swallowed.

"What do you think?"

"I think it's beautiful," Rachel said, and that was a huge weight off his chest -- and off his mind. She wasn't kidding, he saw; it was in the way she was looking at it as they turned in the asphalted driveway that curved around to the shed in back, her eyes sweeping the blank windows, her mind already ticking away at such matters as curtains and oilcloth for the cupboards, and God knew what else.

"Daddy?" Ellie said from the back seat. She had stopped crying as well. Even Gage had stopped fussing. Louis savored the silence.

"What, love?"

Her eyes, brown under the darkish blond hair in the rearview mirror, also surveyed the house, the lawn, the roof of another house off to the left in the distance, and the big field stretching up to the woods.

"Is this home?"

"It's going to be, honey," he said.

"Hooray!" she shouted, almost taking his ear off. And Louis, who could sometimes become very irritated with Ellie, decided he didn't care if he ever clapped an eye on Disney World in Orlando.

He parked in front of the shed and turned off the wagon's motor.

The engine ticked. In the silence, which seemed very big after Chicago and the bustle of State Street and the Loop, a bird sang sweetly in the late afternoon.

"Home," Rachel said softly, still looking at the house.

"Home," Gage said complacently on her lap.

Louis and Rachel stared at each other. In the rearview mirror, Eileen's eyes widened.

"Did you -- "

"Did he -- "

"Was that -- "

They all spoke together, then all laughed together. Gage took no notice; he only continued to suck his thumb. He had been saying "Ma" for almost a month now and had taken a stab or two at something that might have been "Daaa" or only wishful thinking on Louis's part.

But this, either by accident or imitation, had been a real word. Home.

Louis plucked Gage from his wife's lap and hugged him.

That was how they came to Ludlow.

Copyright © 1983 by Stephen King

Revue de presse

Publishers Weekly The most frightening novel Stephen King has ever written.

Washington Post Book World Wild, powerful, disturbing.

Detroit News A stunner....King gets you to believe the unbelievable.

Pittsburgh Press Unrelenting, convincing...awesome power...his best yet!

Aucun appareil Kindle n'est requis. Téléchargez l'une des applis Kindle gratuites et commencez à lire les livres Kindle sur votre smartphone, tablette ou ordinateur.

  • Apple
  • Android
  • Windows Phone

Pour obtenir l'appli gratuite, saisissez votre adresse e-mail ou numéro de téléphone mobile.

Détails sur le produit

  • Poche: 576 pages
  • Editeur : Pocket Books (1 février 2001)
  • Collection : Roman
  • Langue : Anglais
  • ISBN-10: 0743412273
  • ISBN-13: 978-0743412278
  • Dimensions du produit: 10,6 x 3,3 x 17,1 cm
  • Moyenne des commentaires client : 5.0 étoiles sur 5  Voir tous les commentaires (2 commentaires client)
  • Classement des meilleures ventes d'Amazon: 30.669 en Livres anglais et étrangers (Voir les 100 premiers en Livres anglais et étrangers)
  • Table des matières complète
  •  Souhaitez-vous compléter ou améliorer les informations sur ce produit ? Ou faire modifier les images?

En savoir plus sur l'auteur

Stephen King est l'auteur de plus de cinquante livres, tous best-sellers d'entre eux à travers le monde. Parmi ses plus récentes sont les romans La Tour Sombre, Cell, Du Hearts Buick 8, Everything's Eventual, en Atlantide, La Petite Fille qui aimait Tom Gordon, et Sac d'os. Son livre documentaire acclamé, sur l'écriture, a également été un best-seller. Il est le récipiendaire de la Médaille nationale de 2003 Réservez Fondation pour contribution exceptionnelle aux lettres américaines. Il vit à Bangor, Maine, avec son épouse, la romancière Tabitha King.

Dans ce livre

(En savoir plus)
Parcourir et rechercher une autre édition de ce livre.
Parcourir les pages échantillon
Couverture | Copyright | Extrait | Quatrième de couverture
Rechercher dans ce livre:

Quels sont les autres articles que les clients achètent après avoir regardé cet article?

Commentaires en ligne

5.0 étoiles sur 5
5 étoiles
4 étoiles
3 étoiles
2 étoiles
1 étoiles
Voir les deux commentaires client
Partagez votre opinion avec les autres clients

Commentaires client les plus utiles

4 internautes sur 4 ont trouvé ce commentaire utile  Par Barthel Damien le 1 mars 2010
Format: Broché
Indéniablement le meilleur roman de Stephen King (avec "Ca", "Shining" et le récent "Duma Key"). Une plongée terrifiante, sans aucun espoir de retour, dans une histoire glauque et nihiliste, dépressive et tragique. La mort dans toute sa brutalité, sa bestialité, sa tragédie. Inimaginablement sombre et putride, à déconseiller aux âmes sensibles, mais les amateurs d'épouvante et les fans de King doivent à tout prix se jeter dessus !
Remarque sur ce commentaire Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
Merci pour votre commentaire.
Désolé, nous n'avons pas réussi à enregistrer votre vote. Veuillez réessayer
Signaler un abus
1 internautes sur 1 ont trouvé ce commentaire utile  Par gordon le 6 janvier 2014
Format: Poche Achat vérifié
Lu, relu et relu encore, c'est à mon opinion le meilleur de Stephen King (je les ai presque tous lus). Le scénario est fabuleux, on se laisse entraîner dès les premières pages et après c'est fini on ne peut plus décrocher c'est ennivrant, profondément dérangeant, c'est une prouesse d'analyse psychologique, exceptionnel! je le relirai encore!!!
Remarque sur ce commentaire Avez-vous trouvé ce commentaire utile ? Oui Non Commentaire en cours d'envoi...
Merci pour votre commentaire.
Désolé, nous n'avons pas réussi à enregistrer votre vote. Veuillez réessayer
Signaler un abus

Commentaires client les plus utiles sur Amazon.com (beta)

Amazon.com: 747 commentaires
77 internautes sur 79 ont trouvé ce commentaire utile 
One of his best--but very, very dark. 25 février 2000
Par Will Errickson - Publié sur Amazon.com
Format: Poche
I first read this book as a teenager--God, was it really 15 years ago? Loved it then, like it now. I must've reread it a dozen times, because the characters caught hold of me. King sketches his characters broadly but carefully, making their dialogue come alive--Jud Crandall is particularly likeable in this regard--and making their emotions ring true... Which is what makes the horror so unsettling. This is one of King's darkest works, as it deals not simply with supernatural terror, but REAL terror, like the death of a child, or the realization that people can be cruel and evil with little provocation, or the guilt that comes with hiding things. One of the effective ways King achieves his horror is in having Jud Crandall tell his stories about what happened many years before in the town of Ludlow. God, those stories, of Timmy Baterman, of Jud's own dog, wreaked havoc on my imagination as a teen; one of the very few times that simply reading has induced in me the feeling of physical fear, as if I myself might be in danger. I've read countless horror novels, and this was one of the few books to do that to me! It's not really fun. Still, I recommend "Pet Sematary" highly. It's dark and somber and very real--King playing for keeps.
55 internautes sur 57 ont trouvé ce commentaire utile 
Bone-Chilling! 6 avril 1999
Par Desservo2@aol.com - Publié sur Amazon.com
Format: Poche
Wow. I have read many of King's works, and I was never REALLY scared by any of his books. I just thought they were darned good reads. However, Pet Sematary is quite different.
The plot revolves around young doctor Louis Creed, who moves to a remote little town in Maine with his beautiful family -- but they all get the feeling that the cute little town has a dark, evil secret. Wierd things start to happen when a college student comes into Creed's campus infirmary -- hit by a truck and as good as dead -- and sputters warnings out to him, and later appears in a dream, advising him not to pass the barrier at the end of the "Pet Sematary."
Louis's life starts to fall apart, and he senses a strange power. The "Pet Sematary" and the darkness which lies beyond it begin to control and destroy his life.
Doesn't sound scary -- that's only because I didn't want to give anything away. But, it is EXTREMELY creepy, even though I've already seen the movie about a million times.
I honestly have to say that "PET SEMATARY" gave me the creepiest four days of my life. Many scenes in this grim masterpiece will absolutely freeze your blood. I don't think I have ever been that "freaked out." In fact, I finished the book today, and last night the book scared me so bad that I was litteraly afraid to go to sleep -- therefore, I did not. I stayed up all night, afraid to turn off the lights and go to sleep, with nothing to do but read the book. This book is like the MicMac burial ground itself....it seems to control you, and forces you to unlock its frightening secrets.
If you are in for a good scare that no horror movie could ever give you (this coming from a hard-boiled horror fan, who does NOT scare easy, and I am being truthful), then order this book immediately. You will be scared....but you will not be sorry.
I think this book also has a moral -- don't try to fix it if it aint really broke. Also, as the tagline for the movie states..."Sometimes dead is better." Absolutely right.
Well, I am off now, to drink a pot of black coffee to make up for all the sleep I lost reading Pet Sematary last night.
26 internautes sur 26 ont trouvé ce commentaire utile 
The Cat Came Back: King's Pet Sematary 8 novembre 2005
Par Jerome E. Murphy - Publié sur Amazon.com
Format: Poche
This novel follows doctor Louis Creed, his wife Rachel, and their two children, who move into an old house in Maine near a haunted patch of ground that feeds on human grief and insanity, which it elicits by resurrecting any dead thing interred in its stony grip. The spirit or spirits of the place have a magnetic draw on the human mind that has led to a long, secret local tradition of this very act--mostly involving children's pets, but once in a while, something human. First the family cat gets run over, and then the family's young son. You see where this is going. When summarized, it's far-out, even laughable stuff.

Yet Stephen King was afraid to re-read the finished book, his wife afraid to finish reading it the first time, and both of them afraid to see it published. They considered it too disturbing. I can even feel a faint anxiety as I write my review. That a mere book can have such effect is as disturbing as anything else about it--it seems threatening that mere printed matter should exert such power over our nerves. King later

called it "a dirty, nasty book."

He's absolutely right. Besides being utterly merciless towards its characters and its readers, the novel contains ideas so unwholesome, so unnatural, and such a fixation on uncanny evil, that some fundamental part of us rebels. This sets up a psychological paradox, for while our brain wants to reject what has been put before us, it also wants to accept it,due to the novel's beguiling realism (another King trademark). What this means is that a thoughtful reader will end up turning over the novel's proposals in his or her brain, and if left to obsess, could wind up very disturbed indeed. There's a reason this book scared even Stephen King.

You don't become the world's bestselling novelist by chance. King fills a niche--and it's not just about horror. There is, after all, no shortage of shlocky horror novels whose plots follow storylines similar to those of King's. So what sets his work apart?

For one thing, as with the work of Dickens, God is in the details. King disarms us with evocative details from everyday life long before he asks us to believe the unbelievable. He displays a unique talent in this area, and his skill is absolutely one-in-a-million. You read certain passages and think, "Yes--it is like that, and no one else has articulated it!"

This holds true for his meditations on family life, too. "He more than half suspected that one of the things which had kept their marriage together... was their respect of the mystery--the half-grasped but never spoken idea that maybe, when you got right down... there was no such thing as marriage, no such thing as union, and that each soul stood alone and ultimately defied rationality... And sometimes (rarely, thank God) you ran into a full-fledged pocket of alien strangeness, something like the clear-air turbulence that that can buffet an airliner for no reason at all... And then you trod lightly, if you valued your marriage and your peace of mind; you tried to remember that anger at such a discovery was the province of fools who really believed it was possible for one mind to know another." It's also clear that King writes from experience when Louis meditates on the inner life of his children and wonders tenderly, musingly, and "not for the first time, if childhood was more a period of forgetting than of learning."

His work is designed to convince. Even when Louis realizes that his son has come back from the dead, he finds out in broad daylight, while on the phone with his father-in-law. It's then that he sees the mud tracks on the kitchen floor. The way this is described is utterly convincing, and by the time King's done with us, we're in Louis's shoes and we're all too sure that if this could happen, it would happen exactly the way it does here.

Another of King's disarming tactics is the pre-emptive strike. We can't laugh the horror away: his characters have already tried to do it for us. We can't rationalize it away: we watch them attempt and fail. One of King's masterstrokes in Pet Sematary is the choice of a doctor for his protagonist--someone whose clinical sense of science and reason resists every assertion of the supernatural, the uncanny, the improbable. Louis Creed does our doubting and our disbelieving for us. The passage where Louis, finally having come round, matter-of-factly calculates the various possibilities that the return of his young son might entail, as though he were working out an algebraic formula, is a subtle example of King's brand of literary achievement.

Nor can we wish away the terror by re-situating ourselves in daylight and in modernized, technological settings. Some of the most harrowing passages of the novel take place in an airport. His characters are at home in pop culture. King also has a great feel for the way that simple phrases ("It's only the loons. The sound carries. It's funny.") or even simple words like resurrection or abomination can take on uncanny meanings under the right circumstances and repeat themselves obsessively in one's mind, with cumulative ominousness. Writers will especially appreciate this effect.

Throughout Pet Sematary, but especially in the book's last third, there are passages where the narrative becomes so specific, so coldly vivid in timing and detail, as to approach hallucination. The effect this has is unsettling, to say the least. For my money, the most harrowing passages aren't those involving the resurrections, but those that put us in Louis's shoes as he robs a graveyard and then carries his dead son

through the haunted woods at two in the morning. It was these passages that kept me awake much later, because they are the most realistic. "This place was thick with spirits; it was tenebrous with them," Louis finally has to admit to himself. "The reality of what he was doing--standing out here in the dark calling his dead son--suddenly hit him and set his scalp crawling." I paraphrase, but you get the idea. There is reality in this book: the reality of marriage; of work; of parenthood; of extended family relations; of neighborhoods; of death; and of evil. As after a particularly lucid dream, there is a part of us that believes what we have just experienced. It takes a little while to recover.

Pet Sematary builds to a tense moment and leaves you there: it wants to stay with you. It could have been a modern literary classic if King didn't give in to his temptation to show us too much, simply because his talent at rendering the unbelievable believably entices him to do so. It should have retained the spare, taut, harrowing quality of the night-in-the-woods sequences, but it loses a little steam when we confront the monster.

Stephen King has been embraced as a sort of cultural campfire yarn-spinner in the popular imagination. He's given us Shawshank Redemption, Stand By Me and the Green Mile, not to mention the campily enjoyable miniseries The Stand and the scare-with-a-wink Creepshow series. What's easy to forget about is the dark bite his actual novels have, and not one of them has more bite than Pet Sematary.
34 internautes sur 36 ont trouvé ce commentaire utile 
For me - this is the scariest book ever written 15 juillet 2004
Par Mark J. Fowler - Publié sur Amazon.com
Format: Poche
Different people have different ideas about what is "funny" - same with "scary". If snakes or spiders or great-white sharks scare the peedoodle out of you, then your reaction to a story about them might be different than it might be for, say The Crocodile Hunter.
Stephen King is prolific beyond belief. He is sometimes redundant. In Pet Sematary he wrote a story so compelling that I literally could not put it down, yet at the same time so horrifying that I practically screamed at myself NOT TO TURN THE NEXT PAGE!!!!
King knows a thing or two about humans and human relationships, and in Pet Sematary he creates a realistic family that you care about.... then he does absolutely TERRIFYING things to them. Without giving anything away - I have to say that one of the reasons that this book affected me so deeply is that I had recently become a Dad back when this book first was released, and this book hones in on a new parent's worst nightmares, then just gets worse and worse and worse.
If you like being scared by a book, and you can't think of anything worse than seeing your child killed - this book might hit you like it hit me. I repeat: This is the scariest novel I have ever read.
As an aside: The "scariest book ever" was turned into a fairly cheesy movie. I give the book a solid 5 stars, but wouldn't rate the film any higher than 2 or 3. Another aside: My personal choice for "scariest movie" is "The Exorcist", while I found the novel of "The Exorcist" fairly bland and not paced well enough to scare me.
40 internautes sur 45 ont trouvé ce commentaire utile 
I'll Never Look at Cats the Same Way Again!! 17 août 2004
Par B. Merritt - Publié sur Amazon.com
Format: Poche Achat vérifié
PET SEMATARY is a book that will stand the test of time. It is, of course, one of King's early novels, and we can see the author at his peek. The horrors he reveals (from family dynamics to supernatural burial grounds) are chilling enough to scare the bejesus out of the sternest of hearts!

The story revolves around the Creed family and their move from a bustling Chicago suburb to quiet Bangor, Maine, where the father (Louis) starts work as a physician. He brings with him his wife and two children (Ellie, a preteen daughter, and Gauge, a preschool boy still in diapers). The house they move into is beautiful with plenty of land for the children to play on, and a nice old neighbor couple across the "road", the Crandalls. It is this "road" that causes some immediate concern to Louis as Judd Crandall tells him about the deaths of animals caused by the big semi-trucks that blaze down its blacktop.

Judd becomes friends with the family and eventually takes them (or rather is drawn into taking them) on a small path behind the Creed's house that leads to a very special place: the PET SEMATARY. This is the place where most of the animals that'd been killed on the "road" are buried. It's a strange place with concentric circles, the shape the multiple graves make as they are laid out against the well-kept grounds. Louis and Ellie notice a large deadfall tree and Judd warns them not to climb it because it is too dangerous. But there's more to the story than that. What lay beyond the deadfall tree?

Ellie's cat, Church, is eventually killed on the "road", and Judd and Louis decide to bury the cat, but not in the PET SEMATARY; they go beyond, over the deadfall, and into a very special place known as the Micmac burial grounds, a place that has existed since the Earth began, and has the power in its soil to bring back the dead. But at what cost?

"Has anyone ever buried a human being back there?" Louis asks Judd.

"Don't even think such a thing, Louis!" Judd replies.

Church returns to the living, but is much changed. The cat smells foul, and has a very cold and evil manner about it. But at least Ellie has her cat back, right?

Eventually the "road" takes more than just an animal of the Creed's. In a horrific set of narratives, Mr. King draws us into what might happen if humans were brought back from the dead. What happens to our soul if we're brought back? Does it come with us? Or does it stay on the Micmac grounds? Or perhaps something in-between?

This book will, in every sense of the word, "freak" you out! It's terrifyingly terrific, as were many of King's earlier novels. A must read for the horror afficionado.
Ces commentaires ont-ils été utiles ? Dites-le-nous


Souhaitez-vous compléter ou améliorer les informations sur ce produit ? Ou faire modifier les images?